International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Etching, 1748
From: Vedute di Roma, Plate 8
An early Roman printing, published by Bouchard e Gravier
Watermark: Fleur de Lys in a double circle
Signed in the plate
Condition: Small margins as are common with Bouchard published impressions.
Centerfold (as usual)
Rich impression with good contrasts
Plate/Image size: 15 7/8 x 24 1/8 inches
Sheet size: 17 3/8 x 24 3/4 inches
Reference: Focillon 723
Wilton-Ely 138
Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states
This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image.
The Papal Basilica of St. Paul Outside the Walls...
Category
1740s Old Masters International Fine Print Dealers Association Art
Materials
Etching
Le Soir: Cerf et Herons (The Evening: Stag and Herons)
By Karl Bodmer
Located in Fairlawn, OH
Le Soir: Cerf et Herons (The Evening: Stag and Herons)
Lithograph printed with brown tint stone, 1858
From: Animaux et Paysages d’apres Nature
Published by Goupil, 1858
Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo)
Published by Goupil et Cie, Paris, with their blindstamp center, below image
Printed by Bertauts, Paris (see photo)
Condition: Excellent
One stain verso, not visible on recto
Full sheet
Image size: 11 1/4 x 18 inches
Sheet size: 17 3/4 x 24 3/4 inches
Reference: Delteil 70
IFF 22, No. 1
Karl Bodmer
(1809—1893)
Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...
Category
1850s Barbizon School International Fine Print Dealers Association Art
Materials
Lithograph
ERNST, Max. Rêve d'une Petite Fille qui voulut entrer au Carmel.
By Max Ernst
Located in New York, NY
ERNST, Max. Rêve d'une Petite Fille qui voulut entrer au Carmel. 176 pp. Illustrated with reproductions of 79 collages by Max Ernst. 8vo., 265 x 200 mm, bound in original illustrated wrappers, slightly faded in a new light blue cloth folding box, gilt black leather spine label. Paris: Éditions du Carrefour, 1930.
Ernst's rare second collage novel about an adolescent girl who loses her virginity on the day of her first communion and so commits herself to a religious vocation as a Carmelite nun. Ernst includes a line of ironically pretentious text with each image. This is number 232 of the edition of 1000 copies on Velin, inscribed by Paul...
Category
1920s Surrealist International Fine Print Dealers Association Art
Materials
Paper
Double Recursive Combs, Boustrophedonic
By James Siena
Located in Houston, TX
James Siena
Double Recursive Combs, Boustrophedonic, 2005
Silk-screen
Artist's proof 7/12, aside from the edition of 75
21 x 28 inches
Framed
Category
21st Century and Contemporary Abstract Geometric International Fine Print Dealers Association Art
Materials
Screen
SARGASSO SEA
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. SARGASSO SEA. B&M 264. Etching, Scraper, Scorper and Roulette, in color, 1961-62. Edition of 50 (there were also 5 artist's proofs, and several trial proofs ...
Category
1960s International Fine Print Dealers Association Art
Materials
Etching
Ragtime Piano
By Stephen Longstreet
Located in Fairlawn, OH
Ragtime Piano
Collage, 1969
Signed and dated '69 lower right
Address stamp verso
Provenance:
Acquired from the artist
Joseph M. Erdelac, friend and patron of the artist
Stephen Longs...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Mixed Media
After Hours
By Peter Milton
Located in New York, NY
“AFTER HOURS” was created by the contemporary artist Peter Milton in 2019. This graphic depicting a scene outside of the Louvre in Paris was drawn on a spec...
Category
21st Century and Contemporary Realist International Fine Print Dealers Association Art
Materials
Digital
$2,950
LA NOYEE
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. LA NUIT. B&M 258. Etching and aquating, in color, 1960. Edition of 50 (there were also 5 artist's proofs, and several trial proofs in other color variants. S...
Category
1960s International Fine Print Dealers Association Art
Materials
Etching
Du, du liegst mir im Herzen. [Musicians of Bremen]
Located in New York, NY
Du, du liegst mir im Herzen. [Musicians of Bremen.]
