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International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Autumn Landscape — 1940s Post-Impressionism
Located in Myrtle Beach, SC
Henri Pierre Fortier, Untitled (Autumn Landscape), gouache, c. 1940s. Signed in ink. Inscribed 'To my Friend CLINTON R. MULFORD'. A fine, painterly watercolor, with rich, layered colors, on heavy dark brown drawing paper with approximately 1/4 inch margins; an unfinished figurative sketch...
Category

1940s Impressionist International Fine Print Dealers Association Art

Materials

Gouache

Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching

Eurybia and Eros
By George Braque
Located in Fairlawn, OH
Eurybia and Eros Etching, 1932 Printed on BFK Rives paper Unsigned (as issued by Vollard) Published by Ambrose Vollard, Paris From the suite of 16 illustrations for Hesiod's Theogony...
Category

1930s French School International Fine Print Dealers Association Art

Materials

Etching

Art Forms in Nature (Plate 79 - Basiliscus) — 1899 Celebration of Nature
Located in Myrtle Beach, SC
Ernst Haeckel, 'Art Forms in Nature' (Plate 79 - Basiliscus), offset lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 79 — Basi...
Category

1890s Realist International Fine Print Dealers Association Art

Materials

Lithograph

Angry Skies (Andante Cantabile) — Central Park, New York City
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category

Late 19th Century Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

'Body and Soul' — Mid-20th Century Surrealism
By Federico Castellon
Located in Myrtle Beach, SC
Federico Castellon, 'Body and Soul', 1938, lithograph, edition 30, Freundlich 3. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked, atmospheric impression on cr...
Category

1940s Surrealist International Fine Print Dealers Association Art

Materials

Lithograph

'Victim of Misfortune and Folly' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'Victim of Misfortune and Folly, lithograph, c. 1935, edition 20. Signed, titled, and numbered '17/20' in pencil. A fine, richly-inked impression, on cream wove paper, wi...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Untitled II
By Thomas Nozkowski
Located in New York, NY
linocut printed in 25 colors on Hahnemuhle paper For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject mat...
Category

2010s Abstract International Fine Print Dealers Association Art

Materials

Linocut

'Flowers and Ko-Imari' — Taisho/Showa Shin Hanga Woodblock Print
Located in Myrtle Beach, SC
Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A superb, painterly impression, with fresh colors,...
Category

1960s Modern International Fine Print Dealers Association Art

Materials

Woodcut

DESERT BARRIER
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...
Category

1930s American Impressionist International Fine Print Dealers Association Art

Materials

Woodcut

Ocelot by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXXXVI. P...
Category

1850s International Fine Print Dealers Association Art

Materials

Paper

'Baigneuse Debout, à Mi-Jambes' — French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category

1910s Impressionist International Fine Print Dealers Association Art

Materials

Etching

WARNING! Register*Vote, INFLATION means DEPRESSION
By Ben Shahn
Located in Fairlawn, OH
WARNING! Register*Vote, INFLATION means DEPRESSION Photo lithograph, 1946 Signed in the image lower left Published by CIO (Congress of Industrial Organizations) before their merger w...
Category

1940s American Realist International Fine Print Dealers Association Art

Materials

Offset

Bougival
By Maurice de Vlaminck
Located in Fairlawn, OH
Bougival Woodcut, 1914 Signed and numbered in pencil Edition 30, this numberd 22 Printed on laid Van Gelder Zonen paper Published by Henri Kanweiler, Paris Printed by Paul Birault, P...
Category

1910s Fauvist International Fine Print Dealers Association Art

Materials

Woodcut

'The French Farm' — Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'The French Farm', color serigraph, 1942, Ryan 86. Signed, titled, and annotated 'Edition 50' in pencil. A superb impression, with fresh colors, on cream, wove paper; ...
Category

Mid-20th Century American Modern International Fine Print Dealers Association Art

