International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
to
535
2,044
1,014
797
313
384
Overall Width
to
Overall Height
to
182
423
3,277
870
112
174
452
391
239
170
307
396
294
238
87
834
747
680
247
109
100
86
79
67
32
24
11
2
2,433
1,883
193
1,857
872
783
716
510
433
286
266
186
180
163
147
132
125
122
118
108
105
105
96
1,246
1,089
615
532
389
104
84
58
57
56
491
146
4,056
705
Goat Herder's Wife
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Goat Herder’s Wife, 1928, lithograph, signed in pencil lower right and titled and numbered (64/100) in pencil lower left margin [with the inscription ”Bidd...
Category
1920s Realist International Fine Print Dealers Association Art
Materials
Lithograph
African & Indian Elephant Painting
Located in New York, NY
Original gouache illustration on board for "The Joy of the Elephant." London, 1971. Unframed. Unsigned.
Category
1970s International Fine Print Dealers Association Art
Materials
Gouache, Board
Stages II
By Darius Steward
Located in Fairlawn, OH
Stages II
Watercolor on Arches paper, 2021
Signed with the artist's initials lower right (see photo)
Signed with the artist's Yummy blindstamp lower right
Signed, titled and dated in...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Watercolor
Red-Winged Parrakeet Engraving
By William Thomas Greene
Located in New York, NY
Color wood engraving with hand finishing from "Parrots in Captivity" by William Thomas Greene after an original drawing by A.F. Lydon. London: G...
Category
1880s International Fine Print Dealers Association Art
Materials
Paper
Woman with Bouquet (Lady Liberty by Moonlight)
By Mary Spain
Located in Fairlawn, OH
Woman with Bouquet (Lady Liberty by Moonlight)
Oil on canvas, 1974
Signed and dated by the artist lower center (see photo)
Titled in pencil on stretcher, verso
Housed in the original...
Category
1970s Contemporary International Fine Print Dealers Association Art
Materials
Oil
Gold Woman Wearing White Fur Coat
By Reynaldo Luza
Located in New York, NY
Luza, Reynaldo.
Trade Catalogue.
This plate: Woman in gold wearing white, striped fur coat with large collar, on black background.
Paris, Draeger for Revi...
Category
1920s International Fine Print Dealers Association Art
Materials
Paper
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School International Fine Print Dealers Association Art
Materials
Aquatint
Thicket
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Woodcut
$2,400 Sale Price
20% Off
Galaxy Painting, ca. 1925
Located in New York, NY
Small format watercolor and gouache painting by an unknown French artist, circa 1925.
Category
1920s International Fine Print Dealers Association Art
Materials
Watercolor, Gouache
Ponte Vecchio Florence
By Robert Hallowell
Located in Fairlawn, OH
Ponte Vecchio Florence
Oil on canvas, 1927
Signed and dated lower right corner
Titled upper left
NOTE: this offering is UNFRAMED
Condition: Excellent
Conservation by Monica Radecki, ...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Oil
Morning Paper
By Alessandro Mastro-Valerio
Located in Fairlawn, OH
Morning Paper
Mezzotint, 1941
Signed in pencil lower right
Publisher: 32nd Presentation Print of the Chicago Society of Etchers
Edition: 350
Illustrated in GREAT AMERICAN PRINTS 1900...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Mezzotint
Urania
By Gregory Amenoff
Located in New York, NY
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...
Category
1980s Contemporary International Fine Print Dealers Association Art
Materials
Woodcut
$1,750 Sale Price
30% Off
The Chase Is On
By Gordon Phillips
Located in Myrtle Beach, SC
Gordon Phillips, 'The Chase Is On', graphite, c. 1980. Signed and titled in pencil. A fine, spontaneous rendering, on white, wove bristol, the full she...
Category
20th Century Realist International Fine Print Dealers Association Art
Materials
Graphite
Elegy Study
By Robert Motherwell
Located in London, GB
Lithograph on Twinrocker handmade paper
1979
64.1 x 95.3 cm (25 1/4 x 37 1/2 inches)
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Tokyo Tower in Shiba
Located in Fairlawn, OH
Tokyo Tower in Shiba
Color woodblock, 1960
Signed and sealed lower right
Signed with the artist's name:" Keimei" (see photo)
Signed with the artist's seal in red (see photo)
Publishe...
