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Arcadia, gestural abstract linocut with hand coloring, limited edition
By Ann Aspinwall
Located in New York, NY
Arcadia is a salmon-colored and emerald abstract print. The undulating terrain of free-flowing lines meet in the center of the composition, luminous white horizon line. Aspinwall wor...
Category
2010s Abstract Emerging Artists
Materials
Linocut
Curios
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "Curios" is an original artwork made from found object plates printed in relief and intaglio on Somerset by Katie VanVliet. This piece is shipped in the pictured wh...
Category
21st Century and Contemporary Contemporary Emerging Artists
Materials
Paper, Found Objects, Intaglio
Ray I-III Triptych, abstract minimalist linocut
By Ann Aspinwall
Located in New York, NY
Aspinwall adhered to a certain principle. She drew one freehand line as straight as possible. Under that line she drew another, following as closely as she could the one above it. Ea...
Category
2010s Abstract Emerging Artists
Materials
Linocut
Ten Milkweed Pods
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "Ten Milkweed Pods" is an original artwork made from Plaster, acrylic paint pens, milk, relief on mulberry paper, and silverpoint, moun...
Category
21st Century and Contemporary Contemporary Emerging Artists
Materials
Plaster, Found Objects, Acrylic, Mulberry Paper
Spacial Studies IX
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "Spacial Studies IX" is an original artwork made from relief, chine colle, intaglio on Rives BFK by Katie VanVliet. This piece is shipped in the pictured white fram...
Category
21st Century and Contemporary Contemporary Emerging Artists
Materials
Paper, Color, Intaglio
"Wild is the Wind", Warm Colors, Orange, Abstracted Landscape, Intaglio Print
By Katie VanVliet
Located in Philadelphia, PA
This abstracted landscape print titled "Wild is the Wind" is an original artwork by Katie VanVliet which is an intaglio plaster print. This piece measures 12”h x 12”w x 1”d.
Bio // ...
Category
21st Century and Contemporary Contemporary Emerging Artists
Materials
Plaster, Intaglio
Eklat VI, unique abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Emerging Artists
Materials
Screen
Eklat IV, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Emerging Artists
Materials
Screen
Eklat V, unique abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Emerging Artists
Materials
Screen
Crepe de Chine III, contemporary green linear patterned abstract screenprint
By Ann Aspinwall
Located in New York, NY
Crepe de Chine III is a jewel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a m...
Category
2010s Abstract Emerging Artists
Materials
Screen
Crepe de Chine IV, contemporary abstract red, linear patterned screenprint, 2020
By Ann Aspinwall
Located in New York, NY
Crepe de Chine IV is a jewel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a me...
Category
2010s Abstract Emerging Artists
Materials
Screen
Brume, contemporary pink and green pastel-colored abstract screenprint
By Ann Aspinwall
Located in New York, NY
Brume is a pink and green pastel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her ...
Category
2010s Abstract Emerging Artists
Materials
Screen
Spirit of Place VII, blue contemporary abstract screen print
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...
Category
2010s Abstract Emerging Artists
Materials
Screen
Spirit of Place III I, red contemporary abstract screen print with hand coloring
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...
Category
2010s Contemporary Emerging Artists
Materials
Screen
Spirit of Place VII, red and black contemporary abstract screen print
By Ann Aspinwall
Located in New York, NY
Ann Aspinwall's Spirit of Place VII showcases the specificity and delicacy of her line work. The bold contrast of black and red is softened by the thin, wavering orange lines that tr...
Category
2010s Abstract Emerging Artists
Materials
Screen
Tessuto Veneziano (c-5/10) contemporary bstract etching and chine colle print
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it.
Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934):
Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.”
Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...
Category
2010s Contemporary Emerging Artists
Materials
Archival Paper, ABS, Etching
Spumante, black and tan contemporary abstract linocut and collagraph print
By Ann Aspinwall
Located in New York, NY
Aspinwall adhered to a certain principle. She drew one freehand line as straight as possible. Under that line she drew another, following as closely as she could the one above it. Ea...
Category
2010s Abstract Emerging Artists
Materials
Linocut
Blue, Ukiyo-e landscape woodcut print, 2014
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
2010s Contemporary Emerging Artists
Materials
Woodcut
H2O l - large format photograph of sun reflections on pool water surface
By Erik Pawassar
Located in San Francisco, CA
mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney
H2O by Erik Pa...
