Peter Simon Art

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Black and white fine art monochrome long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are mad...

Black and White Fine Art Landscape Photography. Joshua Tree in National Park at sunset in California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbere...

Black and white fine art cityscape photography. Fifth Ave, East 39th St, New York City with a view of the Empire State Building. Archival pigment ink print, edition of 9. Signed, tit...

Black and White fine art long exposure waterscape - landscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of auth...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Linarejos Moreno Art Forms in Mechanism XX, 2016 archival digital print on Baryta paper, ed. 1/3 75-5/8 x 51-1/4 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...

Linarejos Moreno Art Forms in Mechanism XXl, 2016 natural pigments print on gessoed burlap 124 x 59 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...

Linarejos Moreno Art Forms in Mechanism XXll, 2016 natural pigments print on gessoed burlap 117 x 58 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...

Linarejos Moreno Art Forms in Mechanism XXlll, 2016 natural pigments print on gessoed burlap 117 x 60 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...

Pharrell Williams, Third Eye, 2017 by Hunter & Gatti From The series, I will make you a star Acrylic paint, Oil pastel pigment print on canvas. Size: 74 H x 52 W in. Mixed Media Si...