Materials

Screen

'Diptych' — Modernist Abstraction, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm). Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing. Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green. An impression of this work is held in the collection of the National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category

1960s Modern International Fine Print Dealers Association Art

Materials

Engraving

'Downtown, New York' — 1920s Modernism
By John Taylor Arms
Located in Myrtle Beach, SC
John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...
Category

Early 20th Century American Modern International Fine Print Dealers Association Art

Materials

Etching

Tunnel /Target
By June Wayne
Located in Santa Monica, CA
JUNE WAYNE (1918 - 2011) THE TUNNEL II, 1951 (B.69; G.14; Conway 67) Lithograph, signed, numbered, dated July 1951 and titled incorrectly The Target. Edition 35. 15 3/4 x 19 3/4 inc...
Category

1950s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Tunnel /Target
Tunnel /Target
$975 Sale Price
39% Off
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
By Joseph Mallord William Turner
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category

1820s Old Masters International Fine Print Dealers Association Art

Materials

Mezzotint

La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category

Late 20th Century Modern International Fine Print Dealers Association Art

Materials

Lithograph

Shadow of the Brooklyn Bridge.
By Emilio Sanchez
Located in New York, NY
“THE SHADOW OF THE BROOKLYN BRIDGE” Emilio Sanchez (1921-1999) created this color lithograph entitled “Shadow of the Brooklyn Bridge” in 1988. The image size is 21.38 x 30.50 inche...
Category

Late 20th Century American Modern International Fine Print Dealers Association Art

Materials

Lithograph

The Helmsman
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category

1920s Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching

Landscape with Trees
By Leon Kelly
Located in Fairlawn, OH
Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of ...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Watercolor

VALLEY RAMPARTS -
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) VALLEY RAMPARTS 1933 Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...
Category

1930s Impressionist International Fine Print Dealers Association Art

Materials

Woodcut

SAN JACINTO
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibrous japan paper. Sheet 10 ½ x 5 7/8 inches. Generally fresh with her usual pinholes along right margin for printing, slight bit of discoloration in the margins Provenance: Whitmore - Print Corner, Hingham MA. Their Gearhart inventory no. They were Gearhart's principal East coast dealer in the 30's. Obtained from the Whitmore Collection’s grandson in 1995. Old Print Shop...
Category

1920s American Impressionist International Fine Print Dealers Association Art

Materials

Woodcut

Tulip Pochoir from Relais
By Edouard Benedictus
Located in New York, NY
Benedictus, Edouard. Relais. Plate 1. Paris, Éditions Vincent, Fréal et Cie, 1930. Original pochoir, printed by J. Saudé.
Category

1930s Art Deco International Fine Print Dealers Association Art

Materials

Paper

Parisian Boulevard
By André Gisson
Located in Storrs, CT
Beautiful Impressionist painting featuring elegantly-dressed Parisians out for an afternoon stroll. Bouquets of flowers rest in a tub to the left of the streetlamp, while a horse-dra...
Category

Mid-20th Century Impressionist International Fine Print Dealers Association Art

Materials

Oil

'Flyable Objects Identified' — Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Flyable Objects Identified', color serigraph, 1969, edition 30, Ryan 83. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, o...
Category

Mid-20th Century American Modern International Fine Print Dealers Association Art

Materials

Screen

'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category

1730s Realist International Fine Print Dealers Association Art

Materials

Engraving

Manhattan Mountains
By Lawrence Wilbur
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching

Japanese Kimono Fabric Design — Vintage Color Woodblock Print
Located in Myrtle Beach, SC
Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...
Category

Early 1900s Showa International Fine Print Dealers Association Art

Materials

Woodcut

Untitled 5 - Herd Animals
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category

