Huntroyde Hall

Neoclassical design emerged in Europe in the 1750s, as the Age of Enlightenment reached full flower. Neoclassical furniture took its cues from the styles of ancient Rome and Athens: symmetrical, ordered, dignified forms with such details as tapered and fluted chair and table legs, backrest finials and scrolled arms.

Over a period of some 20 years, first in France and later in Britain, neoclassical design — also known as Louis XVI, or Louis Seize — would supersede the lithe and curvaceous Rococo or Louis XV style.

The first half of the 18th century had seen a rebirth of interest in classical antiquity. The "Grand Tour" of Europe, codified as a part of the proper education of a patrician gentleman, included an extended visit to Rome. Some ventured further, to sketch the ruins of ancient Greece. These drawings and others — particularly those derived from the surprising and rich archaeological discoveries in the 1730s and ’40s at the sites of the Roman cities of Pompeii and Herculaneum — caused great excitement among intellectuals and aesthetes alike.

Neoclassical furniture is meant to reflect both grace and power. The overall appearance of neoclassical chairs, tables and cabinetry is strong and rectilinear. These pieces are, in effect, classical architecture in miniature: chair and table legs are shaped like columns; cabinets are constructed with elements that mirror friezes and pediments.

Yet neoclassicism is enlivened by gilt and silver leaf, marquetry, and carved and applied ornamental motifs based on Greek and Roman sculpture: acanthus leaves, garlands, laurel wreaths, sheaves of arrow, medallions and chair splats are carved in the shapes of lyres and urns. Ormolu — or elaborate bronze gilding — was essential to French design in the 18th and 19th centuries as a cornerstone of the neoclassical and Empire styles.

As you can see from the furniture on these pages, there is a bit of whimsy in such stately pieces — a touch of lightness that will always keep neoclassicism fresh.

Find antique neoclassical furniture today on 1stDibs.

While we likely wouldn’t mourn the invention of home heating and air-conditioning, these innovations did tragically reduce the widespread need for fireplaces and mantels in our living rooms.

Once an essential fixture in all homes, the fireplace, which, along with the chimney, is as old as the Middle Ages, was actually rendered redundant with the advent of the cast-iron heating stove during the 18th century. Victorian-era heating stoves were popular in the common areas of a living space for their capacity to heat as well as for their lack of smoke compared to fireplaces. However, improvements in craftsmanship as well as the Industrial Revolution meant that fireplaces were evolving in form and functionality.

Even as HVAC systems would eventually see to it that fireplaces weren’t a necessity, no mechanically engineered thermal heating and ventilation technology can replicate the feeling of warmth and camaraderie that a flickering fire guarantees. We just love a good fireplace.

“With antique fireplaces, you get heart, soul, character and architecture,” says Tony Ingrao, a Manhattan-based interior designer who purchased an important 16th-century French limestone fireplace for a client’s Greenwich Village townhouse.

Vintage fireplaces and mantels have earned their coveted position as desirable focal points in any room over the course of a staggering evolution in design that has yielded everything from intricately carved works of limestone to sleek works of wood paneling and rolled steel.

As log after log turns into ash, these iconic designs prove their timelessness and value, monetarily and as prized decorative monuments. Whether you seek to simply warm a space or completely transform it, an eye-catching new mantel for your blazing hearth — be it an elegant neoclassical design, a marvelous work of marble in the Louis XV style or an unconventional contemporary variation — is the perfect solution.

Find a collection of antique and vintage fireplaces and mantels on 1stDibs today.