Slad Society Of London Art Dealers

Der Zeichner is a superb etching made around 1900 by a still unknown author, but surely from the circle of Max Klinger (Leipzig, 1857 - Grossjena, 1920). Title on plate in the lower margin in the center. Posthumous impression of a matrix by an unknown author. The style refers to the Griffelkunst and the prescriptions of the Max Klinger "school of stylus"and of the artists who were close to him. In particular, for the subject in question, in the circle of Max Klinger, Saschia Schneider stands out, who placed male...

From very small edition of 15 on handmade mould made paper, with Jewish star Magen David watermark. From the deluxe boxed portfolio edition. Hand signed in pencil. János Kass (Decemb...

This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...

A beautiful and touching original Peter László Péri etching, 1940s. A beaming mother of gigantic proportions holds her child above her head. At her f...

Que se la Llevaron! is an original etching realized by Francisco Goya in 1799, from Los Caprichos series. The artwork is the plate 8 (as printed on plate on the higher right margin) from the series Los Caprichos, first edition. Good conditions. Los Caprichos. Put on sale the 6 February 1799, at the end of the last carnival of the century, Los Caprichos, first Goya’s printed...

This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...

This is an aquatint print by French painter Georges Rouault titled "Le Rencheri" from Cirque de l'étoile filante (The Shooting Star Circus) 1935, published 1938 by Ambroise Vollard....

Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...

Realized by Picasso in 1956. Original Lithograph. Hand Signed and numbered. Edition of 50 prints.  Ref. Bloch n.790. 

The Physiognomy - Lips is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...

Anatomy veterinary is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Internal organs of animal is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on...