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International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Untitled (Seascape at night)
By Ray H. French
Located in Fairlawn, OH
Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition: Excellent Image/Sheet size: 10 x 13 7/8 inches Part of a suite of collages created during the artist's sabatical leave from teaching, spent in Florence, Italy, studying at the Accademia D'Arte Firenze in 1963-1964. Ray H. French: The Evolution of an Artistic Innovator Printmaker, painter, and sculptor Ray H. French was born in Terre Haute, Indiana on May 16, 1919. Terre Haute was a cultural wasteland before the opening of the Sheldon Swope Art Museum in 1942. Thus, with a father as a coal miner and carpenter, art remained a luxury for Ray. Nevertheless, local art teachers Mabel Mikel Williams and Nola E. Williams helped to foster his creativity and unshakable drive to create things of beauty. After high school, Ray attended the John Herron School of Art in Indianapolis. His studies there were interrupted by the outbreak of World War II, during which he developed surveillance photographs for the Army Air Force. After the war, Ray transferred to the University of Iowa on the G.I. Bill, where he received both his BFA and MFA degrees. The University of Iowa during the 1940s was a cultural mecca with many major art historians and artists. While in Iowa, Ray played an important role in this culture by becoming a founding member of the Iowa Print Group under Mauricio Lasansky. Following his graduation in 1948, Ray experienced firsthand the rapid rise in creative printmaking in America. By 1949, he had exhibited at The Brooklyn Museum, the Walker Art Center, and MOMA New York. Ray’s early style of printmaking is characterized by pure line engraving on copper plates, a technique suited perfectly to his study of the beauty of animals. This charming and whimsical subject ran counter to the concurrent trends of Lasansky’s horrors of war and Hayter’s non-objectivity, but was equally effective in capturing the public’s attention. Walruses was purchased by the Victoria and Albert Museum, exhibited at MOMA New York and received the Arthur D. Allen Memorial Purchase Prize for its “skillful and economic use of line.” Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style evolved into organic non-objectivity, in which he incorporated personal autobiographical vignettes and symbolism. His work during this time was further characterized by a departure from the traditional squared compositional format to his cutting and rounding of the plate to accentuate organic shapes. Ray’s 1959 Enchantment remains particularly illustrative of his use of etching and soft ground intaglio. Enchantment was successfully exhibited at the Brooklyn Museum of Art for the 12th National Print Exhibition of The American Federation of the Arts and received the Pennell Purchase Prize from the Library of Congress in 1960. In the 1960s, Ray also started to focus on blind embossing, which he had first experimented with at the University of Iowa. He was extremely prolific and successful with this medium, selling hundreds of prints in small editions of 10 through the Associated American Artist Gallery in New York. In 1966, Ray built upon his mastery of embossing and began developing a shadow box presentation called a graphic construction that combined color, blind embossing, and multi-layered cutouts to revel intaglio compositions. Noted curator William Lieberman purchased Ray’s masterpiece graphic construction, Moon Rays...
Category

1960s American Modern International Fine Print Dealers Association Art

Materials

Tissue Paper

ICARUS
Located in Portland, ME
Monson, Jim American, 1943- ). ICARUS. Etching in two colors, 1972. Monson 30. Edition of 30, signed,titled and numbered "6/30," all in pencil. Pritned on BFK Rives paper. There wer...
Category

1970s International Fine Print Dealers Association Art

Materials

Etching

Untitled 5 (Woman Resting Against a Chair)
By George Segal
Located in Fairlawn, OH
Untitled 5 (Woman Resting Against a Chair) Signed and dated in the lower right corner (see photo) Edition: 100 (43/100 in the lower left corner) Published by Poligrafa, Spain Proven...
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

Pueblo Ledge
By John Ross
Located in New York, NY
The printmaking intaglio technique called collagraph was used to make the matrix of this early to mid-1970's print. Inspired by his trips to the Southwest during this period, John R...
Category

Late 20th Century Contemporary International Fine Print Dealers Association Art

Materials

Intaglio

Things Kept
Located in Fairlawn, OH
Things Kept Color lithograph, 1970 Signed & titled in pencil (see photos) Annotated: "Artists Proof" Printed on RIVES wove paper Condition: Excellent Sheet has aging consistent with ...
Category

1970s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Bar en Pennsylvania, 1914
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Bar en Pennsylvanie, etching, 1914. Signed in pencil lower left and numbered 21/35 lower right [also signed and dated lower in the plate lower left]...
Category

