1967 Courreges Brown Silk

Revolutionary couturier André Courrèges made a name for himself on the buzzy Paris fashion scene of the 1960s with audacious Space Age designs that pointed to the future. The world of haute couture credits him with toppling the conservative standards assigned to feminine clothing back then and propelling a movement that celebrated a more revealing brand of women's attire — including chic miniskirts, his iconic white ankle boots and often whimsical dresses with necklines that turned heads.

While vintage André Courrèges suits, jackets and other apparel garnered the designer ample praise, he wasn’t confined to producing clothing. He is also widely revered for creating some of the era’s most stylish accessories, like his offbeat, goggles-esque sunglasses and distinctive scarves, which boasted lively patterns and an alluring range of Pop art colors and pastels.

Born in the French Pyrenees, Courrèges wanted to become an artist at an early age, but his father steered him into engineering. Though successful as an engineer, Courrèges pivoted to fashion. He moved to Paris and worked briefly for couturiere Jeanne Lafaurie. In 1948, he took a job with Cristóbal Balenciaga, and within a couple of years, he had ascended to the role of Balenciaga’s first assistant.

While working for Balenciaga, Courrèges met dressmaker Coqueline Barrière, whom he would later marry. In 1961, the couple established their own fashion house, where they collaborated as creative partners for the remainder of the designer’s life.

Courrèges was among the designers who ushered in the rise of ready-to-wear. He favored figure-hugging silhouettes and geometric shapes, and looked to the work of architect Le Corbusier — a like-minded proponent of simplicity and clean lines. Alongside innovators such as Mary Quant, Paco Rabanne and Pierre Cardin — the latter's futuristic looks were catnip for the free-spending consumers of the postwar years — Courrèges explored ways to outfit women with comfortable everyday wear, working with forward-looking materials such as plastic and polyvinyl chloride in his unadorned dresses of stark white. Mexican socialite and Harper’s Bazaar editor Gloria Guinness, pop star Françoise Hardy and former First Lady Jacqueline Kennedy were among some notable names to wear Courrèges originals.

By the mid-1960s, Courrèges had risen to the top of his industry, and there were many imitators. He took strict control of production at his namesake label, only allowing distribution through licensed sellers. He and Coqueline sold off part of the company in 1968 to L'Oreal, and by the early 1970s, Courrèges had more than 100 boutiques worldwide, also expanding into fragrances and menswear. In 1983, the couple restored themselves to full ownership of the company and in 2011 sold the company to French advertising executives Jacques Bungert and Frédéric Torloting. Artémis, which controls the global luxury group Kering, acquired a minority stake in the Courrèges brand in 2015 and took full control three years later.

Find vintage André Courrèges clothing, purses and other items on 1stDibs.

Luxurious and versatile, designer day dresses are as well suited to tea at an upscale hotel as they are to your next garden or rooftop party.

Today’s featherlight unisex day dresses — as well as the vibrant vintage day dresses of the 1950s and ’60s — look quite different from the heavy, fabric-rich de rigueur garments of the Victorian era. In the late 19th century, a woman of a certain standing might have multiple dresses to wear throughout the day: specifically, one or two for the daytime and one for the evening. For example, a long-sleeve silk dress with a prominently flared back and a round collar of gold beaded lace that hugs the neck would be suitable for stepping out during the day, while a velvet gown trimmed in silk embroidery but overall comparatively informal in appearance would be worn for afternoon tea at home. At night, a silk velvet evening dress could feature natural world motifs such as butterflies (a characteristic of Art Nouveau design) and have short sleeves adorned with lace and ruffles and a scooped neckline — the perfect attire for the theater.

During the 1920s, after all the chores were done, a woman would change from her housework clothing into a more fashionable day dress to run her errands or socialize. Some 1920s day dresses were brightly colored and featured bold patterns — a cotton dress with a dazzling floral print, perhaps, or, in the case of the more venturesome Art Deco apparel sold in high-end couture fashion boutiques of the era, semi-sheer silk garments embellished with three-dimensional beadwork or rich metallic gold lamé.

Today, a closet full of casual vintage day dresses is a must-have. Whether you opt for black, crimson or beige, day dresses bring an element of glamour to your next appointment, and in the summer, who doesn’t love a wonderfully simple, lightweight day dress cut in cotton and linen?

Because different fashion designers of every decade have offered their own take on the widely loved day dress, you’ll be able to find a variety of vintage and designer day dresses on 1stDibs. Search by creator to find enduring designs by the likes of Emilio Pucci, Pierre Cardin, Yves Saint Laurent and Christian Dior, or browse by period to uncover a scintillating collection of cotton and satin patterned dresses of the 1950s and ’60s.