This brightly colored large-scale color lithograph was published by C. Burckardt, Deponirt "Druck u.Verlag v. C. Burckardt's Na...
Category
1880s Other Art Style International Fine Print Dealers Association Art
Materials
Lithograph
![Du, du liegst mir im Herzen. [Musicians of Bremen]](https://a.1stdibscdn.com/unknown-prints-works-on-paper-du-du-liegst-mir-im-herzen-musicians-of-bremen-for-sale/a_3312/1730224651341/Bremen_Town_Musicans_85011_master.jpg?width=240 "Du, du liegst mir im Herzen. [Musicians of Bremen]")
Indian Leaves
By Howard Hodgkin
Located in London, GB
Howard Hodgkin produced the lithograph Indian Leaves in 1982 on the occasion of his exhibition of the same title at Tate, London, in the same year. After it was decided that the pri...
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Lower East Side Crowd
By Abraham Walkowitz
Located in Fairlawn, OH
Lower East Side Crowd
Ink and ink wash on paper, c. 1910
Signed in ink lower center edge (see photo)
Signed with the initials lower right corner (see p...
Category
1910s American Modern International Fine Print Dealers Association Art
Materials
Ink
Un Debarquement en Angleterre (A Disembarking in England)
By Félix Hilaire Buhot
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist International Fine Print Dealers Association Art
Materials
Drypoint
Barcham Green Portfolio
By Sherrie Levine
Located in Houston, TX
Barchman Green Portfolio, 1986
Suite of five etchings
31 x 22 1/2” each
ed. 25
Framed
Category
20th Century Contemporary International Fine Print Dealers Association Art
Materials
Etching, Aquatint
From Above (Beijing)
By Martin Puryear
Located in Berkeley, CA
COLOR HARDGROUND ETCHING WITH AQUATINT AND DRYPOINT. RIVES BFK PAPER
IMAGE SIZE: 18” x 24”; PAPER SIZE: 29” x 34”
EDITION OF 40
Category
2010s International Fine Print Dealers Association Art
Materials
Etching
Meditation and Minou
By Will Barnet
Located in Fairlawn, OH
Meditation and Minou
Color lithograph and serigraph, 1980
Signed and numbered in pencil (see photo)
Printer Styria Studio, Inc. New York
Publisher: Harry Abrams...
Category
1980s American Realist International Fine Print Dealers Association Art
Materials
Screen
The Jolly Corner. A portfolio of 21 etchings.
By Peter Milton
Located in Fairlawn, OH
Portfolio of 21 photosensitive etchings and engravings on Rives Heavyweight Buff
Signed by the artist in pencil on frontispiece
Plate No. II:2; Signed by the artist
Numbered 27/150 in pencil on the colophon page along with chop marks of artist/printers Robert E. Townsend and Gretchen Ewert, and the chop of Impressions Workshop, Boston
Edition: 150
References And Exhibitions:
A portfolio edition of Henry James' ghost story first published by "The English Review" in December, 1908
Principal Portfolio Edition
Published by Aquarius Press Baltimore, MD
Reference:
Kneeland McNulty, Peter Milton: Complete Etchings 1960...
Category
1970s Contemporary International Fine Print Dealers Association Art
Materials
Etching
Amphitrite Nude Etching
By Raoul Dufy
Located in New York, NY
Original etching. This is the frontispiece etching published in Paris in 1930 by Floury for Marcelle Berr de Turique's monograph on the artist Dufy. Signed by Raoul Dufy within the p...
Category
1930s International Fine Print Dealers Association Art
Materials
Paper
untitled (Pueblo)
By Virginia Dehn
Located in Fairlawn, OH
Untitled (Taos Pueblo)
Ink on paper, 1985-1990
Signed by the artist in ink lower right (see photo)
An early New Mexico period work, created shortly after the artist moved from New York.