1910s Cubist International Fine Print Dealers Association Art

Materials

Etching

Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky. A very fine impression, in black ink on a thin Japan paper. Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat. Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames. It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category

1850s Realist International Fine Print Dealers Association Art

Materials

Etching

Gilbert & George
By Gilbert & George
Located in New York, NY
Photograph, mounted on cardboard folded in the middle, 10 x 16 1/2“ (25,5 x 42 cm), Ed. 200, signed and numbered
Category

1980s International Fine Print Dealers Association Art

Materials

Photographic Paper

Morita Kanya XIII As Genta Kagesue in the play Genta Kando
By Natori Shunsen
Located in Fairlawn, OH
Morita Kanya XIII As Genta Kagesue in the play Genta Kando Color woodcut, 1928 Signed and stamped middle right edge Natori stamp lower left image edge Series: Collection of Creative...
Category

1920s Showa International Fine Print Dealers Association Art

Materials

Woodcut

Untitled
Located in Fairlawn, OH
Untitled Watercolor on paper, c,. 1890 Unsigned Provenance: Estate of the artist Image/Sheet size: 3 1/4 x 4 1/8 inches From Wikipedia "Francis Augustus Lathrop (June 22, 1849 – Oct...
Category

1890s American Impressionist International Fine Print Dealers Association Art

Materials

Watercolor

Dog and Partridge No. 1
By Brad Davis
Located in New York, NY
Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the Univ...
Category

Late 20th Century International Fine Print Dealers Association Art

Materials

Etching

WITCHES SABBATH
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. WITCHES SABBATH. Engraving, etching, soft-ground etching and scorper, 1957-8, Signed, titled, dated and inscribed '2/5' in pen...
Category

1950s International Fine Print Dealers Association Art

Materials

Engraving, Etching

Portrait of a Seated Woman
By Paul H. Winchell
Located in Fairlawn, OH
Portrait of a Seated Woman oIl on canvas, c. 1930 Signed on the reverse in oil paint: "Paul W" Created while the artist was a student at the Minneapolis Institute of Arts Provenance: Estate of the artist Condition: Cleaned and stretched by Monica Radecki, South Bend, Indiana. The painting is unframed Canvas size: 30 x 24 inches This work created while the artist was in art school. Winchell studied art at the Minneapolis and Chicago Art Institutes in the 1930’s. He went on to teach at both institutions. Winchell studied under the noted artists Daniel Garber and Leon Kroll. Winchell exhibited at the Minneapolis Institute of Arts, Art Institute of Chicago and the Kansas City Art Institute. He retired to a quiet life in Painsville, Ohio. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld (1878-1973), Daniel Garber (1880 – 1958), Charles Woodbury (1864 – 1940), George Oberteuffer...
Category

1930s American Impressionist International Fine Print Dealers Association Art

Materials

Oil

Cypresses
By Donald Sultan
Located in Fairlawn, OH
Cypresses Reductive color woodcut in colors, black, green & brown, 1982 Unsigned From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set w...
Category

1980s Contemporary International Fine Print Dealers Association Art

Materials

Linocut

Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled (Circles) Graphite on wove paper, 2007 Unsigned Provenance: Estate of the Artist Condition: Excellent Sheet/Image size: 16 15/16 x 14 inches Peter Marks (1935 -2010) Pete...
Category

