Ifpda International Fine Print Dealers Association Figurative Sculptures

Hammer and two nails on wood board, 1930, signed in pencil, from an unknown edition size, published by Edition VICE-Versand, Remscheid, Germany, overall sizes: 34 x 16.5 x 7.8 cm. (1...

Mixed metal multiple with lightbulb, 1990, signed in black ink, dated, numbered from an edition of 91 unique works, published by Edition Mönchehaus-Museum, Goslar, Germany, height: 5...

Ivor Abrahams Tableau Balance Maquette 1990 bronze Edition 10 38 x 19.5 x 28.5 cms (15 x 7 3/4 x 11 1/2 ins) IA9751

Edition of 12

Edition of nine

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate Kuhn’s sculptures were collected by the noted early modernist collector John Quinn (1870-1924). Among the works in Quinn’s collection was the icon Brancusi Portait of Mlle Pogany, the work that inspired Kuhn to create the wood carving “Mask” (FA10815). Mlle Pogany was chosen by Kuhn for exhibition at the Armory Show, 1913. Other sculptures by Kuhn are in the collections of the Smithsonian Museum and the Heckscher Museum. The group of 15 wood carvings came from the estate of the artist to his daughter Brenda Kuhn. The Kuhn Estate (Brenda) originally worked with Kennedy Galleries of New York who published a detailed illustrated catalog of offerings from the estate in 1967. The estate left Kennedy Galleries some time prior to 1983. They established estate representation with Barridof Galleries of Portland, Maine in partnership with Salander O’Reilly Galleries Inc. of New York. This partnership published a monograph catalog on the artist in 1984. Of our group of 15 works, three of the early c. 1913 examples have Salander O’Reilly labels affixed to them. The group of works were involved in the Salander O’Reilly bankruptcy liquidation where they were bought from. There have been several related examples that have come to auction since the year 2000. In 1912, Kuhn was one of the founders of the organization Association of American Painters and Sculptors, the organizing body for what became known as The Armory Show, 1913. The Heckscher Museum exhibition, European Modernism, as Told by Americans, gives insight in to Kuhn’s travels, artistic associations and the influences on his artwork. “In 1912 Kuhn traveled through Europe securing loans from artists and dealers to represent Impressionism, Post Impressionism and the newer strains of art like Fauvism and Cubism. Inspired by these developments, Kuhn tried out Fauvism and Cubism for himself.” “Kuhn would later become an adviser to collectors like John Quinn and Lillie Bliss, a supporter of the Armory Show and later one of the founders of the Museum of Modern Art.” Quinn acquired seven Kuhn sculptures in wood, bronze and gilt bronze which are listed in his estate inventory. This work is directly inspired by an Archipenko sculpture, Negress (La Negresse...

Signed, titled, and dated in ink on base verso. Unique sculpture created using the lost wax process. This piece is 7 1/2" high x 12" wide x 3 1/2" deep. Robert Cook was born in Boston in 1921. He studied with George Demetrios...

Bronze, 1967. Height 59" (149.9 cm) width max 15" (38 cm). Signed on base "R Cook." This unique large sculpture was made using the lost wax process. “ . . . Inspired by a da...

Cast concrete Unique Reference: LH1/35 Provenance Mr & Mrs Rowland Howarth Thence by descent

Stamped with the artist's monogram and numbered from the edition of 6 casts Cast at Lypiatt Foundry, 1974 Reference: F & C 672

Cast iron and corten steel

Cast iron and corten steel

Edition of 7

Signed, dated twice & inscribed 'Unikat' verso Cast at Arch Bronze Foundry, London in 1990 Five slightly varying versions recorded, this unique work was the first one

Edition of 9

Edition of 6

Edition of 6

Edition of 9 Figure I (in green): 45 x 19 x 14 cm Figure II: 45 x 16 x 11 cm