Provenance: estate of the artist
Dehn Heirs
Condition: Excellent
Image/sheet size: 13 1/8 x 18 1/2 inches
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
Early 20th Century American Modern International Fine Print Dealers Association Art
Materials
Ink
Untitled (Abstraction)
Located in Fairlawn, OH
Untitled (Abstraction)
Oil on canvas, date unknown
Signed lower left corner: Zayon
Canvas size: 13 3/4 x 19 1/2 inches
Frame size: 19 3/4 x 25 1/2 inches
Condition: Very good
Born i...
Category
Late 20th Century Abstract International Fine Print Dealers Association Art
Materials
Oil
View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category
1720s International Fine Print Dealers Association Art
Materials
Paper
Afternoon
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Afternoon, transfer lithograph, 1920, signed in pencil lower left. Reference: Czestochowski 188, only state, from the edition of 25 (another 300 unsigne...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Lithograph
Girl with the Golden Curls
By Everett Shinn
Located in Fairlawn, OH
Girl with the Golden Curls
Watercolor, c. 1895
Unsigned
Provenance: Davis Galleries, New York (see photo of label on reverse)
Condition: Mounted to support by the artist
...
Category
1890s American Impressionist International Fine Print Dealers Association Art
Materials
Watercolor
Amberley Boy, No. 2
By Gerald Leslie Brockhurst
Located in Fairlawn, OH
Amberley Boy, No. 2
Etching with stipple, 1928
Signed in pencil lower right (see photo)
Signed in the plate in reverse (see photo)
Provenance inscription in pencil verso
A proof outs...
Category
1920s English School International Fine Print Dealers Association Art
Materials
Etching
Travelers Boat at Ibrim
By Francis Frith
Located in Fairlawn, OH
Travelers Boat at Ibrim
Original gold toned albumin photograph, c. 1862
From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates)
Published by William Mackenzie, London, Glasgow & ...
Category
1860s Romantic International Fine Print Dealers Association Art
Materials
Photographic Paper
Two Studies of Henriette (Head of the artist's wife & The Artist's wife writing
By Leon Kelly
Located in Fairlawn, OH
Two Studies of Henriette (Left: Head of the artist's wife, Right: The Artist's wife writing a letter)
Watercolor and graphite on paper, 1928-1930
Signed in pencil lower right (see photo)
Image/sheet size: 9 3/8 x 11 inches
Condition: Excellent
Colors fresh and unfaded
Provenance: Estate of the artist
The Orange Chicken...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Watercolor
Somatic
Located in Berkeley, CA
Color aquatint with chine collé gampi.
Image Size: 40”x 29”; Paper Size: 40” x 29”
Edition of 25
Category
2010s International Fine Print Dealers Association Art
Materials
Etching
At Present
By Ross Bleckner
Located in Berkeley, CA
Color sugarlift aquatint with chine collé.
Edition of 50
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Etching
Plain Weave Grid (Yellow Ochre, Viridian Green, Cerulean Blue, Vermillion Red)
By Ruth Laskey
Located in Berkeley, CA
Color softground etching.
Category
2010s International Fine Print Dealers Association Art
Materials
Etching, Intaglio
Four Locations
By Ross Bleckner
Located in Berkeley, CA
Color spitbite aquatint with chine colle.
Edition of 50
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Etching
Entablature III
By Roy Lichtenstein
Located in London, GB
Screenprint and collage with embossing, 1976, on Rives BFK paper, signed and dated in pencil, 'APVII' one of nine artist’s proof, aside from the standard edition of 16, printed and published by Tyler Graphics Ltd., New York with their blindstamp, 74 x 114 cm. (29¼ x 45 in.)
Corlett 140
‘The architectural elements in the Entablature series can be seen as providing the artist with ready-made designs, in much the same way as comic strips and advertisements had provided him with easily recognised motifs in his earlier work.’ (Christoph Grunenberg, July 2000, Tate)
Between 1971 and 1976, Lichtenstein produced two series of entablature paintings based on photographs he had taken in New York of 20th century architectural ornaments in Lower Manhattan and, specifically, in the vicinity of Wall Street and 28th Street. During this period, in May 1974, he began to also discuss the creation of the ‘Entablature’ print series with Master Printmaker, Ken Tyler...
