Skip to main content

International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

to
607
2,074
1,029
805
309
383
Overall Width
to
Overall Height
to
184
415
3,339
857
122
181
459
391
240
180
324
398
302
243
86
837
740
678
249
110
101
86
81
79
34
23
11
2
2,458
1,914
182
1,853
863
787
714
521
429
293
263
187
185
163
147
125
121
121
113
106
104
103
99
1,241
1,104
606
543
390
100
84
58
57
53
519
148
4,104
700
Mercury
By Sam Francis
Located in London, GB
Sam Francis Mercury 1963 Lithograph on BFK Rives paper, Edition of 20 60 .3 x 47.6 cms (23 3/4 x 18 3/4 ins) SF16664 Literature: The Prints of Sam Francis: A Catalogue Raisonne 196...
Category

1960s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

Camera sepolcrale
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters International Fine Print Dealers Association Art

Materials

Etching

Le Cheval Bleu (The Blue Horse)
By Albert Zavaro
Located in Chicago, IL
Edition of 110, signed and numbered lower right
Category

1970s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Saint-Tropez-Le Port
By Paul Signac
Located in Fairlawn, OH
Saint-Tropez-Le Port Color lithograph, 1897-1898 Signed in pencil lower right (see photo) Numbered in pencil lower right: No. 68 (see photo) From: Album des Peintres-Gravures, 1898 ...
Category

1890s Post-Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

New York Bouquet
By Childe Hassam
Located in Fairlawn, OH
New York Bouquet Lithograph, 1917 Edition: 93 Signed with the artist's cipher in pencil lower right (see photo) This lithograph is inspired by Hassam's oil painting of the same title...
Category

1910s American Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

The Traghetto
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category

1870s Impressionist International Fine Print Dealers Association Art

Materials

Drypoint, Etching

A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Soft-ground etching. Seeber 189. 6 7/8 x 9 3/4 (sheet 9 5/8 x 13). Edition 40, #6. Series: Desert Set. Illustrated: American ...
Category

Early 20th Century American Modern International Fine Print Dealers Association Art

Materials

Watercolor

La Tasse et la Pomme (The Cup and the Apple)
By Pablo Picasso
Located in Fairlawn, OH
La Tasse et la Pomme (The Cup and the Apple) Wash drawing and gouache transferred to lithograph stone, 1947 One of four unsigned proofs Edition: a proof outside the edition of 50 pri...
Category

1940s French School International Fine Print Dealers Association Art

Materials

Lithograph

PORTLAND ALLEY
By Oscar Bluemner
Located in Portland, ME
Bluemner, Oscar (American, born Germany, 1867-1938). NIGHT IN PORTLAND MAINE - ALLEY. Charcoal on paper, 1919. Signed with the artist's monogram "OFB" ...
Category

1910s International Fine Print Dealers Association Art

Materials

Charcoal

Time to Save
By Audrey Flack
Located in Fairlawn, OH
Time to Save From: 12 Photographs: 1973-1983, Plate 8 of 12 Dye transfer photograph, 1979 Signed in ink Edition: 50, this example an Artist's Proof (7/10) Printer: Guy Stricherz Pu...
Category

1970s Photorealist International Fine Print Dealers Association Art

Materials

Dye Transfer

Crucifixion
Located in Fairlawn, OH
Jean Pichore workshop, 1500-1541 Crucifixion Metal cut engraving printed on vellum with vintage hand coloring c. 1500-1541 Miniature (image) size: 4 3/4 x 3 1/8" Including decorated ...
Category

16th Century Old Masters International Fine Print Dealers Association Art

Materials

Engraving

Still Life No. 5
By William H. Bailey
Located in Fairlawn, OH
Still Life No. 5 Lithograph, 1978 Signed, dated and numbered in pencil (see photos) Edition: 50 (24/50) Published by Solo Press, New York, 1978 Printer: Judith Solodkin, first femal ...
Category

1970s American Realist International Fine Print Dealers Association Art

Materials

Lithograph

I've been a Witness to this Game
By Mildred Howard
Located in Lyons, CO
Color monoprint/digital with collage and gold leaf Howard’s most recent project at Sharks, “I’ve been a Witness to this Game” is a continuation of her nearly four decades of using...
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Monoprint

