Louis Remy Mignot

Louis Rémy Mignot was born to French parents of Huguenot descent. Both his French and southern heritages would influence his later artistic style, distinguishing him from other painters of the Hudson River School, particularly in his atmospheric effects. As a young painter, he traveled extensively, first to Europe for his artistic training, and later to Ecuador with his colleague Frederic Edwin Church. He first exhibited at the National Academy of Design in 1853, eventually becoming an academician. He died of smallpox at the young age of 39, cutting short a promising career. Today, his works can be found in the collections of the Metropolitan Museum of Art (New York), Brooklyn Museum, North Carolina Museum of Art, Detroit Institute of Arts and the de Young Museum (San Francisco), among others.

Considered the first major American painting movement, the Hudson River School emerged in the first half of the 19th century with landscape paintings that celebrated the young country’s natural beauty. Most of its leading painters were based in New York City where they exchanged ideas and traveled to the nearby Hudson River Valley and Catskills Mountains to re-create their vistas. At a time when the city was increasingly dense, the Hudson River School artists extolled the vast and pristine qualities of the American landscape, a sentiment that would inform the conservation movement.

American art was dominated by portraiture and historical scenes before Thomas Cole, the founder of the Hudson River School, began painting the Catskill Mountains in 1825. While the Hudson River School was informed by European art aesthetics, particularly the British focus on the sublime in nature, it was a style imbued with nationalism. The landscape painters who followed and studied under Cole would expand their focus from the Northeastern United States to places across the country, their work shared through prints and portfolios promoting an appreciation for the American wilderness — Niagara Falls, the mountain ranges that dot the American West and more — as the style blossomed during the mid-19th century.

Cole’s student Frederic Edwin Church as well as painters such as Albert Bierstadt, John Frederick Kensett, Asher Brown Durand and others became prominent proponents of the Hudson River School. The American art movement also had close ties to the literary world, including to authors like William Cullen Bryant, Henry David Thoreau and James Fenimore Cooper who wrote on similar themes. Although by the early 1900s the style had waned, and modernism would soon guide the following decades of art in the United States, the Hudson River School received renewed interest in the late 20th century for the dramatic way its artists portrayed the world.

Find a collection of authentic Hudson River School paintings, drawings and watercolors and more art on 1stDibs.

It could be argued that cave walls were the canvases for the world’s first landscape paintings, which depict and elevate natural scenery through art, but there is a richer history to consider.

The Netherlands was home to landscapes as a major theme in painting as early as the 1500s, and ink-on-silk paintings in China featured mountains and large bodies of water as far back as the third century. Greeks created vast wall paintings that depicted landscapes and grandiose garden scenes, while in the late 15th century and early 16th century, landscapes were increasingly the subject of watercolor works by the likes of Leonardo da Vinci and Fra Bartolomeo.

The popularity of religious paintings eventually declined altogether, and by the early 19th century, painters of classical landscapes took to painting out-of-doors (plein-air painting). Paintings of natural scenery were increasingly realistic but romanticized too. Into the 20th century, landscapes remained a major theme for many artists, and while the term “landscape painting” may call to mind images of lush, grassy fields and open seascapes, the genre is characterized by more variety, colors and diverse styles than you may think. Painters working in the photorealist style of landscape painting, for example, seek to create works so lifelike that you may confuse their paint for camera pixels. But if you’re shopping for art to outfit an important room, the work needs to be something with a bit of gravitas (and the right frame is important, too).

Adding a landscape painting to your home can introduce peace and serenity within the confines of your own space. (Some may think of it as an aspirational window of sorts rather than a canvas.) Abstract landscape paintings by the likes of Korean painter Seungyoon Choi or Georgia-based artist Katherine Sandoz, on the other hand, bring pops of color and movement into a room. These landscapes refuse to serve as a background. Elsewhere, Adam Straus’s technology-inspired paintings highlight how our extreme involvement with our devices has removed us from the glory of the world around us. Influenced by modern life and steeped in social commentary, Straus’s landscape paintings make us see our surroundings anew.

Whether you’re seeking works by the world’s most notable names or those authored by underground legends, find a vast collection of landscape paintings on 1stDibs.