Ifpda International Fine Print Dealers Association Still-life Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Flowers
By Bernard Buffet
Located in Fairlawn, OH
Flowers
Color lithograph
Signed in pencil (see photo)
Annotated in pencil "Eprueve HC" (see photo)
A trial proof reserved for the artist
Printed by Mourlot, Paris
First edition was 1...
Category
1950s Post-Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
Trim Fit (Deconstructed Singer machine gives both steel and silk equal weight)
By Carol Wax
Located in New Orleans, LA
Carol Wax deconstructs a Singer sewing machine in this mezzotint created in an edition of 75. The image gives equal weight to the steel of the machine and the silk of the fabric. It...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Love Apple (Brown background).
By Jane Martin VonBosse
Located in Storrs, CT
Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Linocut
Stones
By Marc Balakjian
Located in New Orleans, LA
Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5.
Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage.
By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
Category
1990s Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$160 Sale Price
20% Off
Singer II (Woodgrain, incised metal plate of a Singer typewriter casts shadows)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, Singer II looking at the end of the typewriter portrays the incised metal and the wood grain of the machine. It was issued as an edition of 75. This image is i...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Three Sisters
By Will Mentor
Located in New York, NY
Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
$720 Sale Price
40% Off
THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY.
By Jim Dine
Located in Portland, ME
Dine, Jim. THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY. D;Oench and Feinberg 175. Etching and aquatint and electric tools on two plates, with hand ...
Category
1980s Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Etching, Aquatint
'Fruit Forms' — American Modernism
By Albert Heckman
Located in Myrtle Beach, SC
Albert Heckman, 'Fruit Forms', color lithograph, edition not stated, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colo...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
Singer IV (part of a typewriter that is iconic)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, Singer IV looking at the botton of the typewriter portrays the incised metal of the machine. It was issued as an edition of 75 and this impression is #22. FIR...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Le Mais (Corn on the cob) in woven basket)
By Laurent Schkolnyk
Located in New Orleans, LA
Maize by Scholnyk is a mezzotint of ears of corn in a woven basket. This impression is #25 of an edition of 80.
Schkolnyk was born in Paris, France in 1953 and currently resides in...
Category
1890s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$138 Sale Price
63% Off
Drift (dramatic nocturne in America's suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi
Jacob Crook was born in St. Loui...
Category
2010s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Drapery Against Black
By Holly Downing
Located in New Orleans, LA
This black and white mezzotint is in an edition of 30. It is titled, numbered #1/30 and signed in pencil.
Holly Downing is a painter and printmaker who has been making mezzotint e...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Symbiosis
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category
1990s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Etching
The Green Sugarbowl — Mid-Century Color Woodcut
Located in Myrtle Beach, SC
William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...
Category
1940s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Woodcut
Scopes
By Carol Wax
Located in New Orleans, LA
The marriage between the art of science and the art of seeing was cemented by the invention of the lens. It is FIROS #48 in the catalogue raisonne.
Carol Wax originally trained to b...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
In Memory of an Historic Phrase
By Marc Balakjian
Located in New Orleans, LA
Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5.
Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage.
By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
Category
1970s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$375 Sale Price
50% Off
Lillies and Bowls (still life of flowers and colorful bowls)
Located in New Orleans, LA
The moon, bowls, lillies and birds are featured in this 2002 mezzotint. It is #17 from an edition of 75 and is signed, titled, dated and edition by hand by this Korean artist born i...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$140 Sale Price
36% Off
Pylon (Brooklyn Bridge from Manhattan side of East River near South St. Seaport)
By Frederick Mershimer
Located in New Orleans, LA
A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
SITUATION
By Katsunori Hamanishi
Located in Santa Monica, CA
KATSUNORI HAMANISHI (b.1949)
SITUATION X (S. 32) Mezzotint Signed, titled and numbered 6/90 in pencil.
13 1/4 x 11 5/8 inches, sheet 18 1/4 x 14 1/2 inches. Excellent condition.