Wareham, Dorset
By Stanley Roy Badmin
Located in Storrs, CT
Beetles 36. 5 1/4 x 6 1/4 (sheet 9 1/4 x 11 1/4). Edition 50 for the Print Collector's Club. Exhibited: Royal Academy, 1934; Royal Society of Painter-Etchers and Engravers, 1934 and ...
Category

Early 20th Century Modern International Fine Print Dealers Association Art

Materials

Etching

Cute and Soft
By William Wegman
Located in New York, NY
image size: 9 3/4 x 12 5/8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conven...
Category

2010s Contemporary International Fine Print Dealers Association Art

Materials

Pigment

Benchmark
By William Wegman
Located in New York, NY
Edition of 7 "Benchwork" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is representative of Wegman's distinctive approach to photography, wh...
Category

2010s International Fine Print Dealers Association Art

Materials

Pigment

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...
Category

1880s Impressionist International Fine Print Dealers Association Art

Materials

Etching

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...
Category

1880s Impressionist International Fine Print Dealers Association Art

Materials

Etching

Lone Pintail.
By Frank Benson
Located in New York, NY
This drypoint from 1930 was printed in an edition of 150. It is signed in pencil just under the image in the lower left. Listed in the catalogue raisonne on Frank W. Benson by Adam Paff #303. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1930s American Realist International Fine Print Dealers Association Art

Materials

Drypoint

S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From: Vedute di Roma, Plate 8 An early Roman printing, published by Bouchard e Gravier Watermark: Fleur de Lys in a double circle Signed in the plate Condition: Small margins as are common with Bouchard published impressions. Centerfold (as usual) Rich impression with good contrasts Plate/Image size: 15 7/8 x 24 1/8 inches Sheet size: 17 3/8 x 24 3/4 inches Reference: Focillon 723 Wilton-Ely 138 Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image. The Papal Basilica of St. Paul Outside the Walls...
Category

1740s Old Masters International Fine Print Dealers Association Art

Materials

Etching

HUNTER HAULING A SEAL - IMPORTANT INUIT PRINT -
Located in Santa Monica, CA
PARR (1893-1969) KINNGAIT (CAPE DORSET) HUNTER HAULING A SEAL, 1966 #2, Stonecut, signed, titled numbered 28/50 Dorset 1966. Image 14 x 22 ¼. Full sheet ...
Category

1960s Other Art Style International Fine Print Dealers Association Art

Materials

Stone

Man on His Back, Nude
By George Wesley Bellows
Located in Fairlawn, OH
Man on His Back, Nude Lithograph, c. 1916 Signed by the artist lower right: Geo Bellows (see photo) Annotated bottom left: No. 3 by the artist (see photo) An unredorded trial proof b...
Category

1910s Ashcan School International Fine Print Dealers Association Art

Materials

Lithograph

Extra! Extra! Read All About It!
By Red Grooms
Located in Lyons, CO
Color 3-D lithograph in Plexiglas box, Edition 50 Red Grooms revisits the rich subject matter of his New York City neighborhood in his new three-dimensional lithograph “Extra! Ext...
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

'Sculpturegraph' — Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category

1980s American Modern International Fine Print Dealers Association Art

Materials

Monoprint

Leaf
By Christine Ravaux
Located in New Orleans, LA
This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills t...
Category

1990s Contemporary International Fine Print Dealers Association Art

Materials

Mezzotint

Leaf
Leaf
$90 Sale Price
25% Off
To the Sea
By Jack Coughlin 1
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category

1960s American Modern International Fine Print Dealers Association Art

Materials

Aquatint

To the Sea
To the Sea
$131 Sale Price
34% Off
Untitled
By Sam Francis
Located in London, GB
86.4 x 71.8 cms (34 x 28.25 ins) Edition of 17 Paper: Somerset Textured Proofs: 9 AP, I CTP (on handmade paper) Signed right, under image; numbered left, under image; publisher's chop lower right Publisher: The Litho Shop Inc., Santa Monica, California Printed by Jacob Samuel...
Category

1980s International Fine Print Dealers Association Art

Materials

Aquatint, Color

Nashville at Sunrise
By Louis Oscar Griffith
Located in Fairlawn, OH
Nashville at Sunrise Oil on canvas, mounted to archival resin board Signed by the artist lower left Provenance: Estate of the artist By decent A gorgeous Indiana Impressionist oil painting, done "plein air" (on location, outdoors) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club. He made his first trip to Brown County...
Category