Category
1960s Other Art Style International Fine Print Dealers Association Art
Materials
Woodcut
LEOPARDENJAGD (LEOPARD HUNT)
By Norbertine Bresslern-Roth
Located in Portland, ME
Bresslern-Roth, Norbertine (Austrian, 1891-1978). LEOPARDENJAGD (LEOPARD HUNT). Linoleum cut in colors, 1927. Signed, titled and inscribed "Handdruck" (ha...
Category
1920s International Fine Print Dealers Association Art
Materials
Linocut
Prickly Pear Cactus by Michael Bernhard Valentini, 1719
By Michael Bernhard Valentini
Located in New York, NY
Original engraving with later hand-coloring from Viridarium Reformatum Seu Regnum Vegetabile... by Michael Bernhard Valentini.
Tab. LXXIII.
Frankfurt, Heinscheidt, 1719.
Displaye...
Category
1910s International Fine Print Dealers Association Art
Irving Place Burlesque, lithograph, 1928
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesque, lithograph, 1928, signed in pencil lower right and inscribed 25 proofs lower left margin [also signed and dated in the plate upper...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Lithograph
Temptation
By Donald Newman
Located in New York, NY
Donald Newman studied at the California Institute of Arts and at the Whitey Independent Study Program during the 1970s. His work has been shown in solo exhibitions at Artists Space in New York, at the Mary Boone and the Annina Nosei Galleries in New York, at the Barbara Balkin Gallery in Chicago, the Akira Ikeda Gallery...
Category
Late 20th Century American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Untitled (Plate 4) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 7) DLM
Color lithograph, 1963
Unsigned (as issued)
From: Derriere le Miroir, No. 141
Edition: 1500?
Published by A. Maeght, Paris
Condition: Mint
Sheet/Image size: 1...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Words and Deeds
By Ben Wilson
Located in Fairlawn, OH
Words and Deeds
Oil and collage on wood panel, c. 1990
Signed recto lower right (see photo)
Verso: See photo
Signed, verso: Ben Wilson
Dated: c. 1990
Titled: Words and Deeds
Condition: Excellent
Image/panel size: 23 1/4 x 19 inches
Frame size: 26 1/4 x 21 1/4 inches
To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his rst one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, lled with what he called “the grief of the intolerable” and reecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identied strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specic imagery persisted but became more psychological and mythic in orientation. Inuenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early gurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, inuenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson lled notebook after notebook with drawings that he amplied in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...
Category
1990s Abstract International Fine Print Dealers Association Art
Materials
Oil
EVENING FLIGHT
By Roland Clark
Located in Portland, ME
Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.
Category
1920s International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Westminster Abbey - the complete album of 13 etchings
By John Sloan
Located in New York, NY
John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound with ahand-painted gilt cover [many of the etchings...
Category
1890s American Realist International Fine Print Dealers Association Art
Materials
Etching
O
By Darius Steward
Located in Fairlawn, OH
O
Watercolor on Yupo paper, 2018
Signed with the artist's initials (see photo)
Note: The Series MORE? is centered around the artist’s family.
There are two images of the artist’s s...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Watercolor
$8,500
Woods
By Louisa Chase
Located in Fairlawn, OH
Woods
Etching and aquatint printed in colors, 1985
Signed, titled & numbered in pencil
Edition: 15 (12/15)
Printed on BFK RIVES paper
Provenance: GE Art Program, (label included), se...
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Etching
A Galway Peasant (also, An Irish Peasant)
By Gerald Leslie Brockhurst
Located in New York, NY
Gerald Brockhurst (1890-1978), A Galway Peasant (also, An Irish Peasant), etching, 1920, signed in pencil lower right. Reference: Fletcher 10, from the edition of 55, third state (of...
Category
1920s Realist International Fine Print Dealers Association Art
Materials
Etching
Vierge aux sept glaives (The Virgin pierced by seven swords) (Sorrowful Mother)
By Georges Rouault
Located in Fairlawn, OH
Vierge aux sept glaives (The Virgin pierced by seven swords) (Sorrowful Mother)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1926
Unsigned as issued
From: Miserere ...
Category
1920s French School International Fine Print Dealers Association Art
Materials
Aquatint
WOUNDED DARKNESS
By Gabor F. Peterdi
Located in Portland, ME
Peterdi, Gabor. American, 1915-2001.
WOUNDED DARKNESS. P.132.
Etching, engraving and aquatint on zinc, with four stenciled colors, 1956.
Edition of 35. Signed in pencil and numbere...