She...
Category
1980s Realist Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Buds
By Jack Beal
Located in Fairlawn, OH
Buds
Color lithograph, 1980
Signed, titled, and editioned in pencil by the artist
Publisher: Art Matters
Printer: Bud Shark, Shark's Ink, Lyons, CO
Condition: Excellent
Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.)
"An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition.
Virginia M. Mecklenburg
Biography
Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood.
A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’
With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development.
Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring.
Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
$1,200
Dining Room with Horse Painting
By Julia Jacquette
Located in Fairlawn, OH
Dining Room with Horse Painting
Aquatint on Hahnemuhle Copperplate paper, 2008
Signed in pencil and numbered lower left
Published by the Print Club of Cleveland, Publication No.88, 2...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Aquatint
I'm Afraid We're Going to Have to Cancel Our Reservation
By Matthew Brannon
Located in New York, NY
Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph, Screen
Telephone (The iPhone of the early 20th Century)
By Laurent Schkolnyk
Located in New Orleans, LA
This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil
Schkolnyk was born in Paris, France in 195...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$200 Sale Price
33% Off
Still Life with Peonies — Italian Succession
By Carlo Alberto Petrucci
Located in Myrtle Beach, SC
Carlo Alberto Petrucci, 'Still Life with Peonies', color monotype, c. 1915. Signed in pencil, in the image, lower right. A superb, painterly impression, with fresh colors, on heavy c...
Category
1910s Post-Impressionist Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Monotype
Candle Light (a serene sacred shrine for decency and peace with Asian feel)
By Masahiro Arai
Located in New Orleans, LA
"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...
Category
1990s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
Tiger Lily
By Nishimura Hodo
Located in Fairlawn, OH
Tiger Lily
Color woodcut, 1939
Unsigned (as usual)
Publisher: Takemura Hideo
(active Yokohama 1926-1940)
Condition: Excellent
Image/sheet size: 15 3/8 x 10 7/8 inches
Provenance: Robert O. Muller Estate
Biography
Hodo Nishimura...
Category
1930s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Woodcut
Canna Lily
By Nishimura Hodo
Located in Fairlawn, OH
Canna Lily
Color woodcut, 1939
Unsigned (as usual)
Publisher: Takemura Hideo
(active Yokohama 1926-1939)
Format: oban
Condition: Excellent
Image/Sheet size: 15 5/8 x 11 inches
Provenance: Robert O. Muller
There is little biographical data available about the Japanese printmaker Hodo Nishimura...
Category
1930s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Woodcut
Elegy for a Forgotten Day
By Marc Balakjian
Located in New Orleans, LA
This image is an artist proof and is annotated VIII / VIII The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$360 Sale Price
20% Off
Singer Needle
By Carol Wax
Located in New Orleans, LA
Carol Wax's "Singer Needle" is a mezzotint issued in an edition of 100. It was originally designed to illustrate the step by step mezzotint process in the Abrams publication: "The Mezzotint: History and Technique" authored by Carol Wax. It is FIROS #44 in the catalogue raisonne. This impression is #98 out of 100
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Plum Bob #2 (a multi color lithograph showing brass plum bob and night sky)
By David Morrison
Located in New Orleans, LA
A dramatic gold - colored plumb bob, hanging against a backdrop of geometric drawings, is contrasted with the stars of the night sky. In the Greek Empire...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
Red Loop (suite of 12 mezzotints in boxed portfolio)
By Eduardo Leyva Herrera
Located in New Orleans, LA
12 copper mezzotints printed on Hahnemulle paper in an edition of 12. This is impression #5
The 12 complementary mezzotints are included in boxed portfolio
Graduated from the Natio...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$100 Sale Price
45% Off
Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals.
Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$85 Sale Price
22% Off
Violin et Coquille (violin and shell / inscribed Happy New Year 2000)
By Laurent Schkolnyk
Located in New Orleans, LA
This black and white mezzotint of a shell next to a violin is an artist proof that was inscribed Happy New Year 2000 and signed by the artist. The regular e...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Made in China (A lantern with Chinese characters etched on the base)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Made in China", explores the irony that glass, a transparent material alters perceptions of reality. This is the first instance in which Wax explores that iro...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
HOPE, 2021 (The promise of the new year appears to be floating
By Matt Magee
Located in New Orleans, LA
Hope is an archival color print with sculptured and hot gloss stamp printed in an edition of 50. This is impression #25 of 50.
ARTIST STATEMENT: Language is liquid and as HOPE was ...
Category
2010s Pop Art Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Archival Ink, Color, Archival Pigment
$225 Sale Price
30% Off
Apple Peeler II (a kitchen tool interpreted by paintings of Yves Tanguy)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Apple Peeler II", shows the simple tool influenced in part by Yves Tanguy. It was created in 1992 an edition of 50. This image is...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$160 Sale Price
20% Off
Le Talon Aigville - In Celebration of Pride Month
By Laurent Schkolnyk
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
This mezzotint was created by Laurent Sckolnyk and was meant as an homage to the mo...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Trivium MMV
By Francisco Souto
Located in New Orleans, LA
In medieval universities, the trivium comprised the three subjects that were taught first: grammar, logic, and rhetoric. The word is a Latin term meaning "the three ways" or "the thr...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint, Lithograph, Screen
$575 Sale Price
23% Off
Missing Link
By Carol Wax
Located in New Orleans, LA
This image is #12 from an edition of only 75,
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after...
Category
2010s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Livre (An opening to the book of knowledge)
By Anne Dykmans
Located in New Orleans, LA
This image seems to capture the opening of knowledge through books. At the top of the imagemoors are opening revealing a sliver of light providing entree to yer massive book at the ...
Category
1970s Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
D is for Dish (A fine whimsical work by a pioneer in the English Pop Art scene)
By Harvey Daniels
Located in New Orleans, LA
British Pop artist Harvey Daniels created this image in 1970 in a small edition of 20. This impression is #2 His work has described by art historian Norbert Lynton as a “visual carni...
Category
1970s Pop Art Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
L' Ananas (The Pineapple, a symbol of hospitality)
By Laurent Schkolnyk
Located in New Orleans, LA
Laurent Schkolnyk created this original mezzotint, L' Anais that is signed, titled and numbered #22 in an edition of 30. Since the fruit was so perishable, it became a symbol of lu...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
In the Silence of Passing Years
By Marc Balakjian
Located in New Orleans, LA
This image is an artist proof XII / XII. The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
$350 Sale Price
30% Off
Dahlias
By Nishimura Hodo
Located in Fairlawn, OH
Dahlias
Color woodcut, 1939
Unsigned (as usual)
Format: oban
Publisher: Takemura Hideo
Stamp verso: "Made in Japan"
Provenance: Robert O. Muller
Biography
Hodo Nishimura...
Category
1930s Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Woodcut
Plant and Lamp (B+Y; Y+B)
By John Baldessari
Located in New York, NY
In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.
Category
1990s Post-Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
STILL LIFE WITH APPLES
By Louis Lozowick
Located in Portland, ME
Lozowick, Louis. Amer., (1892-1973), STILL LIFE NO.2 (STILL LIFE WITH APPLES), Lithograph, 1929, Ed. C. 50. Flint 36, 10 5/16 x 13 3/16, 262 x ...
Category
1920s Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
Des Oeufs Pout Ta Fette (Holiday Eggs)
By Mario Avati
Located in Fairlawn, OH
Des Oeufs Pout Ta Fette
(Holiday Eggs)
Mezzotint, 1960
Signed, dated, titled and numbered in pencil
Edition: 50 (33/50)
Image: 8 5/8 x 10 11/16"
Condition: Mint
Mario Avati is a Fren...
