Etching Plate

realized by Luigi Bartolini in 1936. Original etching. Plate dimensions: mm 270 x 215. Edition of 50

Philadelphia, 1981. #50/100. Signed, dated, and numbered lower margin. Etching plate measures 18 x 13 in

is a limited edition soft ground etching, using real seaweed to make the etching plate. The print is

Larger Plate, c.1632, is one of the largest, finest, and most detailed examples of Rembrandt's etchings

, (Focillon 330, Wilton-Ely 463) 1750-1756 Etching, Plate 48 from “Le Antichita Romane“ vol. 3. Engraved by

sides, measuring a refined 17 1/2 by 20 by 3/4 inches. The etching plate sizes measure 7 1/2 by 10

Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: 4 x 3.5 inches

with ebonized sides, each frame measures a refined 17 1/2 by 20 by 3/4 inches. The etching plate sizes

soft ground etching, using real plants to make the etching plate. The print is hand inked in a free way

from nature to make the etching plate. Part of the printmaking process that Charlie has so tastefully

Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six

. During the early 70's, Nottebohm first began experimenting with metal as canvas by utilizing used etching

quilt, framed with an abstract flower garland. The etching captures an old fashioned, antiqued quality

– A relief printing technique whereby the inverse image is scratched into an etching plate. Ink is

Tributary Copper plate etching printed with black Gamblin ink on 300gsm somerset satin paper 29.5 x

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and

Joan Miro Plate IV from Espriu. Year: 1975 Handsigned in pencil Edition: HC (Hors Commerce) aside

the beginning of the 20th century but the etching plate dates from the 18th or 19th century. The

Plate from Buffon's Histoire Naturelle, Générale et Particulière. Tom. XI, Pl. XI, p. 276 Paris

Plate from Buffon's Histoire Naturelle, Générale et Particulière. Tom. XI, Pl. XIII, p. 276 Paris

on paper, made directly or through the intermediation of etching plate and printing press. In both

components of the male reproductive system in dissected and isolated views. The plate presents multiple

Les Anatomes, Plate F is a contemporary artwork realized by Man Ray in 1970 Mixed colored etching

Table from Buffon's Histoire Naturelle, Générale et Particulière. Tom. XI, Pl. XVI, p. 276 Paris, 1771 Copperplate engraving on laid paper. A finely engraved anatomical study depict...

Georges Braque The bird Etching in colors (Crommelynck workshop) Signed in the plate with the

of 50 – printed by the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 19.8

margin, embossed marking from etching plate visible around image area, strong black and white etched

original aquatint is from an edition of 100 prints. This wonderful etching represents the famous bronze

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

Plate from Buffon's Histoire Naturelle, Générale et Particulière. Tom. XI, Pl. XVII, p. 276 Paris

Lucien Coutaud, French (1904 - 1977) - Le Taureau Blanc Plate VI, Year: 1956, Medium: Etching BFK

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 5, Year: 1948, Medium

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 6, Year: 1948, Medium

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 4, Year: 1948, Medium

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 8, Year: 1948, Medium

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 7, Year: 1948, Medium

Lucien Coutaud, French (1904 - 1977) - Le Taureau Blanc Plate V, Year: 1956, Medium: Etching on

Lucien Coutaud, French (1904 - 1977) - Le Taureau Blanc Plate IX, Year: 1956, Medium: Etching on

the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 30 cm x H 20 cm Sheet

Paul Gauguin, French (1848 - 1903) - Portrait de Stephane Mallarme (Canceled Plate), Year: 1891

-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an edition of 8, measures 9

Silver Plated French Art: La Rencontré Dangereuse Frame 12 w x 15.13 h x 1 d Art 6.75 w x 9.88 tall

Sergio Hernández (Mexico, 1957) 'Tatuajes (Ensemble 12 plates)', 2003 engraving on paper Deponte

NOCTURNE no. 1 2019 Multi plate coloured etching & carborundum , printed on Arches BFK 300gsm

Study of Horse - Plate 80 is an etching realized by Jean François Poletnich in 18th Century. Good

Marie Laurencin Young girl with a guitar Original etching, 1945 Signed and dated in the plate

Old Testament plates is a wonderful black and white set of prints realized by the Italian master

etchings. Original hand colored etching 1958 Hand initialed "M.Ch" in pencil Numbered in Roman numerals

This is one of the illustrations of Dizionario di scienze naturali Natural sciences dictionary edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds of e...