Delectable Art

The head of Jiulis Caesar stand on a central pin on a squared base in black metal in an archeological grand tour style, classical Roman carved in white statuary marble aged. Gaius Ju...

With his sculptures, Jim Darbu invites you into a universe where bizarre stories unfold - a universe where colourful, strange creatures reign and shadows liv...

"The man without a rod №6" Bronze Sculpture 9 x 4 in. Ed. 1/9 by Sergii Shaulis 9" x 4" x 2.5'' inch Weight: 8 lbs "The man without a rod" series: The artist spent almost ten yea...

"Agat" Bronze Sculpture 13" x 9" x 5.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He s...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

An impressive stone sculpture of Buddha In the style of the Tang and Wei Dynasties hand carved in the 20st Century.

Sharks Series "BLACK TIP" sculpture in stainless steel / Edition of 18 / 27 x 11 x 11 Inches

Bald and chunky, Esther Shimazu’s quirky clay figures are unabashedly naked and delightfully indulgent. Drawing up on her Japanese ancestry and experience...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...

Houben R.T is an Avant-garde painter and draftsman with his own unmistakable voice. Houben was born in Bulgaria and graduated with a degree in painting from the Conservative Art Acad...

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

unique, stone sculpture of Playful Polar Bear Lukta Qiatsuk was a contemporary Inuit artist born in the year 1928 in Cape Dorset, Nunavut Territory, Canada...

A Giallo Antico (Giallo Numidia ) marble grand tour model of a bath with ferine feet standing on a squared Violet Marble two order base. The work from the workshop of Benedetto Bosch...

ALWAYS OPEN FOR COMMISSIONS!!! ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican H...

Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Lan...

AYN GALLERY propose a curated collection of unique objects like this exceptional and a unique table from the artist Philippe Pasqua. Pasqua is one of the ...

How is the business going, the stock market is going up or down? comment ça va bien ? La vie est belle? You Like or not Like ? ... The motorized sculpture of Michael is rotative. Depending on the mood of each, this giant hand with a thumb up or down or in between, lets the viewer choose the direction of the thumb by removing the plug once the choice is made. With his inexhaustible ingenuity, Michael Sailstorfer...

This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. Excerpts from the Grove Dictionary of Art online Pierre Julien in American Public Collections, on the French Sculpture Census website STATUE BARE (BODY) NANNY GOAT (ANIMAL) AMALTHAEA SITTING WOMAN ABOUT US: AYN GALLERY is located in the heart of old Paris on the Ile Saint-Louis surrounded by the Seine, in the most prestigious district of Paris. Just a few steps away from Notre Dame, like a village, this place preserved from urbanists offers a setting as it existed centuries ago with its numerous private mansions which earned the island the nickname "island of palaces" and its illustrious occupants: Charles Baudelaire, Marie Curie, Georges Pompidou or Camille Claudel Our gallery is located just opposite one of the oldest churches in Paris. As the eponymous name of the place indicates, Yasmine Azzi, the owner and artistic director of the place, has a keen eye. Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...

Original Limited Edition Worldwide Yves Klein Ours Pompon, sculpture in resin with IKB pigments under Plexiglas, signed, titled and numbered, from 2022 Yves Klein tirelessly sought the essence of art and wanted to expose its immateriality. The artist thus found in sculpture a true space of freedom where the monochrome impregnates the space in three dimensions. In 1962, Yves Klein covered universally admired masterpieces with his IKB blue: the Venus of Alexandria, the Victory of Samothrace or Michelangelo's Dying Slave. They then become incarnate objects, sensitive presences. In 2022, 100 years after its success at the Salon d'Automne, François Pompon's White Bear ( Ours Pompon ) meets Yves Klein's Blue. One captured the essence of form, the other that of color and beyond, the essence of art. The art of reality, of freedom, of life. Important : This splendid orignal and authentic edition was handmade by French artisans out of respect and passion for the living heritage. The work has been executed without interpreting, without damaging, without altering, with respect and admiration of the original work. A careful edition in matter and form faithful to the spirit of the creator. It has been carried out with the agreement of the owners of the works and are also subject to the approval of the rights holders or their representatives with all the requirement and respect for the creations of the artists. EDITIONS ARTEMUS, 2022 The Pompon bear...