Category
1960s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Brooklyn Botanical Gardens I; Brooklyn Botanical Gardens II (Diptych)
By Hugh Kepets
Located in New York, NY
Hugh Kepets has lived and worked in New York for the past three decades. He has had numerous one-person shows of his paintings, drawings and prints in New York, Chicago, Boston, Phil...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
$960 Sale Price
46% Off
UNICEF Bouquet - Tom Wesselmann, Pop Art, Still-life, Print, Screenprint
By Tom Wesselmann
Located in London, GB
Screenprint in colours, 1998.
From 'Meine Kindheit - Schmerz und Heilung, UNICEF'.
Signed in pencil, numbered from the edition of 100.
Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm
Category
1990s Pop Art Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Screen
Bicentennial Dawn
By Louise Nevelson
Located in Fairlawn, OH
Bicentennial Dawn
Silk screen and gold foil collage element, 1976
Signed and dated lower right in gold foil (see photo)
Edition 100 (57/100)
original label attributes this image as b...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Screen
Burst of Sound
By Misako Shimizu
Located in Fairlawn, OH
Burst of Sound
Lithograph printed in colors
Signed and titled in pencil in Japanese (see photos)
Edition: 30 (5/30)
Provenance:
Ralph Drake, Cleveland, OH, noted collector of decorat...
Category
Mid-20th Century Abstract Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
French Iris I
By Donald Sultan
Located in Fairlawn, OH
French Iris I
Reducutve color woodcut, 1982
Unsigned
Stamped verso “Imprimerie Arnera Archives/Non Signe”
From: Tramp Picture series
"The printer was Claude Jinchat at Imprimerie Arn...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Linocut
Mortar and Pestle with Funnel
By Tomoe Yokoi
Located in Fairlawn, OH
Mortar and Pestle with Funnel
Mezzotint on BFK Rives paper, c. 1973
Signed and editioned in pencil by the artist
Edition: 150 (41/150)
Condition: Mint, never framed or matted
Image: ...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Mezzotint
Jules Laforgue - I'll take my life monotonous (Edition C)
By Patrick Caulfield
Located in London, GB
Patrick Caulfield
Jules Laforgue - I'll take my life monotonous (Edition C)
1973
Screenprint, Edition of 100
61 x 56 cms (24 x 22 ins)
PCE9257
Category
1970s Abstract Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Screen
Pitcher and Peaches III
By Robert Kushner
Located in Lyons, CO
Color monotype with collage.
Kushner recently completed a series of monotypes, many with collaged decorative papers. He worked from still-lives of flowers, fruits, pitchers and Bett...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Monotype
Night Table
By Sally Mara Sturman
Located in New York, NY
Sally Mara Sturman studied art at the University of Michigan, the Rhode Island School of Design, ands the École des Beaux Artes, Paris, France. She has exhibited widely in the Unite...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Aquatint
$800 Sale Price
20% Off
Cluster of Grapes in Folded Napkin
By Stone Roberts
Located in Fairlawn, OH
Cluster of Grapes in Folded Napkin
Etching, 2006
Signed and numbered by the artist (see photo)
Edition: 25 (8/25), see photo
Printed on Hahnemuhle pa...
Category
21st Century and Contemporary American Realist Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Etching
ALE CANS
By Jasper Johns
Located in Portland, ME
Johns, Jasper (American, born 1930). ALE CANS (I). Wesleyan 202. Lithograph from two plates (blue background, black image), 1975. Edition of 41 plus 11 Artist's Proofs. Signed in pen...
Category
1970s Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Lithograph
THORNAPPLE
By Bertha Evelyn Clausen Jaques
Located in Portland, ME
Jaques, Bertha (American, 1863-1941) THORNAPPLE. Drypoint, 1924. Edition size not known. Signed in pencil. 12 3/8 x 6 7/8 inches (plate), 15 1/2 x 10 1/8 inches (sheet). Printed on t...
Category
1920s Ifpda International Fine Print Dealers Association Still-life Prints
Materials
Drypoint