1920s International Fine Print Dealers Association Art

Materials

Oil

'Counterpoint' — Mid-Century Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Counterpoint', color serigraph, 1942, edition 25, Ryan 45. Signed, titled, and annotated 'Edition 25' in pencil. A fine impression, with fresh colors, on cream, wove paper; the full sheet with margins (7/8 to 2 1/2 inches). A 1 1/2 inch crease across the top left sheet corner, well away from the image, otherwise in excellent condition. Scarce. Image size 13 9/16 x 14 5/16 inches (344 x 364 mm); sheet size 14 15/16 x 17 inches (379 x 432 mm). Matted to museum standards, unframed. Literature: 'A Spectrum of Innovation: Color in American Printmaking', David Acton, New York, London, 1990. 'American Screenprints', Reba and Dave Williams, New York, 1987. 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Impressions of this work are held in the following museum collections: Albright-Knox Art Gallery, National Gallery of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931 he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...
Category

Mid-20th Century American Modern International Fine Print Dealers Association Art

Materials

Screen

The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x. 1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris . Initial...
Category

Mid-19th Century Old Masters International Fine Print Dealers Association Art

Materials

Etching

Constellation
By Roy Ahlgren
Located in Fairlawn, OH
Constellation Silkscreen in colors, 1969 Signed, dated, titled and numbered in pencil Edition: 100 (56/100) Condition: Excellent Image Size: 17 x 17 inches Sheet size: 20 x 20 inch...
Category

1960s Abstract Geometric International Fine Print Dealers Association Art

Materials

Screen

Women
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1893 – 1949) WOMEN, 1934 ( Orozco 25) Lithograph, One of 127 signed & unnumbered impressions, (total printed 255) Printer Jesus Arteaga. Image 12 1/2 x 17 inches, sheet 17 x 23 inches. Large sheet. top sheet edge with deckle edge and with some remnants of old old tape. Some slight mat burn verso., just a hint on the recto. This impression is also dedicated to Rosita Boyce by Clemente Orozco - (the Artist's Son) in 1961 From "Jose Clemente Orozco - Graphic Work" by Clemente Orozco, University of Texas Press, 2004. "The image is a detail of the Mural "Contemporary World" in the Palace of Fine Arts, Mexico City. The mural depicts "the real prostitution of power is implied by prostitutes fighting for survival. in a game of exuberance and decadence. The theme of women, especially prostitutes, has a special significance in Orozco's work, from his early watercolors to this fresco.." This print is related to Orozco's MACHINES also on 1stdibs offered by this dealer. Mexican Prints...
Category

1930s Modern International Fine Print Dealers Association Art

Materials

Lithograph

'Salient in February' — Mid 20th-Century Surrealism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Salient in February', color serigraph, 1945, edition 40, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh col...
Category

Mid-20th Century Surrealist International Fine Print Dealers Association Art

Materials

Screen

Tugboat, River Seine, Paris — Mid-Century Photogravure
Located in Myrtle Beach, SC
Rémy Duval, 'Tugboat, River Seine, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives paper; the shee...
Category

1940s Modern International Fine Print Dealers Association Art

Materials

Photogravure

Portrait of a Seated Woman
By Paul H. Winchell
Located in Fairlawn, OH
Portrait of a Seated Woman Oil on canvas, c. 1930 Unsigned Provenance: estate of the Artist by Descent to the Heirs Signed in oil with the artist’s initials “PH...
Category

1930s American Impressionist International Fine Print Dealers Association Art

Materials

Oil

A Fierce Bull
By James McBey
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category

1910s Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching

A Fierce Bull
A Fierce Bull
$1,500 Sale Price
40% Off
Semi-Circle I
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

1990s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

Untitled (Nude Dancer) — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude Dancer)', lithograph, edition 250, 1929. Signed and numbered 12 in pencil. Number 12 of Volume 2, a series of 10 lithogr...
Category

1920s Art Deco International Fine Print Dealers Association Art

Materials

Lithograph

'Arbre-Homme' (Tree-Man) —Mid-Century European Surrealism
By Ferdinand Springer
Located in Myrtle Beach, SC
Ferdinand Springer, 'Arbre-Homme', engraving, 1945, edition 23. Signed and numbered '23/20' in pencil. A fine, richly-inked impression, on heavy, b...
Category