"La Chorale" (The Choir) is a sculpture by Paul Ahyi depicting three women joyfully singing. This beautiful sculpture is made with "L'Argile de Nawaré" which...

Limited edition of 12 © 2018 Making New Friends (medium) Melanie was invited to participate in a sculpture exhibition in Icheon, South Korea and ...

Making New Friends, teal aluminum sculpture Korean & Navajo Women outdoor heart New sculpture featured in the exhibit for Melanie Yazzie at the Whe...

Realm of Passion, monumental granite sculpture Khang Pham-New, elephant abstract Contact the gallery to discuss shipping arrangements for an accurate quote. Large-scale outdoor con...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Hesot Kachin Mana, by Dan Namingha, bronze, kachina, Hop,i brown, sculpture #1/18 bronze edition signed and numbered by the artist We present paintings, prints, and sculptures by Sou...

A Soul Consoled, Sculpture, by Khang Pham-New, Marble, White, Mother, Child "My childhood experiences growing up in Vietnam have paradoxically become a driving force in my artistic creations. I am impassioned with biomorphic abstract forms. As an artist, I am aware of and respect the art movements of my time, but to create, I remove myself from the influences of this time and retreat into a private space where I can experiment and explore the possibilities of each phase of my inner life." - Khang Pham-New Khang Pham was born in war-torn South Vietnam...

Listening, bronze sculpture, childs portrait, limestone base, contemporary limited edition bronze

Born december 19 1958, De Keyzer studied at the Koninklijke Academie voor Schone Kunsten, Eeklo, lead by professional sculptor Leo De Buysere. In a time and environment where creati...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

This portrait bust of a Scottish blackface ram that occupies an active use of space, is the ideal subject matter for a dynamic, bold yet serene bronze sculpture. The ram's magnificen...

This artwork is described beautifully by Art critic and curator Salvatore Russo at an exhibition in Uffizi Gallery, Florence 2016 - "Barry Davies, a sculp...

The evolutionary lineage of the horse is in palaeontological terms well documented. The natural history of the horse family Equidae began during the Eocene epoch 56 million to 33.9 million years ago starting with Eohippus (Dawn horse) evolving to Mesohippus , Merychippus, Pliohippus through to our modern...

Unsigned bronze buste of a woman, with fine characteristics. The sculpture was mounted on a hand-made ceramic socle with a marble top. Very heavy, solid and qualitative piece.

Bronze statue, also for external use. Done by a renowned Slovak sculptor Milan Lukáč (studies Academy of Fines Arts in Bratislava and École Nationale Supér...

Wendy Klemperer was born in 1958 in Boston, MA. Raised in Cambridge and Watertown, she was most able to explore her passion for animals and nature during summers spent at her grandmo...

A 19th century 'Grand Tour' bronze figure of the Dancing Faun, standing on a bronze square plinth. The faun balances on his toes and pivots, his horned head raised, his hair wreathe...

A large late 19th century bronze figure of a recumbent greyhound after French animalier sculptor Christophe Fratin (1801-1864), with a warm brown patina on a rouge griotte marble base. Signed 'FRATIN' on collar. Bronze length: 37cm Base length: 41cm Bronze height: 18cm Total height: 22cm Christophe Fratin was born in Metz in France in 1801. He first studied sculpture under Pioche in Metz under whom he honed his technical skills. He then became a pupil of the painter Theodore Gericault in Paris where he pursued his career as a sculptor. Fratin first exhibited at the Paris Salon as early as 1831, where he showed ‘Fermer – An English Thoroughbred’. The popularity of Fratin’s sculpture in England had a significant impact on his career. His modelling style reflected his imaginative mind and sense of humour, particularly in his humorous modelling of bears. Fratin was asked to sculpt life-size monuments for French cities, including his home town of Metz. At the Great Exhibition of 1851 in London he was considered the greatest animalier sculptor of the day. Fratin’s bronzes...

A 19th century white marble bust of Marie-Jeanne Bécu, the Comtesse du Barry after the 18th century original by the French sculptor Augustin Pajou. ...

Jean Didier Debut: 1824-1893. Well listed 19th century French sculptor. He has had auction results over $17,000. We believe this fabulous bronze gladiator to be very rare as we could...

