Delectable Art

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon PORTRAIT OF THE PAINTER 1943 Watercolor on paper 68 x 53 cm. Signed and dated: lower right ‘Quirijn van T...

Girl. Paper/watercolor. 64x50 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued he...

Hardrock 2020. Paper/mixed media, 21x14.8 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, arch...

We don't know 2022. Paper/mixed media, 29.5x20.9 cm. Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscap...

Friend 2022. Paper/pencil, 29.1x20.1 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, architect...

Youth 2022. Paper/pencil, 28.3x20.8 cm. Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, architect...

Portrait. 1961. Watercolor on paper, 29,5x21 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies...

Haystacks. 1960s. Bilateral. Paper, watercolor, 31x25 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began h...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE A Study of Human Head and Tiger by Orovida Pissarro (1893-1968) Pencil on paper 25.5 x 20 cm (10 x 7⁷/₈ inches) E...

'Soldiers Playing Cards', watercolour and gouache on art paper, by Yves Brayer (1939). Such an atmospheric image, this stunning depiction by celebrated F...

'The Kids', pastel on paper (1967), by Raymond Dèbieve. Picasso's influence is undeniable in this artwork yet Dèbieve's own naive artistic style is on display ...

A fine 18th century French pastel portrait on paper of an aristocrat wearing the order of St Louis, inferring that the sitter had been in the military serving the King. The pastel is unsigned but to the the back is a piece of the original backing paper with a notation to the Baronne de Minck. The paper has been backed with a type of vellum, It is presented in a plain gilt wood frame on a period stretcher under 18th century glass. The artist has used the pastel to create a wonderful soft velvety texture so characteristic of this medium which became so popular for portraits in the 18th century. A charming rendition of a typical 18th century nobleman...

At evening. Paper/watercolor. 76x55 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She conti...

'Man Smoking Shisha in Istanbul', watercolour on art paper, by Yves Brayer (1933). So many historic elements grace this stunning depiction by celebrated French artist and world trave...

A charming silhouette of a group of children ambling along. So much character is expressed through the minimal monochrome depiction. English or American School, 19th Century A silhouette...

Mixed media on foam board Signed lower right This work includes a certificate of authenticity. Framed (matte black wooden frame, black raised float mount on foam core, UV anti-refle...

Mixed media on Fabriano Signed lower right This work includes a certificate of authenticity. Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflect...

Mixed media on Fabriano Signed lower right This work includes a certificate of authenticity. Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflect...

Signed (at lower right): WINOLD/REISS

Signed (at lower right): WINOLD/REISS

Sanguine on paper. Signed and dated in Roman numerals at lower right. In the upper right corner is the title. Claudio Bravo Camus was a Chilean painter best known for compositions (...

Each drawing showing traditional Roman robes. Executed in pencil and highlighted in white chalk. Stamped on reverse. Paper size: 13"h x 10"w

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

"Deaf Prisoner" Inks on Paper Painting 14" x 10" in by Inji Efflatoun Signed and dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitio...

James Rassiat ( 1909 - 1998 ). PARIS Mon Amour . "les adieux de Maurice Chevalier " . Théâtre des Champs Elysées . 20 Octobre 1968 . Gouache on pape...

Chaim Gross (American, 1904-1991) Watercolor painting Rabbinical Talmudic Discussion Hand signed 17 x 29 framed, paper 10 x 22 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Alexander Befelein "San Diego" 2021 Watercolor, ink, and pencil on paper 8 ¼ x 4 ¾ Inches Signed, titled, and dated in pencil in the lower margin

Believing that the departed continue to hold influence over the lives of the living, many Chinese households honor their ancestors in private family rituals, invoking their spirits for long life, health, and prosperity. Commemorative portraits, which came into vogue in the late Ming and Qing dynasties, were commissioned specifically for ancestor worship and were believed to house the spirits of the deceased. When properly cared for, one's ancestors were believed to be a powerful source of honor, protection, and good luck. This pair of ancestor portraits was hand-painted in the mid-19th century and beautifully depicts a Qing-dynasty couple. While some ancestral portraits offer a more stylized representation of one's ancestors, this particular pair is painted with incredible realism and life-like expressions. Rather than depict the pair in a regal hall wearing elaborate finery, the couple is shown in a quiet home environment, seated at either end of a square tea table. Their surroundings are minimal, practically undecorated, and they wear simple, matching blue silk robes...

Orince Eagle (After a Photograph by Elizabeth Peyton), 2018 by Manuel Santelices One of a kind, watercolor and ink on paper Signed by the artist. Image size: 12 in. H x 9 in. W Unfra...

Valentino hat fall 2019 by Manuel Santelices One of a kind, oil pastel on paper. Signed by the artist. Image size: 12 in. H x 9 in. W Unframed Manuel Santelices explores the world ...