Early 2000s Abstract International Fine Print Dealers Association Art

Materials

Graphite

Indian Friendship Dance
By Gene Kloss
Located in Fairlawn, OH
Indian Friendship Dance Drypoint, 1953 Signed in pencil lower right, (see photo) Edition 200 Published by The Society of American Graphic Artists, New York An impression is in the collection of SAAM, Washington and RISD Museum, Condition: Excellent Very rich impression with burr and selective whiping of the ink for atmospheric nocturnal effect. Image/Plate size: 8 3/16 x 11 15/16 inches Sheet size: 11 1/8 x 17 inches Reference: Kloss 450 "'Indian Friendship Dance' is an eloquent statement of something which Gene Kloss has both observed and participated in. It is an Indian dance that is thought of as entertainment, rather than ceremony, but it is essentially an idea expressed in action, and an idea that has universal meaning. The young men who dance wear costumes of exquisite workmanship, intricately wrought with beads and feathers and subtle combinations of colors. The dancers are trained from childhood but develop their own steps and exhibit distinctive strength and grace. Singers and a tom-tom accompany the dance and since it usually takes place at night, a campfire is the source of light. The conclusion occurs when all the onlookers, old and young and from many places, join hands with the dancers in a slow revolving movement, while those who can, sing the difficult but meaningful Indian song that flows with the rhythmical dance step and speaks of fellowship, brotherhood, friendship." - An excerpt from a descriptive statement, written by Lynd Ward, and distributed with the drypoint at the time of publication." Courtesy Old Print Shop Born Alice Glasier in Oakland, CA, Kloss grew up amid the worldly bustle of the San Francisco Bay Area. She attended the University of California at Berkeley, graduating with honors in art in 1924. She discovered her talents in intaglio printmaking during a senior-year course in figurative drawing. The professor, Perham Nahl, held up a print from Kloss’ first plate, still damp from the printing process, and announced that she was destined to become a printmaker. In 1925, Gene married Phillips Kloss, a poet and composer who became her creative partner for life. The match was uncanny, for in her own way Gene, too, was a poet and a composer. Like poetry, her artworks capture a moment in time; like music, her compositions sing with aesthetic harmony. Although she was largely self-taught, Kloss was a printmaking virtuoso. On their honeymoon the Klosses traveled east from California, camping along the way. They spent two week is Taos Canyon – with a portable printing press cemented to a rock near their campsite – where Gene learned to appreciate the wealth of artistic subject matter in New Mexico. The landscape, the cultures, and the immense sky left an indelible impression on the couple, who returned every summer until they made Taos their permanent home 20 years later. Throughout her life, Kloss etched more than 625 copper plates, producing editions ranging from five to 250 prints. She pulled every print in every edition herself, manually cranking the wheel of her geared Sturges press until she finally purchased a motorized one when she was in her 70s. Believing that subject matter dictated technique, she employed etching, drypoint, aquatint, mezzotint, roulette, softground, and a variety of experimental approaches, often combining several techniques on the same plate. She also produced both oil and watercolor paintings. Kloss’ artworks are filled with drama. Her prints employ striking contrasts of darkness and light, and her subjects are often illuminated by mysterious light sources. Though she was a devout realist, there is also a devout abstraction on Kloss’ work that adds an almost mythical quality. For six decades Kloss documented the cultures of the region-from images of daily life to those of rarely seen ceremonies. She and her husband shared a profound respect for the land and people, which made them welcome among the Native American and Hispanic communities. Kloss never owned a camera but relied instead on observation and recollection. Her works provide an inside look at the cultures she depicted yet at the same time communicate the awe and freshness of an outsider’s perspective. Although Kloss is best known for her images of Native American and Penitente scenes, she found artistic inspiration wherever she was. During the early years of their marriage, when she and Phil returned to the Bay Area each winter to care for their aging families, she created images of the California coast. And when the Klosses moved to southwestern Colorado in 1965, she etched the mining towns and mountainous landscapes around her. In 1970 the Klosses returned to Taos and built a house north of town. Though her artwork continued to grow in popularity, she remained faithful to Taos’ Gallery A, where she insisted that owner Mary Sanchez keep the prices of her work reasonable regardless of its market value. Kloss continued to etch until 1985, when declining health made printmaking too difficult. From her first exhibition at San Francisco’s exclusive Gump’s in 1937 to her 1972 election to full membership in the National Academy of Design, Kloss experienced a selective fame. She received numerous awards, and though she is not as well known as members of the Taos Society of Artists...
Category

1950s American Realist International Fine Print Dealers Association Art

Materials

Drypoint

Explorator
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Explorator', engraving, 1734, edition unknown, scarce. Signed 'Dom. Campiglia del.' in the matrix, lower left. A fine impression, on handmade antique, l...
Category

1730s Realist International Fine Print Dealers Association Art

Materials

Engraving

Domjulien, Haute Vosges, France
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Domjulien, Haute Vosges, France', chiaroscuro wood engraving, 1971, edition 140. Signed, dated, titled and numbered '15/140' in pencil. Signed in the block, lower right....
Category

1970s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

untitled (Duck taking to flight, flushed by a dog)
By Paul H. Winchell
Located in Fairlawn, OH
untitled (Duck taking to flight, flushed by a dog) Drypoint & Aquatint, c. 1940 signed lower right Created while the artist was a commercial artist working in Minneapolis, after his ...
Category