1990s Outsider Art International Fine Print Dealers Association Art

Materials

Foam Board, Felt Pen

Piramidi
By Sol LeWitt
Located in New York, NY
LEWITT, Sol. Piramidi. 10 lithographs, each 222 × 680 mm, in publisher's cardboard box, preserved in a new cloth folding box. Turin: Marco Noire Editore, 1986. This stunning set of lithographs recall the splendid wall drawings of pyramids that the artist conceived of between 1985 and 1994. These consisted of floor to ceiling pyramids constructed of multiple facets, set against uniform backgrounds. Each work was drawn directly on the walls in successive layers of delicate ink washes, alternating in yellow, red, blue and gray. It is no accident that the results recall Renaissance frescoes since LeWitt first developed this technique after moving from New York to Spoleto, Italy in 1980. Unlke the wall drawings, many of which no longer exist, this set of lithographs bears lasting testimony to Lewitt's genius. An immaculate copy in its original cardboard box. One of an edition of 400 copies, signed by Lewitt. Barbara Krakower Gallery, Sol Lewitt Prints...
Category

1980s International Fine Print Dealers Association Art

Materials

Paper

Study of Lucie (Ralph) Belin seated in an interior
By Edouard Vuillard
Located in Fairlawn, OH
Study of Lucie (Ralph) Belin seated in an interior Graphite on paper, 1915 Signed with the estate stamp, Lugt 909b, the stamp faded from blue to brown (see photo) Provenance: Neffe-D...
Category

1910s Impressionist International Fine Print Dealers Association Art

Materials

Graphite

Two Open Squares Within a Green Area
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

2010s Minimalist International Fine Print Dealers Association Art

Materials

Etching

Taos Pueblo, New Mexico (square hole)
By Edward Weston
Located in Fairlawn, OH
Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Silver Gelatin

In the Fifth Season
By Gregory Amenoff
Located in New York, NY
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...
Category

Late 20th Century Contemporary International Fine Print Dealers Association Art

Materials

Woodcut

Woman in a Field
By Henry Bacon
Located in Fairlawn, OH
Woman in a Field (title unknown) Oil on canvas, 1894 Signed and dated 1894, lower right corner Unframed A major exhibition work by this American Expatriate painter. Further research ...
Category

1890s Barbizon School International Fine Print Dealers Association Art

Materials

Oil

SCARCE EARLY OROZCO - CABEZA DE MUJER -
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1883 – 1949) CABEZA DE MUJER, ( Woman's Head: Mexican Woman) 1929 (Orozco 9) Lithograph, signed and numbered 23/50. in pencil. Pri...
Category

1920s Realist International Fine Print Dealers Association Art

Materials

Lithograph

Plate 20 from "Formes et Couleurs"
Located in New York, NY
Plate 20 from "Formes et couleurs; vingt planches en couleurs contenant soixante-sept motifs décoratifs" by Auguste H. Thomas. Paris: A. Levy, Librarie Centrale des Beaux-Arts, circa...
Category

1930s International Fine Print Dealers Association Art

Materials

Paper

GRASS FIRE. - Very Scarce Early signed Impression
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1883 – 1963) GRASSS FIRE, 1928 (Wien 53) Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...
Category

1920s International Fine Print Dealers Association Art

Materials

Woodcut

DANCE MARATHON
By Phyllis (Pele) De Lappe
Located in Portland, ME
De Lappe, Pele (American, 1916-2007). DANCE MARATHON. Pencil, 1935. Signed in pencil. 13 7/8 x 9 7/8 inches. In very good condition, except for minor creases at the top and bottom ri...
Category

1930s International Fine Print Dealers Association Art

Materials

Pencil

Church at Chichicastenango
By Jesse F. Reed
Located in Myrtle Beach, SC
Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...
Category

1960s American Modern International Fine Print Dealers Association Art

Materials

Etching, Aquatint

Women Bathing — German Expressionism, Nudes, 1920
Located in Myrtle Beach, SC
Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...
Category

1920s Expressionist International Fine Print Dealers Association Art

Materials

Etching

Desert Icon II
By Roy Ahlgren
Located in Fairlawn, OH
Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...
Category