Category
1970s Pop Art International Fine Print Dealers Association Art
Materials
Screen
Untitled
By Frank Stella
Located in Fairlawn, OH
A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board.
Signed, dated, and inscribed "For Pat" in ink in the image. (s...
Category
1990s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Le banc de jardin (The Garden Bench)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
Le banc de jardin (The Garden Bench)
Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883
Signed in the plate (see photo)
Condition: Brilliant impression...
Category
1880s Impressionist International Fine Print Dealers Association Art
Materials
Mezzotint
Untitled (Study of a Lawyer)
By Honoré Daumier
Located in Fairlawn, OH
Unsigned
Provenance:
FAR Gallery, New York, NY
Private Collection, New Jersey
Reference and Notes:
Daumier was a prolific draftsman. This drawing of a lawyer was once part of a...
Category
Mid-19th Century Impressionist International Fine Print Dealers Association Art
Materials
Charcoal
Le vent et l'eau
By Jean Dubuffet
Located in Fairlawn, OH
Le vent et l'eau
Signed, dated, titled and numbered in the lower margin (see photos)
Edition: 10 (see photo)
There were also 25 impressions with the typeface caption of the title bel...
Category
1950s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
untitled (Lesson 3)
By Adolf Arthur Dehn
Located in Fairlawn, OH
Signed and dated by the artist in ink, lower right
Annotated in ink lower left: 3.
Plate 15. - Lesson 3
A very early student work.
From the Artist's estate
Category
1910s International Fine Print Dealers Association Art
Materials
Ink
Columns of the Parthenon
By Arnold Genthe
Located in Fairlawn, OH
Columns of the Parthenon
vintage silver bromide print, 1929
Signed in pencil on mount: "Arnold Genthe, 1929"
Illustrated: Arnold Genthe, As I Remember, Reynal & Hitchcock, NY, 1936, ...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Silver Gelatin
Blue Mussels Print
By Mathurin Meheut
Located in New York, NY
Plate number 8, Moules sur schistes de Duon, from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category
1920s International Fine Print Dealers Association Art
Materials
Paper
Cartella A
By Michelangelo Pistoletto
Located in London, GB
Set of 4 color screenprints, 1983, on polished aluminum foil, signed and numbered from the edition of 500, published by Fratelli Alinari Stamperia d'Arte, Florence, 42 x 33 cm. (16 3/4 x 13 in.)
Including La Testa...
Category
1980s Arte Povera International Fine Print Dealers Association Art
Materials
Screen
The Dead Tiger
By Dorothy Dehner
Located in Fairlawn, OH
The Dead Tiger
Ink and watercolor on paper, 1955
Signed and dated in ink (see photo)
Condition: Aging to the entire sheet (it's 78 years old)
Image/Sheet size: 18 1/4 x 23 inches
On...
Category
1950s Abstract International Fine Print Dealers Association Art
Materials
Watercolor
Bouquet de reves pour Leila-Poemes d'Yuan Goll
By Joan Miró
Located in Fairlawn, OH
Bouquet de reves pour Leila-Poemes d'Yuan Goll
Color lithograph, 1964
Unsigned (as issued)
From: XXe siecle, No. 24, December 1964
Publisher: G. di San Lazzaro, Paris
Printer: Mourlot, Paris
Edition: c. 1500
Reference: Mourlot 546
Condition: Excellent
Glue residue on left amrgin from binding in the book
XXe Siecle (20th century-review) New series
Back in Paris in 1949, Gualtieri di San Lazzaro resumed 20TH century publishing in 1951.