A fabulous pair of early, coloured oleographs, originating from India. Oleographs are chromo lithographs that have been coloured to look like oil paintings. In the case of these two...

Vogue, set of watercolors on archival paper by Manuel Santelices Individual dimensions: 12 in. H x 9 in. W Overall dimensions: 12 in. H x 45 in. W ...

Peter Hujar, 2018 by Manuel Santelices One of a kind, ink and watercolor on paper Signed by the artist. Image size: 12 in. H x 9 in. W Unframed The worlds of fashion, society and po...

Vanity Fair Magazine Call Me Caitlyn Cover by Manuel Santelices Image Size: 11 in. H x 8.5 in. W Frames Size: 13 in. H x 10 in. W x 1 in. D One of...

Lynn Yaegger by Manuel Santelices Dimensions: 12 in. H x 9 in. W Watercolor and archival paper 2016 Unframed    Manuel Santelices explores the world of fashion, society and pop cu...

An enigmatic charcoal portrait of a middle-aged lady attributed to German artist Julius Mante (1841-1907). The artist has captured an expression that's deliberately tricky to deciphe...

Jean Launois (1898-1942) Opium smokers, Indochina Stamp of the artit's estate on the lower right Black ink on paper 22.5 x 30.5 cm Framed : 38 x 46 cm This beautiful drawing, a fine example of Jean Launois' particular art, dates from the artist's stay in Indochina, from which he brought a group of works. An exhibition devoted to this Indochinese period of the artist's production was held at the Musée de l'Abbaye Sainte-Croix, Sables d'Olonne in 1998. About the artist : Of Vendée origin, Jean Launois very quickly showed a sure talent for drawing and was encouraged in this by his parents. He trained with his fellow Vendeans Charles Milcendeau and Auguste Lepère and then entered the Académie Jullian in Paris. Enrolled in the First World War in 1916, he continued to draw at the front, and produced numerous portraits of soldiers...

This drawing, pencil on paper 35,5 x 25,5 cm without frame, is signed and dated "Arturo Banti 21. Gennaio 1876." on the left in sanguine. It's a typical "Academia", so a study on a naked figure in a plastic pose to exercise on the portraying of the body. It belongs to the juvenile career of this Tuscan...

Lubin de Beauvais (1873-1917) L'anse de Launay, a woman at the beach, 1911 signed, dated and titled "Anse de Launay, Loguivy Ploubazlanec, Bretagne,...

This fine portrait by British artist William Moore (1790-1851) depicts a young man holding a book. He’s wearing a white shirt, black necktie, waistcoat and unbuttoned frock coat. During the...

Man in a blue and brown coat by Manuel Santelices Ink and watercolor on paper Image size: 15" H x 11" W inches. Unframed 2023 Manuel Santelices explores...

This small drawing shaped as a lunette (pencil on paper, 13 x 19 cm) represents Saint-Ouen Abbey in Rouen, Normandie, as it's reported on pencil on the bottom left corner. We can des...

This “Academia” (pencil and white lead on paper, 48 x 32,5 cm) is the kind of study from live that was the most frequent way of training in Arts Academies since the 18th century. The...

Italian School 18th Century An Ancient soldier in profile, red chalk on paper 35 x 23.5 cm in good condition, traces of folds in the lower right corner Framed : 46.5 x 35.5 cm This...

Acrylic paint and ink on tracing paper Hand-signed and dated lower left

Mixed media on tracing paper Hand-signed and dated lower right

Acrylic paint and ink on tracing paper Hand-signed and dated lower left

The drawing, composed by a single sheet without watermark of 20.4 x 12,5 inch, comes from the collection of Placido Fabris’s heirs The drawing shows, on a tempera dark background, a ...

Acrylic paint and ink on paper Hand-signed and dated lower right

French school circa 1840 Portrait of a Lady watercolor on Bristol paper 25.5 x 20 cm oval in quite good condition : slightly yellowed by time, multiple little scratches, stains (see ...

Gouache and charcoal on paper, 53cm x 37cm (74cm x 55cm framed). Provenance: the Artist’s estate (stamped verso). Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines...

French School 18th Century, Le Mépris et la Haine, Contempt and Hate as a form of expression, Titled on the lower right "Le mépris et la haine N°7" Black c...

French School 18th Century, Le Rire, Laughter as a form of expression, Titled on the lower right "Le rire N°12" Black chalk on paper 43 x 29 cm In quite good condition, stains vsibl...

This charming late 19th-century portrait by British artist Eden Upton Eddis (1812-1901) depicts a young Muriel Paget Bowman (c.1876-1928), the daughter of Sir William Paget Bowman, a...

This charming mid-20th-century portrait by Belgian artist René Choprix (1888-1972) depicts a girl with a doll. It’s a sensitive portrayal and it’s probably his granddaughter. Chopri...