1940s Surrealist International Fine Print Dealers Association Art

Materials

Engraving

Chartres Cathedral
By William Lee Hankey
Located in Storrs, CT
William Lee-Hankey, R.E., R.W.S., R.O.I. 1869-1952. Chartres Cathedral. Oil on canvas. 27 x 25. Signed, lower left. Price on the strecther, verso: $1000000. Provenance: Woodrugg Brot...
Category

1910s Modern International Fine Print Dealers Association Art

Materials

Crayon, Watercolor, Oil

The Model
By Raphael Soyer
Located in Santa Monica, CA
RAPHAEL SOYER (1899 - 1987) THE MODEL 1944 (Cole 64) Lithograph Signed in pencil, edition 250, 11 ¾ x 7 ¾ Full margins, sheet 15 ¾ x 12 with deckle edge. Very slight toning to the ...
Category

1940s American Realist International Fine Print Dealers Association Art

Materials

Lithograph

'#9' — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#9', color lithograph, 1970, edition 7. Signed, titled, and annotated 'Ed 7' in pencil. A fine impression, with fresh colors, on Arches, ...
Category

1970s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

'Arrangement with Blue Major' — Musically Inspired Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Arrangement with Blue Major', color serigraph, edition 40, 1942, Ryan 9. Signed, titled, and annotated 'Edition 40' in pencil. A superb impression, with fresh colors, on cream, wove paper; the full sheet with margins (3/4 to 1 5/8 inches), in excellent condition. Image size 15 x 9 3/4 inches (381 x 248 mm); sheet size 17 15/16 x 11 3/4 inches (456 x 298 mm). Matted to museum standards, unframed. 'Arrangement with Blue Major' was selected for the landmark ‘Artists for Victory’ exhibition at the Metropolitan Museum of Art in 1942. Impressions of this work are also in the collections of the Asheville Art Museum, Five Colleges and Historic Deerfield Museum Consortium, Georgetown University (Special Collections), Mount Holyoke College Art Museum, Rutgers University, Smith College Museum of Art, and the Springfield Museum of Fine Arts. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...
Category

Mid-20th Century Abstract International Fine Print Dealers Association Art

Materials

Screen

ELLSBERG - PENTAGON PAPERS TRIAL - Original Drawing - Leonard Weinglass Attorney
Located in Santa Monica, CA
DAVID ROSE (1910 – 2006) LEONARD WEINGLASS - ELLSBERG TRIAL, 1973 Color marking pen on tracing paper. Image 12 ½ x 11 inches, sheet 15 x 18 ½ inches. Very fresh, in good condition with bright colors save for horizontal creases at the lower sheet edge slightly into the image and a few other soft creases. Leonard Weinglass along with Leonard Boudin were attorneys for Anthony Russo and Daniel Ellsberg at the Pentagon Papers Trial in 1973. Upon his death in 2011 the NY Times called Weinglass, “perhaps the nation’s pre-eminent progressive defense lawyer, who represented political renegades Provenance: Directly from the artist David Rose to this dealer in the late 1980’s. I knew David as an artist and friend as we both lived in Los Angeles. It has been in temperature and humidity storage since its acquisition. The Ellsberg Trial was the beginning of a long career for Rose as a court reporter Rose’s papers are in Special Collections of USC, The University of Southern California. The Online Archives of California Rose Biography states: Rose's courtroom career began in 1973 with the trial of Daniel Ellsberg, the former defense analyst who released the Pentagon Papers regarding the Viet Nam War to the New York Times. (Rose received an Emmy Award nomination for his coverage of the Pentagon Papers trial.) Rose's sketches of this trial-- along with all those that would follow through the next twenty-five years-- appeared in television news broadcasts and newspapers all over the world. He saw himself as a reporter-- but with colored pencils and sketchpads as his tools. He tried to capture the emotions in the courtroom-- the tension, anger, and the body language that conveyed them. Over the years, Rose's art depicted the trials of some of the most famous-- and infamous-- personalities to make the news: Klaus Barbie (the Butcher of Lyon), Patty Hearst, Sirhan Sirhan, John Z. DeLorean, Rodney King, Imelda Marcos, Huey Newton...
Category

1970s Modern International Fine Print Dealers Association Art

Materials

Ink

Love and Death.
By Sir Frank Short
Located in Storrs, CT
Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder ------------------------------------------------------------------------------------------------------- Winged Love...
Category