It hosts many of the most important writers and art critics of the 1950s and 1960s, including Alain Bosquet , Genevieve Bonnefoi, Camille Bourniquel , Georges Borgeaud, Marcel Brion , Georges Boudaille, Jacques Brosse , Michel Butor , Jean Cassou , Denys Chevalier, Pierre Courthion, Hubert Damisch , Pierre Descargues, Bernard Dorival , Jacques Dupin , Mircea Eliade , Jean-Louis Ferrier , Pierre Francastel , André Frenaud , Roger Van Gindertael...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Referendum '70
By Frank Stella
Located in London, GB
Screenprint, 1970, signed, dated and numbered an AP aside the edition of 200 (there were 15 AP in total), published by Gemini G. E. L., Los Angeles., sheet: 99.5 x 98 cm (39¼ x 38½ i...
Category
1970s Abstract Geometric International Fine Print Dealers Association Art
Materials
Screen
Green Flesh or Candia Melon Aquatint by George Brookshaw
By George Brookshaw
Located in New York, NY
Plate LXIX [Green flesh or Candia melon] from Pomona Britannica; or, A collection of the most esteemed fruits.. with the blossoms and leaves.. by George Brookshaw. London, T. Bensle...
Category
Early 19th Century International Fine Print Dealers Association Art
Materials
Paper
Monster
By Robert Motherwell
Located in London, GB
Lithograph on speckled gray HMP handmade paper
104.1 x 78.7 cms (41 x 31 ins)
Edition of 26
Category
1970s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Lithograph
Watering Jug and Brush
By Tomoe Yokoi
Located in Fairlawn, OH
Watering Jug and Brush
Color mezzotint, c. 1973
Signed and editioned in pencil by the artist (see photos)
Titled in pencil verso
Edition: 150 (126/150)
Published by John Szoke Graphi...
Category
1970s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
Beauty on a Veranda with Fan and Mirror
By Suzuki (Hozumi) Harunobu
Located in Fairlawn, OH
Signed: Harunobu ga
Series: Series: Eight Fashionable Parlor Views (Furyu zashiki hakkei)?
Format Japanese: chuban
Provenance:
Private Collection, Philadelphia
Collection of McCleaf
...
Category
Mid-18th Century Edo International Fine Print Dealers Association Art
Materials
Woodcut
SIXTEEN ETCHINGS
By Raphael Soyer
Located in Portland, ME
Soyer, Raphael. SIXTEEN ETCHINGS.
Published by Associated American Artists, NY, 1965.
From the Deluxe suite of 25 on Japan paper, this copy number 24/25. (There were a further 60 p...
Category
1960s International Fine Print Dealers Association Art
Materials
Etching
Slipper Lobster Print
By Mathurin Meheut
Located in New York, NY
Plate number 2, Scyllarus latus, from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category
1920s International Fine Print Dealers Association Art
Materials
Paper
En Route
By Jiha Moon
Located in New York, NY
In her image- and color-saturated paintings and prints, Jiha Moon mashes up materials, motifs, and techniques to create dreamlike compositions, stuffed with Eastern and Western art historical and pop cultural references that challenge fixed notions of cultural identity and represent our information-overloaded world. Everything is fair game for Moon—she draws from sources high and low, real and virtual, ancient and contemporary, including 13th-century Taoist painting...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
$2,300
ELEVEN ETCHINGS
By Clara Tice
Located in Portland, ME
Tice, CLara (Amrican, 1888-1973). ELEVEN ETCHINGS. Etchings on
paper, not dated, but 1930s. Each c. 6 x 4 1/2 inches on a sheet
c. 9 1/2 x 6 1/4 inches. Each signed in the plate. Fr...
Category
1930s International Fine Print Dealers Association Art
Aloe Plant Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: N. 304 Caranna.[Palm Tree].
Mezzotint engraving printed in color and f...
Category
Early 18th Century International Fine Print Dealers Association Art
Materials
Laid Paper
Recling Female Nude, seen from the rear
By Emil Ganso
Located in Fairlawn, OH
Recling Female Nude, seen from the rear
Conte crayon on paper. c. 1936
Signed "Ganso" right (see photo)
Illustrated: Esquire Magazine, "Emil Ganso, Handy Artist", July 1938, pages 58...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Crayon
View of St. Peter's and the Vatican, 1867
By Giovanni Acquaroni
Located in New York, NY
Veduta della Basilica di S. Pietro in Vaticano... drawn and engraved by Giovanni Acquaroni. Copperplate engraving printed in Rome, 1867. Plate size: 7 3/8 x 9 1/4 in. In an archival ...
