Erik Gunnar Asplund

Original ceiling lamp (model '6022' / 'Parachute'), designed by Erik Gunnar Asplund in the 1920s. Produced by Arvid Böhlmarks Lampfabrik in 1958-59. Made from green-lacquered metal, ...

With its organically shaped blown glass shade, especially rare in this opaline frosted glass version, the GA9 resembles a floating droplet. Designed by Swedish architect Erik Gunnar Asplund, widely regarded as the godfather of Swedish modernism, this lamp embodies his signature geometric clarity and structural ingenuity. Like his Stockholm City Library, it balances simplicity with innovation. A bent arm holds the glass, while another secures the light source at the luminaire’s center. The black lacquered metal curves organically, contrasting with polygonal backplates—an interplay of geometry and fluidity that defines Asplund’s vision. The large, mushroom-like shades diffuse light in a soft, mesmerizing glow, enhancing the atmosphere beyond mere functionality. Asplund’s influence extended to Scandinavian design icons such as Alvar Aalto, Erik Bryggman...

Rare parachute suspension light by Erik Gunnar Asplund. Designed and manufactured in Sweden, circa mid-1920s to mid-1930s. Enameled metal armature and chain, brushed satin glass diff...

Erik Gunnar Asplund Göteborg 1 Chair For Cassina The Göteborg solid wood design chair is the conceptual representation of Rationalism by the Swedish architect who designed the furnishings for the Gothenburg Town Hall. The rounded slightly convex curves are reminiscent of the stylistic features of the Bauhaus school. This chair also echoes a tribute to the legendary Thonet chair No. 14, among the early examples of design furniture on an industrial scale. PADDING Cold processed polyurethane foam. LEGS Solid ash. UPHOLSTERY Fabric or leather. The Göteborg chair is Erik Gunnar Asplund’s poetic interpretation of Rationalist ideas. The chair was commissioned for the extension of the Town Hall in Göteborg, Sweden, whose warm, wood-panelled rooms are evoked in its ashwood frame. The curved and slightly convex profile recalls Bauhaus designs. In this case, though, Asplund keeps the back and legs the same width. We also see an homage to the historic Thonet No. 14 chair, one of the early examples of industrially manufactured furniture. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor. About the Designer: Born in Stockholm, Erik Gunnar Asplund occupies a central position in the development of Scandinavian architecture and design of the twentieth century. He is considered the archetype of the generation that gave rise to the maturing process of the above estates, subsequently developed by such figures as Alvar Aalto, Erik Bryggman...

Chair designed by Erik Gunnar in 1934-1937. Relaunched in 1983. Manufactured by Cassina in Italy. The Göteborg chair is Erik Gunnar Asplund’s poetic...

For Cassina c.1980s Aniline-stained ash wood and moleskin H80 x W40 x D52 cm

In the annals of mid-century modern design, the Swedish designer and architect, Gunnar Asplund stood out as a luminary, and his delicately sculptural creations, such as this pair of wall lamps from the 1950s, epitomize the era's sophistication and functional beauty. Swedish architect and designer, Erik Gunnar Asplund is celebrated as the godfather of functionalist design in Sweden. Asplund's meticulous attention to detail and penchant for marrying form with function is evident in these wall lamps, combining materials just as ingeniously as forms and shapes. Crafted in the 1950s, these wall lamps feature circular brass mounts that gracefully extend two brass arms, holding both the light bulbs and the large, sculptural opaline glass diffusers. The geometric precision of the design reflects Asplund's architectural background, where clean lines and balanced proportions reign supreme. The lamps serve as great examples of the enduring quality of mid-century Swedish craftsmanship. Swedish mid-century modern design, marked by its emphasis on simplicity and functionality, sought to bring beauty into everyday life. Asplund's pieces encapsulate this ethos, transcending mere utilitarianism to become objets d'art that enhance living spaces. Manufactured by ASEA, a Swedish powerhouse in electrical engineering and industrial design, these lamps embody the marriage of aesthetics and utility. ASEA, founded in 1883, played a pivotal role in shaping Sweden's industrial landscape. Their foray into lighting design seamlessly blended technological innovation with artistic sensibility, making them a prominent player in the mid-century modern movement. The choice of brass and opaline glass as primary materials in these lamps speaks to the enduring appeal of this combination in mid-century modern lighting design. Brass, with its warm and timeless lustre, complements the opulence of mid-century interiors, while opaline glass diffusers disperse light with a soft, ethereal glow. This harmonious pairing endures as a hallmark of sophistication, blending seamlessly into contemporary design aesthetics. Swedish lighting design, deeply rooted in the country's commitment to quality craftsmanship and functional elegance, continues to influence global trends. The enduring popularity of mid-century modern design, exemplified by these Erik Gunnar Asplund lamps...

The Gothenburg chair designed by Erik Gunnar Asplund was a 1930s design for the furniture of Gothenburg City Hall. Reissued by Cassina in 1983, the model shows a homage to the histor...