1940s American Realist International Fine Print Dealers Association Art

Materials

Drypoint

Vellum Sketches I
By Ida Applebroog
Located in New York, NY
Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Aquatint

'Les Penitentes #3' — 1970s Modernist Abstraction
By Ralston Crawford
Located in Myrtle Beach, SC
Ralston Crawford, 'Los Penitentes #3', etching, 1976, edition 20. Signed and numbered '6/20' in pencil; titled and annotated 'specially selected for Marcelle and Dan' in the bottom s...
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Margaritas
By Emilio Sanchez
Located in New York, NY
“Margaritas” is a lithograph created by Emilio Sanchez in 1997. This impression is signed, titled, and inscribed "12/50" - the 12 print from an edition of 50 impressions. The printed image size is 12.50 x 14.25 inches (31.3 x 35.7 cm) and the paper size is 18 x 20.13 inches - all four paper edges are decked adding a nice option when framed. This print came to us directly from the Emilio Sanchez Estate (circular estate stamp is on verso). Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category

Late 20th Century Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Arashi Rikan II in an Osaka Kabuki Scene
Located in Fairlawn, OH
Arashi Rikan II in an Osaka Kabuki Scene Color woodcut, c. 1827 Signed middle left (see photo) Titled upper left (see photo) Format: oban Publisher: Honsei The actor, in character, d...
Category

1820s Other Art Style International Fine Print Dealers Association Art

Materials

Woodcut

WEDDING PREPARATIONS
By Doel Reed
Located in Portland, ME
Reed, Doel (American, 1894-1985) WEDDING PREPARATIONS.. Etching and Aquatint, 1973. Signed in pencil, lower right, and numbered 26/30. 12 x 17 1/2 inches (plate), 15 x 22 1/4 inches ...
Category

1970s International Fine Print Dealers Association Art

Materials

Etching, Aquatint

LA SALUTE
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio (American, born Uruguay, 1919-2013). LA SALUTE. Color Woodcut, 1967. Edition of 20, Titiled, inscribed 10/20, signed, and dated, all in pencil. 22 1/4 x 34 1/2 inch...
Category

1960s International Fine Print Dealers Association Art

Materials

Woodcut

Glowing Tree
By Gabor F. Peterdi
Located in Fairlawn, OH
Glowing Tree Etching, engraving & lift ground, 1958 Signed, titled and annotated in pencil (see photos) Edition: Artist Proof (there was a published addition of 30 with five stencil ...
Category

1950s American Modern International Fine Print Dealers Association Art

Materials

Intaglio

La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre
By Jacques Callot
Located in Fairlawn, OH
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Im...
Category

1610s Old Masters International Fine Print Dealers Association Art

Materials

Etching

Woman on a Patio
By Karl Albert Buehr
Located in Fairlawn, OH
Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...
Category

1910s Abstract Impressionist International Fine Print Dealers Association Art

Materials

Pastel

Untitled (Abstraction with musical notes)
By Louisa Chase
Located in Fairlawn, OH
Untitled (Musical notes abstraction) Mixed media on paper, 1991 Signed lower right center Condition: Very good Archival framing with conservation glass Provenance: ...
Category

1990s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Mixed Media

Le Groupe
By Alexander Archipenko
Located in Fairlawn, OH
Le Groupe Lithograph, 1963 Signed and numbered in pencil, lower right Edition: 75 (68/75) see photo Publisher: Erker Presse, St. Gallen blindstamp lower left. see photo From the suit...
Category

1960s Cubist International Fine Print Dealers Association Art

Materials

Lithograph

Untitled
By Walasse Ting
Located in Fairlawn, OH
Untitled Color lithograph, 1972 Unsigned Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?) Published by the Carnegie Institute Museum of Art, 1973 Printe...
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

UNTITLED
By Charles Arnoldi
Located in Portland, ME
Arnoldi, Charles (American, born 1946). UNTITLED. Etching and aquatint in colors, 1982. Edition of 5, printed at Teaberry Press, San Francisco, with their blindstamps, lower left and...
Category

1980s International Fine Print Dealers Association Art

Materials

Etching, Aquatint

The Draped Figure, Seated
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbe...
Category