Category
1950s Abstract International Fine Print Dealers Association Art
Materials
Etching
Figure Study (From Interior: Evening)
By Stone Roberts
Located in Fairlawn, OH
Signed and numbered by the artist
Edition: 25
Printed on Hahnemuhle paper
Published by Neptune Fine Arts
Condition: excellent
Plate/Image size:
Sheet size:
"Stone Roberts’ luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three-dimensional world. While Roberts’ varied influences include Greek Mythology and Roman Classicism, Dutch and Spanish Old Masters, Fantin-Latour, Ingres, and Balthus, his subjects are decidedly of today. From Grand Central Terminal to his wife gardening in Stonington, Connecticut, Roberts paints people and places from his personal surroundings into formal compositions that often appear to have mythical, literary, or psychological elements. Roberts received his B.A. from Yale University, New Haven, CT, where he studied painting with William Bailey, and his M.F.A. from the Tyler School of Art, Philadelphia, and Rome.
Roberts' work can be found in numerous public and private collections throughout the United States and Europe, including the collection of The Metropolitan Museum of Art and the Louis-Dreyfus Family Collection, New York.
A solo exhibition of Stone Roberts’ work was held at the Museum of the City of New York in 2012 entitled Stone Roberts: New York City Paintings." Courtesy of Hirschl & Adler Modern
PUBLIC COLLECTIONS
Asheville Art Museum, Asheville, NC
Sydney and Walda Besthoff
Biltmore Estate, Asheville, NC
Mrs. Robert Carroll
Mr. and Mrs. Willam Cecil
Chase Manhattan Bank, New York, NY
Evansville Museum of Arts and Sciences, Evansville, IN
Jerald Dillon Fessenden
Flint Institute of Arts, Flint, MI
Ms. Barbara Goldsmith
Mrs. Paul Gottlieb
Mr. and Mrs. Graham Gund
Mr. and Mrs. Arie L. Kopelman
Alex S. Jones
William Louis-Dreyfus
Mr. and Mrs. James C. Marlas
J.D. McClatchy and Chip Kidd
Mr. and Mrs. Richard L. Menschel
The Metropolitan Museum of Art, New York, NY
Mrs. Stephen Paine
Mr. and Mrs. W.J.W.J. van Roijen
Mrs. Julius Rosenwald II
Mark Singer
Carl Spielvogel and Barbaralee Diamonstein-Spielvogel
Bruce Springsteen and Patti Scialfa
Stephens Inc., Little Rock, Arkansas
Woodberry Forest...
Category
20th Century American Realist International Fine Print Dealers Association Art
Materials
Etching
Fractions Series (LB 4970)
By Larry Bell
Located in London, GB
Larry Bell
Fractions Series (LB 4970)
1999
Collage on paper
25.4 x 25.4 cms (10 x 10 ins)
LB11
Category
1990s Abstract International Fine Print Dealers Association Art
Materials
Mixed Media
Sea Dragon
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with metallic powder, Edition 20.
Don Ed Hardy’s lithographs “Storm Dragon” and “Sea Dragon” continue his lifelong exploration of dragon m...
Category
Early 2000s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Snigger
By John Baldessari
Located in New York, NY
John Baldessari pays tribute to the old master Albrecht Dürer by repurposing his famous woodcut "Rhinoceros". When the rhino's magnificent head is tilted up, the expression becomes...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Archival Pigment
$13,500
EDWARD MUNCH JAN.23.1944
By Leonard Baskin
Located in Portland, ME
Baskin, Leonard. EDWARD MUNCH JAN.23.1944. Woodcut with
hand-coloring, 1990. Signed, titled and dated within the printed
sheet, and inscribed "AP" and si...
Category
1990s International Fine Print Dealers Association Art
Materials
Woodcut
Le Tasse de The (The Cup of Tea)
By Manuel Robbe
Located in Fairlawn, OH
Le Tasse de The (The Cup of Tea)
Color aquatint and etching, c. 1906
Signed in pencil in the image (see photo)
Edition: c. 100
Reference: Merrill Chase, Volume 1, No. 85
Condition: F...
Category
Early 1900s Art Nouveau International Fine Print Dealers Association Art
Materials
Aquatint
Automne
By Georges Rouault
Located in Fairlawn, OH
Automne (Autumn)
Crayon and brush and tusche lithograph with scraping, 1927
Signed, titled, and annotated in brown ink (see photos)
Condition: Good
Signature and inscrption faded to brown
Image size: 17 x 22 1/4 inches
Sheet size: 21 5/8 x 28 1/2 inches
This is the second of three version of this image (a aquatint/heliogravure (1927, this lithograph (1933) and a color aquatint (1938).
