Antique New York Art Prints

New York Bouquet Lithograph, 1917 Edition: 93 Signed with the artist's cipher in pencil lower right

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all

Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

the New York City skyline. Impressions of this work are in the permanent collections of the Chrysler

JOSEPH PENNELL (1857 - 1926) NEW FISH MARKET - (NEW YORK) 1921 (W 797) Etching, Signed in pencil

Museum of Fine Arts, Boston, the Art Institute of Chicago, the Metropolitan Museum of Art, New York

William Anderson Sherwood (American, 1875-1951) New York Stock Exchange, Early 20th century Etching

time the tallest building in the world, towering over the New York City skyline. Impressions of this

A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...

works is the city of New York, where the artist managed to capture some fascinating views. This artwork

John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108

-Atkins Museum of Art, New York Public Library, Philadelphia Museum of Art, and the Smithsonian American

reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated

The New York Herald's 1906 Funny Folk Calendar is a delightful time capsule that transports us to a

Historical Print entitled "Bennett: Bowling Green, New York" 1826 as noted in bottom Left Corner

Club in New York City. The design exemplifies a neoclassical or Renaissance Revival style, which was a

Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press

Dämpfer in den hafen von New York (Damper in New York Harbor) is an original modern artwork

the East River in New York City, connecting Lower Manhattan at Canal Street with Downtown Brooklyn at

Wickey, Harry (American, 1892-19680 NINTH AVENUE.(New York City) Circa 1926. Etching and drypoint

: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Otto Kuhler (1894, Remscheid, Germany

Hollyer, Samuel. OLD NEW YORK - VIEWS BY S. HOLLYER. New York, 1905, 1909 & 1912. 3 Volumes

prints by Stilson donated to the Metropolitan Museum of Art. Stilson’s father, William Bostwick Stilson

American History, New Mexico Museum of Art, New York Transit Museum, Railroad Museum of Pennsylvania

Eastman School of Art. He worked in New York State and in Texas. The etching Harlem River is signed and

New York: The Society of Iconophiles, 1908. The complete portfolio containing 12 photogravures

garden alongside a pack of New York brand cigarettes. The poster shows the rising influence of Western

alongside a pack of New York brand tobacco cigarettes. The poster shows the rising influence of Western

inches (289 x 427 mm); sheet size 17 x 23 inches (432 x 584 mm). Collection: Zimmerli Art Museum

This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn

) This print is titled "New York Battery" and was printed, circa 1927. Image measures: 12 3/8" H x 16 1/8

New York: 1939. Etching on light weight wove paper, 13 3/4 x 10 3/4 inches ( 350 x 273 mm); 15 1/4

Japanese born, Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League

.   Pollak moved to New York in 1927 and immediately began creating prints of the city he saw.    His first

A mid-19th century view of a New York institution still in operation. New York: The New York

New York Public Library Print Collection, the Philadelphia Museum of Art, and the Smithsonian

, right) & Walworth Stilson, (in the plate, lower, right) " St. John's Chapel, Varick Street, New York

few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art

Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...

Gallery of Art, United States National Museum, Museum of the City of New York, New York Public Library

American History, New Mexico Museum of Art, New York Transit Museum, Railroad Museum of Pennsylvania

New York. The piece depicts a young girl walking through a wheat field, holding a bouquet of

Batterie de New-York is an artwork realized by Anatole De Bonsonge in the 1870s. Etching. Good

Rade De New-York is an artwork realized by Anatole De Bonsonge in the 1870s. Etching. Good

30's the French engraver Raoul Varin ( 1865-1943 ) produced a variety of prints of New York City and

William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and

Clearly a view from New York City across the Hudson River to the New Jersey Palisades, this small

-lance illustrator for such magazines as Harper's Weekly. In 1859 he moved to New York City, where began

years of the 20th Century. The subject of both works is the city of New York, where the artist managed

of Art, the New York Public Library, the Oakland Museum, Princeton University, and the Smithsonian

'The Century Atlas. New York. Southern Part.' Original antique map, 1903. Inset maps of 'New York

'New York Tribune' Chromolithograph. 1902. Vanity Fair portrait of Whitelaw Reid who was a US

Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...

'The Century Atlas. New York, Western Part' Original antique map, 1903. Central fold as issued

Poster. Measures 39.5 x 30.5 inches and is Unframed. Good/Fair Condition (i.e. white borders have been cropped).

Japanese-born Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League