1890s American Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

Two Fools (or Fool and Foolish Woman)
By Hans Sebald Beham
Located in New York, NY
Hans Sebald Beham (1500-1550), an engraving after Beham’s Two Fools (or Fool and Foolish Woman), engraving, c 1540, a copy or impression in reverse of Pauli 215, Bartsch 213, the cop...
Category

16th Century Old Masters International Fine Print Dealers Association Art

Materials

Engraving

Portrait of Wyndham Lewis
Located in Fairlawn, OH
Portrait of Wyndham Lewis Etching, 1973 Signed and numbered in pencil Published in 1973 in the deluxe edition of "The Roaring Queen" Edition: 100 (62/100) Condition: Excellent Image/...
Category

1970s Modern International Fine Print Dealers Association Art

Materials

Etching

Teddy Piaz. Serge Lifar. Ca 1928.
Located in New York, NY
Piaz, Teddy. Serge Lifar. Ca 1928. Exhibition poster for Russian Ballet. Original Offset. 63 x 47" unlined. Condition: Several images show imperfections. ...
Category

1920s Art Deco International Fine Print Dealers Association Art

Materials

Offset

Tree Tunnel
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and sugarlift aquatint. Edition of 35
Category

2010s Contemporary International Fine Print Dealers Association Art

Materials

Etching, Intaglio

Untitled SF74-863
By Sam Francis
Located in London, GB
In the 1970s, the beginning of a new phase in Francis’ career was defined by the emergence of the ‘color blotches’. These spots of gritty, shimmering color were made through glazes, ...
Category

1970s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Acrylic

Ascension
By Maria Deguchi
Located in Fairlawn, OH
Ascension Etching and aquatint printed in red and gold leaf on Arches France paper Signed, titled, and editioned in pencil by the artist (see photos) Edition: 60 of which this number...
Category

1970s Contemporary International Fine Print Dealers Association Art

Materials

Aquatint

Garden with Henry
By Peter Milton
Located in New York, NY
Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category

1990s Realist International Fine Print Dealers Association Art

Materials

Engraving, Etching

Ballet Dancer, untitled drawing.
By Charles Maurin
Located in New York, NY
CHEZ SAGOT EXPOSITION CH. MAURIN 39 BIS RUE DE CHATEAUDUN. Signed pencil drawing with the artist's owl head' stamp circa 1899. Paper size 9 7/8 x 12 3/4" (25 x 32.6 cm). This orig...
Category

Late 19th Century French School International Fine Print Dealers Association Art

Materials

India Ink, Pencil

TURNING OUT THE LIGHT
By John Sloan
Located in Portland, ME
Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm. (plate), 9 1/2 x 11 1/2 (sheet). Titled, inscribed "100 Proofs" and signed, all in pencil. Whi...
Category

Early 1900s International Fine Print Dealers Association Art

Materials

Etching

ONDE VERTE
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. ONDE VERTE. B/M 290. Soft-ground, etching, and scorper in three colors, 1965. Edition of 50, numbered 25/50 and signed in pencil. Published by Editions Alect...
Category

1960s International Fine Print Dealers Association Art

Materials

Etching

The Colonnade, Island of Philae
By Francis Frith
Located in Fairlawn, OH
The Colonnade, Island of Philae Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by William ...
Category

1860s Romantic International Fine Print Dealers Association Art

Materials

Photographic Paper

Slowakisches Bauernhaus,
By Karl Schwetz
Located in New York, NY
Schweiz, Karl. Slowakisches Bauernhaus, Ca 1911. Color linoleum cut. Framed. Provenance: Galerie Michael Pabst, Munich. Noted artist, painter, illustr...
Category

1910s Vienna Secession International Fine Print Dealers Association Art

Materials

Linocut

Le Peintre et Son Modele
By Hans Erni
Located in Fairlawn, OH
Le Peintre et Son Modele Color lithograph on BFK Rives paper Numbered and signed in pencil by the artist Edition 200 (77/200) printed in colors There is also a black and white editio...
Category

1960s French School International Fine Print Dealers Association Art

Materials

Lithograph

Fuwa, Kabuki Actor
By Masamitsu Ota
Located in Fairlawn, OH
Fuwa, Kabuki actor Color woodblock, 1931 From: “Kabuki Jahachi-Ban” (Eighteen Kabuki Plays) by the Ichikawa Family Publisher: Gekiga Kanko Kai Carver: Okura Hanbei Printer: Shinmi Yo...
Category