Doug Hyde: Born 1946, is a well listed American artist who is known for his Native American sculptures. He has auction results as high as $22,000. This is by far one of his finest ex...

L'OURS POMPON - EDITION YVES KLEIN Date of creation: 2022 Medium: Artisanal resin and pigments Edition: 999 (few numbers available, assigned randomly) Size: Plexiglas bell size - 49 ...

Daniel Arsham - CRYSTAL RELIC 003 Date of creation: 2021 Medium: Sculpture made of cast resin Edition number: 445/500 Size: 11.43 × 13.97 × 17.7 cm Condition: Brand new, in mint conditions and never displayed. Sent inside its custom packaging. Observations: This work by Daniel Arsham is a replica of Asahi...

Daniel Arsham - FUTURE RELIC 07 - CASSETTE PLAYER Date of creation: 2017 Medium: Plaster and crushed glass Edition number: 476/500 Size: 12.7 × 14.6 × 14 cm Condition: In mint condi...

Daniel Arsham - CRYSTAL RELIC 003 Date of creation: 2021 Medium: Sculpture made of cast resin Edition number: 445/500 Size: 11.43 × 13.97 × 17.7 cm Condition: Brand new, in mint cond...

Artist: Emmanuel Okoro Dimensions (HxWxD): 83 × 26 × 20 cm Materials: Bronze Resin Sculpture with Green Patina Edition: 4 of 12 Signed on back Jezebel the W...

BEARBRICK - JACKSON POLLOCK (V3) SPLASH 400% & 100% Date of creation: 2021 Medium: Vinyl figure Edition: Open Size: 28 x 10 x 10 cm Condition: In mint conditions, inside its original...

Daniel Arsham - FUTURE RELIC 02 - CANON AE1 Date of creation: 2014 Medium: Plaster and crushed glass Edition number: 074/450 Size: 14.6 × 15.9 × 9.5 cm Condition: In mint conditions...

Daniel Arsham - FUTURE RELIC 06 - POLAROID CAMERA Date of creation: 2016 Medium: Plaster and crushed glass Edition number: 251/500 Size: 12.7 × 14.6 × 14 cm Condition: In mint condi...

Ryan Travis Christian - BIRDER, THE MAYOR & SHERM Date of creation: 2022 Medium: Vinyl and mixed media Edition: 300 Size: Birder: h190 x w130 x d215 mm, The Mayor: h260 x w110 x d110...

Ryan Travis Christian - BIRDER, THE MAYOR & SHERM Date of creation: 2022 Medium: Vinyl and mixed media Edition: 300 Size: Birder: h190 x w130 x d215 mm, The Mayor: h260 x w110 x d110...

MARK RYDEN - YUKI THE YOUNG YAK (WHITE) Date of creation: 2022 Medium: Plush and rubber Edition: 500 Size: 43.20 x 30.50 x 25.4 cm Condition: Brand ...

19th century Bronze Sculpture of Cupid After Pierre Chenet Base diameter 6" 9"W x 23"H

Cyrille André's gentle giant figure in black Polyester resin measures 99.5 x 63 x 61 inches and his dog in cast aluminum measures 43.25 x 46.5 x 21 inche...

Artist: Emmanuel Okoro Dimensions (HxWxD): 90 × 20 × 20 cm Materials: Bronze Resin Sculpture with Green Patina Edition: 5 of 12 Signed on back Jezebel the Warrior Queen:- I am the...

Bronze sculpture of a horse carrying a woman with a golden crown. About the Gallery: Folly and Muse was established in 2015 in London to find and collaborate with the most creative,...

Artist: Emmanuel Okoro Dimensions (HxWxD): 37 × 33 × 20 cm Materials: Bronze Resin Sculpture Edition: 5 of 12 Signed on back Figurative sculpture of Angel / Man with wings...

Artist: Emmanuel Okoro Dimensions (HxWxD): 90 × 20 × 20 cm Materials: Bronze Resin Sculpture with Green Patina Edition: 4 of 12 Signed on back Jezebel the W...

Hand carved sculpture by artist Isabel Ritter. Beautiful blue wings are carved perfectly. Stunning on a plinth or a shelf. About the Gallery: Folly & Muse was established in 2015 in...