Reference:
Francois Chapon and Isabelle Rouault, Rouault Oeuvre Grave (Monte Carlo: Editions Andre Sauret, 1978), 364 viii/VIII, third edition of 175 printed in 1933.
There is also a etching/heliogravure as well as a color aquatint version of this image. It is considered to by an important image in Rouault's work and recognized as a famous print...
Category
1920s French School International Fine Print Dealers Association Art
Materials
Lithograph
Trompe l'oeil [Punch and Judy].
By George Cruikshank
Located in New York, NY
Trompe l'oeil. [Punch and Judy].
Watercolor and drawing, undated, circa 1830. Paper size 10.25 x 14" (26.1 x 35.6 cm). On "J. Whatman" watermarked paper. Unidentified artist.
A 19th-century visual montage of Cruikshank's "Punch & Judy." The images are taken from the book "The Tragical Comedy, or Comical Tragedy of Punch and Judy." As told to John Payne Collier by Giovanni in 1827, illustrated by George Cruikshank and published by S. Prowlett, London 1828. The central circle illustrates a drawing showing two allegorical female figures with two putti. The text under this image: “E Musao Hugonis Howard Armig, from Guercino.” On top of that illustration is a handsome painting of a flintlock pistol. Trompe l’oeil is an art of illustration – the name translates to ‘Trick of the Eye.”
The puppet show of Pulcinella or Punch and Judy has a long and fascinating history. “A puppet play that would have featured a version of Punch was first recorded in England in May 1662 by the diarist Samuel Pepys. He noted seeing it in Covent Garden, London, performed by the Italian puppet showman Pietro Gimonde from Bologna, otherwise known as Signor Bologna.
The earliest script of a Punch and Judy show...
Category
1830s Realist International Fine Print Dealers Association Art
Materials
India Ink, Watercolor, Pencil
![Trompe l'oeil [Punch and Judy].](https://a.1stdibscdn.com/a_3312/1620315874402/Trompe_L_Oeil_Punch_87325_master.jpg?width=240 "trompe l'oeil art")
White on White (Four Sections of Wedding Cake)
By Julia Jacquette
Located in New York, NY
Julia Jacquette is an American artist based in New York City and Amsterdam. Her work has been shown extensively at galleries and museums around the world, including the Museum of Mo...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Etching
Leave Me Ecstasy
By Lesley Dill
Located in New York, NY
Lesley Dill is an American contemporary artist. Her work, using a wide variety of media including sculpture, print, performance art, music, and others, explores the power of language...
Category
1990s Modern International Fine Print Dealers Association Art
Materials
Lithograph, Etching
After Hours
By Peter Milton
Located in New York, NY
“AFTER HOURS” was created by the contemporary artist Peter Milton in 2019. This graphic depicting a scene outside of the Louvre in Paris was drawn on a spec...
Category
21st Century and Contemporary Realist International Fine Print Dealers Association Art
Materials
Digital
$2,950
Liberté j’écris ton nom.
By Fernand Léger
Located in New York, NY
Éluard, Paul. Liberté j’écris ton nom. Paris (Seghers), [1953].
Folding broadside (leporello), with continuous color silkscreen by Fernand Léger, integrated with text, extending th...
Category
1950s Cubist International Fine Print Dealers Association Art
Materials
Screen
SAN ROMANO: BLACK NINE
By Robert Reed
Located in Portland, ME
Reed, Robert (American, 1938-2014). SAN ROMANO: BLACK NINE. Mixed media, collage, assemblage. painted and colored papers and office staples, not dated, but ...
Category
1980s International Fine Print Dealers Association Art
Materials
Drafting Film, Watercolor
HATTY
By Peggy Bacon
Located in Portland, ME
Bacon, Peggy.
HATTY. Flint 48. Drypoint, 1921.
Titled, signed and dated in pencil.
5 1/2 x 8 7/16 inches (plate), 9 5/16 x 12 1/2 inches (sheet).
In excellent condition.
"A rest...