Early 1900s Victorian International Fine Print Dealers Association Art

Materials

Mezzotint

Love and Death.
Love and Death.
$1,000 Sale Price
33% Off
Bellos Consejos (Wonderful Advice)
By Francisco Goya
Located in Chicago, IL
An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime. References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1 Prado ...
Category

18th Century and Earlier Old Masters International Fine Print Dealers Association Art

Materials

Aquatint, Etching

Plate VI, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...
Category

1960s Surrealist International Fine Print Dealers Association Art

Materials

Etching, Aquatint

The Bridge
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B. J. O. NORDFELDT (Bror Julius Olsson) 1878-1955) THE BRIDGE, 1906 Color woodcut signed, dated 1906 and numbered 150 in pencil. Image 8 x 10 - small margins as issued. 4 corners tipped to acid free support board. Nordfelt is one of the most important early twentieth century American Masters of the Color woodcut. This 1906 work predates many of the other woodcut masters. Nordfeldt had a peculiar numbering system. The number is not necessarily the edition number. Frances H. Gearhart, Blanche Lazzell, William S. Rice, Gustave Baumann, Margaret Patterson, Norma Basset Hall. Waldo Chase.
Category

Early 1900s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

Untitled
By Robert Motherwell
Located in London, GB
29.88 x 22.36 ins (75.9 x 56.8 cms) Edition of 96 Signature:Signed "R. Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...
Category

1970s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Color, Etching, Aquatint

Au Bois De Boulogne (illustrating the congregation of French nobility outside
Located in Fairlawn, OH
Au Bois De Boulogne (illustrating the congregation of French nobility outside the Chalets du Cycle Chromolithograph, 1897 Signed in the plate lower right corner From the Special Supp...
Category

1890s Art Nouveau International Fine Print Dealers Association Art

Materials

Lithograph

The Robot
By Mary Weatherford
Located in Houston, TX
Mary Weatherford The Robot, 2018 Spit bite aquatint on gampi paper chine collé 35 1/4 x 28 1/2 in (89.5 x 72.4 cm) Edition of 25
Category

21st Century and Contemporary Abstract International Fine Print Dealers Association Art

Materials

Aquatint

The Black Mountain
By Albert Zavaro
Located in Chicago, IL
Oil on canvas 88.9 x 130.1 cm.; 35 x 51 1/4 inches Signed, lower right
Category

20th Century Modern International Fine Print Dealers Association Art

Materials

Canvas, Oil

Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
By Judith Rothchild
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category

21st Century and Contemporary American Modern International Fine Print Dealers Association Art

Materials

Mezzotint

'Rue du Hallage - Rouen' — 1920s British Impressionism
By Sybil Andrews
Located in Myrtle Beach, SC
Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....
Category

1920s Post-Impressionist International Fine Print Dealers Association Art

Materials

Monotype

THE KNAVE OF HEARTS
By Maxfield Parrish
Located in Portland, ME
Parrish, Maxfield. THE KNAVE OF HEARTS. 1925. 14 full page and many smaller color plates. A Fine copy of Parrish's most elaborate book. A highlight among American children's books, b...
Category

1920s International Fine Print Dealers Association Art

Materials

Offset

Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West. Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota....
Category

1930s International Fine Print Dealers Association Art

Materials

Etching, Drypoint

Nu (Standing Female Nude)
By Charles Despiau
Located in Fairlawn, OH
Nu (Standing Female Nude) Red chalk on wove paper, c. 1925 Signed lower right by the artist, see photo Condition: Excellent Image/Sheet size: 12 1/8 x 8 5/16 inches Note: Despiau ...
Category

1920s French School International Fine Print Dealers Association Art

Materials

Chalk

Mexican Barber Shop (Getting a shave amidst revelry of community)
By Irwin D. Hoffman
Located in New Orleans, LA
Irwin Hoffman created a lively scene of a Mexican barber shop that serves as a focal point of the community's life. A man is being shaved as people cook, eat and revel in the camaraderie of the scene. This print was issued by Associated American Artists and is in the permanent collection of the San Francisco Museum of Art. Born in East Boston...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Etching

Rendez-Vous — Early 20th-Century Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Rendez-Vous), lithograph, edition 250, 1929. Signed in pencil. Signed in the stone, lower right. From a suite of 10 lithographs published by the artist ...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Etching 1916 Number II
By Wassily Kandinsky
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category

1910s Abstract International Fine Print Dealers Association Art

Materials

Drypoint

Still Thinking About These?

All Recently Viewed