Category
Mid-19th Century International Fine Print Dealers Association Art
Trompe L'oeil [untitled]. Homage... Ter Nagedachtenis van S. G. Wezel oud 76 Jar
Located in New York, NY
Trompe l'oeil [untitled]. Homage.... Ink drawing, multimedia, 1837. Paper size 13.13 x 16.44" (33.3 x 41.8 cm). On watermarked paper "Blauw and Briel." Overall good condition. Small tears and the occasional bit of paper missing at the paper edge. Original color. Center paper crease - as issued. We believe the artist created this artwork on a sheet of paper that had been previously bound in a book.
Dutch trompe l'oeil drawing with pen & ink, pencil, sepia, and black chalk, wax seal, and painted pigment. This montage of early 19th century ephemera depicts sheet music, scenic views, a sealed letter, cards, a portrait of an unknown sitter, and a penned sheet noting ... van S. G. Wezel Wassenaar, October 1837. Is this a homage to the individual portrayed, a metaphorical self-portrait, or just a random assortment of ephemera beautifully composed? The artist keeps us wondering and visually appeased by a striking harmony created through contrast. This piece starts with sheet music entitled; Romance Larghetto No 2. There is a Psalm and Op Jezus Geboorte (On Jesus Birth...
Category
Mid-19th Century Realist International Fine Print Dealers Association Art
Materials
Conté, Ink, India Ink, Watercolor
![Trompe L'oeil [untitled]. Homage... Ter Nagedachtenis van S. G. Wezel oud 76 Jar](https://a.1stdibscdn.com/a_3312/a_80146321619885874600/Wezel_Tromphe_l_oeil_crop_82094_master.jpg?width=240 "emilio briel")
Navajo Thunderbird Silversmith
By Stephen Longstreet
Located in Fairlawn, OH
Navajo Thunderbird Silversmith
Signed in ink, titled in pencil
Dimensions: 42 1/4 x 23 inches
Mixed media on paper
Provenance: Acquired from the art...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Mixed Media
Polo (Wall Plaque)
By Viktor Schreckengost
Located in Fairlawn, OH
Polo (Wall Plaque)
Polychromed ceramic, c. 1930-1931
Signed with the artist's initials: VS recto
Cowan Pottery stamp verso
References And Exhibitions:
Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt."
Condition: with the usual craquelure
Size: 11 1/4 inches in diameter
Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Ceramic
West Cornwall Station.
By Armin Landeck
Located in New York, NY
Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...
Category
Mid-20th Century American Realist International Fine Print Dealers Association Art
Materials
Drypoint
Cle Series: Three Rows in the Yard.
By Thomas R. Roese
Located in New York, NY
702 CLE Series: Three Rows in the Yard.
Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and the urban neigh...
Category
21st Century and Contemporary Photorealist International Fine Print Dealers Association Art
Materials
Acrylic, Color Pencil, Graphite
STREET MARKET - NEW ORLEANS
By Earl Horter
Located in Portland, ME
Horter, Earl. UNTITLED (STREET MARKET, NEW ORLEANS). Etching. Signed in pencil. 7 3/8 x 11 1/4 inches. In excellent condition.
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Etching
RUNNING THE RAPIDS
By Frank Benson
Located in Portland, ME
Benson, Frank. RUNNING THE RAPIDS. Paff 269. Etching, 1927. Edition of 150. Signed in pencil. Printed on Whatman paper. 5 7/8 x 7 3/4 inches (plate), 8 1/2 x 10 5/8 inches (sheet). A...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
Ruine di Sepolcro antico
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters International Fine Print Dealers Association Art
Materials
Etching