1960s Op Art International Fine Print Dealers Association Art

Materials

Screen

Enterieur (Outside)
By Jurgen Peters
Located in Fairlawn, OH
Enterieur (Outside) Screen print, 1973 Signed lower right in pencil (see photo) Edition: A.P., annotated lower left corner Published by Edition Ltd., Indianapolis Image size: 21 3/4 ...
Category

1970s Op Art International Fine Print Dealers Association Art

Materials

Screen

WESTERN PEAKS
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category

1940s Realist International Fine Print Dealers Association Art

Materials

Aquatint

Lichtenstein Paper Plate — Pop Art Icon
By Roy Lichtenstein
Located in Myrtle Beach, SC
Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...
Category

1960s Pop Art International Fine Print Dealers Association Art

Materials

Screen

Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Etching

Dark House
Dark House
$296 Sale Price
40% Off
Portraits: Yvonne
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...
Category

Early 2000s Contemporary International Fine Print Dealers Association Art

Materials

Etching

Madman's Drum (Brothel) — 'Story Without Words' Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Madman's Drum, Plate 41', wood engraving, 1930, edition small. Signed in pencil. A fine, richly-inked impression, on off-white tissue-thin Japan paper; the full sheet with margins (1 5/8 to 2 1/2 inches); a small paper blemish in the upper right margin, away from the image, otherwise in excellent condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Image size 5 1/2 x 3 3/4 inches (140 x 95 mm); sheet size 9 5/8 x 7 1/8 inches (244 x 181 mm). From Lynd Ward’s book of illustrations without words, 'Madman’s Drum', Jonathan Cape and Harrison Smith, New York, 1930. Reproduced in 'Storyteller Without Words, the Wood Engravings of Lynd Ward', Harry N. Abrams, New York, 1974. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

EARLY JACOULET - A DOWNPOUR AT METALANIM PONOPE EAST CAROLINAS
By Paul Jacoulet
Located in Santa Monica, CA
EARLY JACOULET PAUL JACOULET (1896 – 1960) UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935 A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29) Color woodcut, with metallic ...
Category

1930s Modern International Fine Print Dealers Association Art

Materials

Color, Woodcut

Plaster Works, Los Angeles, 1925
By Edward Weston
Located in Fairlawn, OH
Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Silver Gelatin

Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category

Mid-20th Century Folk Art International Fine Print Dealers Association Art

Materials

Watercolor

'Commuters' — Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, 'Commuters', linocut, 1922-23, edition 20. Signed, dated '22, titled, and annotated '9/20' in pencil. Initialed in the block 'G.J....
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Linocut

Untitled 2 - Abstract Squares on Red Background
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category

1990s Outsider Art International Fine Print Dealers Association Art

Materials

Foam Board, Felt Pen

Marche aux Legumes a Pontoise
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903) MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii) Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
Category

1890s Impressionist International Fine Print Dealers Association Art

Materials

Aquatint

Modernist Nude — Atelier 17
Located in Myrtle Beach, SC
Russell T. Limbach, 'Untitled (Modernist Nude)', etching and aquatint, no known edition, c. 1930. Signed in pencil. A fine impression, on cream wove paper, with full margins (1 7/8 to 2 3/4 inches), in excellent condition. Image size 8 15/16 x 5 15/16 inches; sheet size 13 3/8 x 10 1/4 inches. Extremely rare. Matted to museum standards, unframed. Probably created when Limbach was in Paris (1928-1934), where he was exposed to modernist printmaking explorations at Stanley William Hayter’s 'Atelier 17'. ABOUT THE ARTIST Born in Massillon, Ohio, Russell Limbach...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Etching

ACAPULCO
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857 - 1926) ACAPULCO 1901-08. Colored pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image 10 x 14 inches to just ab...
Category

Early 1900s American Impressionist International Fine Print Dealers Association Art

Materials

Pastel, Gouache

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