Skip to main content

Ww2 Propaganda Posters

Recent Sales

Get Updated with New Arrivals
Save "Ww2 Propaganda Posters", and we’ll notify you when there are new listings in this category.

Ww2 Propaganda Posters For Sale on 1stDibs

On 1stDibs, there are several options of ww2 propaganda posters available for sale. Browse a selection of modern or Surrealist versions of these works for sale today — there are 9 modern and 1 Surrealist examples available. These items have long been popular, with older editions for sale from the 20th Century and newer versions made as recently as the 20th Century. If you’re looking to add ww2 propaganda posters that pop against an otherwise neutral space in your home, the works available on 1stDibs include that feature elements of gray, blue, black, orange and more. Many versions of these artworks are appealing in their rich colors and composition, but Fougasse (Cyril Kenneth Bird), Leslie MacDonald Gill and Allan Carter produced especially popular works that are worth a look. Each of these unique pieces was handmade with extraordinary care, with artists most often working in lithograph, gouache and paint.

How Much are Ww2 Propaganda Posters?

Prices for art of this kind can differ depending upon size, time period and other attributes — ww2 propaganda posters in our inventory begin at $217 and can go as high as $4,879, while the average can fetch as much as $681.

A Close Look at Realist Art

Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world. 

Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history. 

By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.

Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.

Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.

​​Find authentic realist paintings, sculptures, prints and more art on 1stDibs.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

Questions About Ww2 Propaganda Posters
  • 1stDibs ExpertApril 5, 2022
    Propaganda posters were designed to present the public with a concept or idea in a single image with a brief slogan. The word propaganda is defined as information that’s biased or misleading but it isn’t always that negative, sometimes propaganda is used to rally people around a cause. On 1stDibs, find vintage propaganda posters from top sellers around the world.
  • 1stDibs ExpertMarch 22, 2022
    James Montgomery Flagg made the WWI propaganda posters. He designed more than 45 for the U.S. government. The most well-known is I Want You for U.S. Army, which shows Uncle Sam pointing at the viewer. On 1stDibs, shop a selection of James Montgomery Flagg art.
  • 1stDibs ExpertMarch 31, 2023
    Opinions on which World War II propaganda poster is the most famous differ. However, two posters introduced characters that would go on to become iconic. The first is "We Can Do It," featuring Rosie Riveter, who has become synonymous with women's equality. Another influential design is " I Want YOU For U.S. Army," with its bearded figure wearing a star-spangled top hat. The image gave birth to Uncle Sam, the well-known symbol of the U.S. On 1stDibs, find a range of WWII posters from some of the world's top galleries.
  • 1stDibs ExpertFebruary 13, 2023
    More than 200,000 propaganda posters were made during World War II. The Office of War Information (OWI) was responsible for hiring artists to design the artwork. Famous posters include “I Want You” for the U.S. Army, featuring the well-known Uncle Sam character, while the popular “We Can Do It!” design depicts Rosie the Riveter. On 1stDibs, shop a selection of World War II posters and other vintage and antique posters.