Skip to main content

Enzo Mari Putrella

Enzo Mari Limited Edition Putrella Centerpiece in Iron by Danese Milano 2009
By Danese Milano, Enzo Mari
Located in Montecatini Terme, IT
form and expressive force is a prime example of Enzo Mari’s work. The piece is made of iron with
Category

Early 2000s Italian Industrial Centerpieces

Materials

Iron

Recent Sales

1958 "Putrella" Bowl / Centrepiece by Enzo Mari
By Enzo Mari, Danese Milano
Located in Los Angeles, CA
In 1958, the highly experimental Italian designer Enzo Mari created a family of vessels made from a
Category

Vintage 1950s Italian Modern Decorative Bowls

Materials

Steel

Danese Milano Putrella Centrepiece in Transparent Coated Iron by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
and expressive force is a prime example of Enzo Mari’s work. The piece is made of iron with
Category

21st Century and Contemporary Italian Modern Centerpieces

Materials

Iron

Get Updated with New Arrivals
Save "Enzo Mari Putrella", and we’ll notify you when there are new listings in this category.

Enzo Mari for sale on 1stDibs

Enzo Mari was an influential industrial designer and a beloved curmudgeon who revered Marxism. His vintage mid-century modern designs are simple, functional and poetic. Widely known Mari-designed objects include desk accessories, such as the Formosa perpetual wall calendar, vases, cocktail tables and chandeliers

Enzo Mari's work is embedded within the city of Milan, the Italian capital of all things design. In fact, the traffic bollards he devised are part of the city itself: Shaped like "panettone" cakes, they simultaneously direct traffic and provide seating for pedestrians.

In 1974, Mari published Autoprogettazione? (roughly translated as self-design), a Marx-inspired, anti-industrial, do-it-yourself handbook for the everyday person to use to build furniture without the assistance of a glitzy designer or knowledge of complex joinery. Mari’s intent with the publication was to remove the alienation of the creator and manufacturer from the end product by teaching anyone to develop a critical eye for production.

Artek relaunched kits based on the blueprints in the manual in an exhibition at Spazio Rossana Orlandi in 2010. The subsequent collectability of his work was reportedly irksome for Mari because he abhorred the industrial production for which he was becoming known.

Mari’s meager upbringing heavily influenced his politics, and even in childhood, he would come up with ingenious ways to support the family financially. As a designer, the desire to envision and build significant pieces was more important to Mari than devising new marketing and retail sales tactics. He optimistically believed objects could change the world. This view went against the rising consumer mania for every next trend that surfaced in the late 20th century. Not surprisingly, his ecological and economical stance led him to produce fewer objects.

Mari's philosophy did not stop people from desiring his creations, nor prevent other designers from wanting to collaborate with him. Following World War II, he worked for companies like Danese, Olivetti, Artemide, Driade and Alessi, who brought his prodigious designs to the public, and Mari’s work was widely celebrated. 

The Golden Compass, Italy's highest honor for industrial design, was awarded to Mari four times before he died from COVID in 2020, and New York’s Museum of Modern Art has a permanent collection of his objects on display.

On 1stDibs, find a collection of Enzo Mari decorative objects, folk art and serveware.