Category
1920s International Fine Print Dealers Association Art
Materials
Etching
$2,250
Untitled (Abstraction)
By Rolph Scarlett
Located in Fairlawn, OH
Untitled (Abstraction)
Ink on textured paper, c. 1958
Signed lower right "Scarlett" (see photo)
Condition: Excellent
Archival framing with OP3 Acrylic
Sheet size: 21 3/4 x 30 inches
Frame size: 28 1/2 x 36 1/2 inches
Note: A rare mid to late 1950s example of the artist's abstract expressionist style.
Provenance: estate of the artist
Private Collection, Hudson River Valley, New York
Rolph Scarlett
B. 1889, GUELPH, ONTARIO; D. 1984, WOODSTOCK, NEW YORK
Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths.
In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.”
During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery...
Category
1950s Abstract International Fine Print Dealers Association Art
Materials
Ink
School Girls of Vienna Packing Rations from England and America for the Children
Located in Fairlawn, OH
School Girls of Vienna Packing Rations from England and America for the Little Children
Color lithograph poster, 1921
Signed lower right in the text (see photo)
Created in the Wein (...
Category
1920s Jugendstil International Fine Print Dealers Association Art
Materials
Lithograph
Study for "The Jade Necklace"
By Joseph Stella
Located in Fairlawn, OH
Study for the painting "The Jade Necklace"
Silver point drawing on prepared paper, n.d.
Stamp lower right: "J Stella/JML Coll" (see photo)
The painting of the same sitter and title, measures 21 3/4 x 18 1/8 inches, formerly handled by Richard York Gallery. (see photo)
Provenance:
Collection of the artist
Mrs. Giovanni Stella, the artist's sister-in-law
Josephine M...
Category
20th Century American Modern International Fine Print Dealers Association Art
Materials
Pencil
THE WALL AT UNIONSQUARE
By Isabel Bishop
Located in Portland, ME
Bishop, Isabel (American 1902-1988). THE WALL AT UNION SQUARE Drawing, pencil on paper, not dated. Signed in pencil, lower right. 4 x 5 inches (main image), 7 7/8 x 7 1/2 inches (she...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Pencil
FUN, ONE CENT
By John Sloan
Located in Portland, ME
Sloan, John. FUN, ONE CENT. Etching, 1905. Morse 131. 2d (published) state. One of the plates from the New York City Life Series. Edition 100, only 60 printed, this being one of an ...
Category
Early 1900s International Fine Print Dealers Association Art
Materials
Etching
Poster for the Saxon Trade and Art Exhibition, Dresden 1896
Located in Fairlawn, OH
Poster for the Saxon Trade and Art Exhibition, Dresden 1896
Color lithograph poster mounted on heavy linen, 1896
Signed in the stone lower left corner (see photo)
Proof before additi...
Category
1890s Jugendstil International Fine Print Dealers Association Art
Materials
Lithograph
Valpicon Bather
By McDermott & McGough
Located in New York, NY
Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...
Category
20th Century Contemporary International Fine Print Dealers Association Art
Materials
Photogravure
$1,600 Sale Price
46% Off
Standing Female Nude
By Paul Cadmus
Located in Fairlawn, OH
Standing Female Nude
Colored chalks on tan Strathmore paper, c. 1975
Signed in chalk upper right (see photo)
Condition: Excellent
Housed in an 8 play acid free rag matting
S...
Category
1970s American Realist International Fine Print Dealers Association Art
Materials
Chalk
Interieur No. II
By Benjamin G. Benno
Located in Fairlawn, OH
Interieur No. II
Oil on canvas, 1937
Signed on verso (see photo)
nscribed on reverse:
Benno 1937
"Interieur" (No. II)
35 x 27 cm
9 rue Compagne Premiere
Paris 14e
Provenance: Estate of the artist
Ruth O'Hara, Lang & O'Hara, New York...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Canvas, Oil
The Infant Jupiter Nursing from the She-Goat Amaltheia (The Birth of Jupiter)
By Luigi Quaini
Located in Fairlawn, OH
The Infant Jupiter Nursing from the She-Goat Amaltheia
(The Birth of Jupiter)
Red chalk and wash on off-white paper, c. 1700
Unsigned
Attribuuted to Quaini by Dwight Miller, the sch...
