Houston - Posters
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Item Ships From: Houston
A rare reproduction of the Coca Cola umbrella girls in a rustic red frame
Located in Houston, TX
A rare reproduction of the Coca Cola umbrella girls in a rustic red frame. Festoon art is originally designed in 1918. Frame has some wear but overall in good condition.
27” H x 33...
Category
1970s Unknown Mid-Century Modern Vintage Houston - Posters
Materials
Wood
James Dewoody original art, circa 1980s. "Lexington Avenue at 48th Street"
Located in Houston, TX
James Dewoody original art, circa 1980s.
"Lexington Avenue at 48th Street"
Numbered in graphite, lower left AP 6
Signed
Dewoodys work is currently on d...
Category
1980s North American Modern Vintage Houston - Posters
Materials
Wood, Paper
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You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...
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