1930s Other Art Style International Fine Print Dealers Association Art

Materials

Woodcut

Composition
By Umberto Mastroianni
Located in Fairlawn, OH
Composition Original carborundum engraving, c. 1970 Signed: Mastroianni in pencil lower right (see photo) Edition: 100 (76/100) (see photo) Printed on a heavy laid paper Condition:...
Category

1970s Modern International Fine Print Dealers Association Art

Materials

Etching

Morning Paper
By Alessandro Mastro-Valerio
Located in Fairlawn, OH
Morning Paper Mezzotint, 1941 Signed in pencil lower right Publisher: 32nd Presentation Print of the Chicago Society of Etchers Edition: 350 Illustrated in GREAT AMERICAN PRINTS 1900...
Category

1940s American Realist International Fine Print Dealers Association Art

Materials

Mezzotint

Persephone
By Virginia Dehn
Located in Fairlawn, OH
Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category

1950s American Modern International Fine Print Dealers Association Art

Materials

Acrylic

Study of an Italian Town with Women in a Doorway
By Jared French
Located in Fairlawn, OH
Study of an Italian Town with Women in a Doorway Graphite on cream wove paper, c. 1960 Signed by the artist in pencil lower right (see photo) A master of "Magic Realism," French was ...
Category

1960s American Realist International Fine Print Dealers Association Art

Materials

Graphite

Bull Ring Brass - Mexico City
By Stephen Longstreet
Located in Fairlawn, OH
Bull Ring Brass - Mexico City Watercolor, pen and ink on paper, 1955 Signed in ink, dated and titled in pencil (see photos) Condition: 1'' repaired tear left edge, along with other minor tears. Tape stains from previous matting visible in the four corners Image/Sheet size: 19 3/8 x 15 5/8 inches Provenance: Acquired directly from the Artist Joseph M. Erdelac, Cleveland, friend and patron of Longstreet Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...
Category

1950s American Modern International Fine Print Dealers Association Art

Materials

India Ink, Watercolor, Pen

Walking in the Woods
By Frank Arthur Nankivell
Located in New York, NY
Frank Arthur Nankivell (18691959), [Walking in the Woods at Night], drypoint, c. 1910, signed in pencil lower right. Printed on a cream laid paper. In good condition, with margins (s...
Category

1910s American Realist International Fine Print Dealers Association Art

Materials

Drypoint

Untitled
By Thomas Nozkowski
Located in New York, NY
Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...
Category

Late 20th Century Abstract International Fine Print Dealers Association Art

Materials

Woodcut

Untitled (Plate 4) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 7) DLM Color lithograph, 1963 Unsigned (as issued) From: Derriere le Miroir, No. 141 Edition: 1500? Published by A. Maeght, Paris Condition: Mint Sheet/Image size: 1...
Category

1960s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

Wire Haired Girl and Cat
By William Sommer
Located in Fairlawn, OH
Wire Haired Girl and Cat Pen and ink with watercolor, c. 1930 Signed with the Estate stamp "B" Provenance: Estate of the Artist By descent to his son Edward ...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Watercolor

School Girls of Vienna Packing Rations from England and America for the Children
Located in Fairlawn, OH
School Girls of Vienna Packing Rations from England and America for the Little Children Color lithograph poster, 1921 Signed lower right in the text (see photo) Created in the Wein (...
Category

1920s Jugendstil International Fine Print Dealers Association Art

Materials

Lithograph

Portrait of Gladys Anne Hoskyns
Located in Fairlawn, OH
Portrait of Gladys Anne Hoskyns Collotype after a Wyndham Lewis drawing, 1923 Singed in the plate and reinforced in pencil Published by The Dial Publishing Company in Living Art...
Category

1920s Modern International Fine Print Dealers Association Art

Materials

Lithograph

Ballarina having make up applied by Cupid
Located in Fairlawn, OH
Ballarina having make up applied by Cupid Watercolor and gouache on heavy wove paper, c. 1905 Signed in ink lower right Titled in pencil, verso Condition: Aging to sheet Colors...
Category

Early 1900s Art Nouveau International Fine Print Dealers Association Art

Materials

Watercolor

Musicians
By Italo Scanga
Located in New York, NY
Italo Scanga was born in the Calabria region of Italy, and at 14 immigrated to the United States with his family after World War II. Living in Detroit, he worked on the General Motor...
Category

1980s Contemporary International Fine Print Dealers Association Art

Materials

Woodcut

Musicians
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