Category
18th Century and Earlier Baroque International Fine Print Dealers Association Art
Materials
Chalk
Horses in Stable
By Georges Lemmen
Located in Fairlawn, OH
Horses in a Stable
Black chalk on tan wove paper, 1896
Signed with the estate stamp lower right corner
(see photo)
Note: The image has been sqaured off in red chalk grid lines for use in a large painting
Dated in charcoal lower right: "23 Nov '96"
Condition: Tack holes in the corners
small tears and creases along margins
Sheet size: 14 11/16 x 16 13/16 inches
Provenance: Dr. Ernst Hauswedell
Brenner Fine Arts, Inc., New York
Alan Stone Gallery, New York
"Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique.
In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced – recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group’s rebirth as the Libre Esthétique, Lemmen’s work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen’s travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new ‘free’ aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions.
Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l’Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen’s reputation.
Museum and Gallery Holdings
Bremen (Kunsthalle): Standing Nude Combing her Hair
Brussels (Mus. royaux des Beaux-Arts de Belgique): Children’s Room (watercolour); Reading; Couture; Young Girl by the Sea...
Category
1890s Impressionist International Fine Print Dealers Association Art
Materials
Chalk
Hidden Cities I / second state
By Peter Milton
Located in New York, NY
“Hidden Cities I : The Ministry. Second State.”
Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75.
“I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton”
“Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.
In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...
Category
21st Century and Contemporary American Realist International Fine Print Dealers Association Art
Materials
Engraving, Etching
Spring (Fruling) (also known as Street in Frankfort)
By Max Beckmann
Located in New York, NY
Max Beckmann, Spring (Fruling) (also known as Street in Frankfort), etching and drypoint, 1918, signed lower right. Reference: Hofmaier 133IIb, from the edition of 60 on laid paper; ...
Category
1910s Expressionist International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Female Nude in Profile
By William Sommer
Located in Fairlawn, OH
Woman
Pen and ink on paper, c. 1925-1928
Signed in pencil lower left
Exhibited: Akron Art Institute (Akron Art Museum),
William Sommer Retrospective, Oct. 25 to Nov. 29,
1 970
Illu...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Ink
Icare- Icarus
By André Verdet
Located in Fairlawn, OH
Icare- Icarus
Linocut in colors, 1972
Unsigned
Stamped in ink on verso: "Imprimerie Arnéra" Archives/ Non Signé
Provenance: Arnéra Archive
...
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Linocut
Balustrade Vase C
By Betty Woodman
Located in Lyons, CO
Color monotype collage/woodcut.
Since 1985, Woodman collaborated with Master printer Bud Shark to produce monotypes, woodcuts and lithographs with the same inventiveness and exubera...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Monotype
Olympian Games
By Ray H. French
Located in Fairlawn, OH
Olympian Games
Engraving, 1957
Signed, dated, titled and numbered (see photos)
Edition: 25 (7/25)
From the first and only edition, probably less than 8 impressions printed
Printed by the artist
Condition: Excellent
soft fold in upper left margin
Image size: 15 7/8 x 19 7/8 inches
Sheet size: 18 1/2 x 22 3/8 inches
Provenance: Estate of the artist
Martha A. French Revocable Trust
Item Reference
LU14013763732
Crucifixion, color etching, 1947
Item Reference
LU14013160582
The Web, engraving, 1950
Item Reference
LU14011892032
The Swan, mixed media (etching & soft ground), 1957
Item Reference
LU1404294651
Snowy Egret, engraving, 1954, third edition c. 1990, printed by the master printer Jon Clemens
Item Reference
LU1402253433
Debris, color etching, c. 1940, printed by the artist at the John Herron Art Institute, Indianapolis, Indiana
Item Reference
LU140331242
Crucifixion, engraving, 1958
Item Reference
LU140145330
Strange Animals, engraving, 1947
Item Reference
G130708140172
The Gull, engraving, 1955
Item Reference
LU14012448972
Moon Rays...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Engraving
Nouvelle Mappe Monde, dediee au progres de nos connoissances.
Located in New York, NY
A handsome and well-engraved world map constructed with the prime meridian through Paris. The hemispheres are rotated through 45 degrees. This is an unusual projection for a world map and was based on the work of the French Academie Royale des Sciences. This particular impression is by Remondini who re-issued Santini's "Atlas Univ." in 1784. "Nouvelle Mappe Monde" is a copper plate engraving published by Giuseppe Remondini, Venice. The printed image size is just over 15 x 25 inches. Overall the map is in good condition with three small tears at the paper edge - all repaired. Modern (not 18th...
Category
18th Century Other Art Style International Fine Print Dealers Association Art
Materials
Watercolor, Engraving