Category
21st Century and Contemporary Contemporary Emerging Artists
Materials
Archival Paper, Photographic Paper, Plexiglass, Archival Ink, Giclée, Ar...
Suite of Eight Prints (Edition 9/20) - series of abstract shapes on paper
By Aron Hill
Located in Bloomfield, ON
The drama of black and white in elegant minimal form. Aron Hill has created a striking editioned series of compositions in jet-black archival ink on pure white paper. Each distinctiv...
Category
2010s Abstract Emerging Artists
Materials
Archival Ink, Archival Paper
Seascape VIII - large format photograph of abstract aqua colored water surface
By Frank Schott
Located in San Francisco, CA
from a series of large scale photographs capturing a mesmerizing color palette of classic blue and sky tones
SEASCAPE VIII by Frank Schott
60 x 48 inches / 152cm x 122cm
edition o...
Category
21st Century and Contemporary Contemporary Emerging Artists
Materials
Photographic Paper, Archival Pigment, Giclée, Archival Paper
"Blueberry Hill, " Limited Edition Giclee Print, 48" x 72"
By Sofie Swann
Located in Westport, CT
This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floate...
Category
2010s Abstract Emerging Artists
Materials
Giclée, Digital
Related Items
El Dorado - Handmade Linocut, Limited Edition Print Unique 2/8, Mountains
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Cosmos - abstract contemporary minimalist artwork by Günther Uecker ZERO
Located in Hamburg, DE
"Kosmos 06" is an original, hand-signed lithograph on hand-made paper from 2003 by internationally acclaimed German ZERO group artist Günther Uecker. E...
Category
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H 33.08 in W 25.6 in D 1.58 in
Les Voiles (The Sails) /// James Coignard Abstract Text Engraving Modern Art
By James Coignard
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008)
Title: "Les Voiles (The Sails)"
*Signed by Coignard in pencil lower right
Year: 1984
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Category
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Pegwell Bay, H13-6, from Where the Land Meets the Sea (hand signed limited ed.)
By Damien Hirst
Located in New York, NY
Damien Hirst
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Category
2010s Contemporary Emerging Artists
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Presentation print for Royal Mail Christmas Stamp Series (Signed) British artist
By Andy Goldsworthy
Located in New York, NY
Andy Goldsworthy
Presentation print for Royal Mail Christmas Stamp Series, 2003
Color photogravure on handmade rag paper with deckled edges
15 × 20 1/4 inches
hand signed lower right...
Category
Early 2000s Contemporary Emerging Artists
Materials
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Pan Demos 1 - Print Unique Nr: 1/1 - Intaglio and Chine Collé Graphic, Framed
By Aneta Szoltis-Mencina
Located in Salzburg, AT
Art print „Pan Demos I” 2020
Intaglio and chine collé print technique
Print unique number 1/1
Paper Canson Edition 320 g
Print with black aluminum frame with glass and passe partout...
Category
2010s Contemporary Emerging Artists
Materials
Paper, Intaglio
California Abstract Expressionist Linocut Lithograph Sepia Print Edition of 6
By Hans Burkhardt
Located in Surfside, FL
Untitled, 1983, lithograph printed in sepia ink,
Hand signed and dated lower right, numbered in pencil with the artist's chop mark lower left, inscribed
by artist. From a series of experimental abstract linocuts done in 1983. These are very small editions and were gifted to a friend of the artist. They are done on deckle edged French Arches Art paper.
Hans Gustav Burkhardt (1904 – 1994) was a Swiss-American abstract expressionist artist.
Hans Burkhardt was born in the industrial quarter of Basel, Switzerland. Captivated by Germanic art, he began dabbling in art in his spare time while learning how to decorate furniture in antique styles. He became foreman of the furniture company's decorating department. From 1925 to 1928 he attended the Cooper Union School of the Arts, where he befriended mentor Arshile Gorky and Willem de Kooning—sharing Gorky's studio from 1928 to 1937.
Burkhardt's paintings of the 1930s are part of the genesis of American abstract expressionism. In 1937 he moved to Los Angeles and represented the most significant bridge between New York and Los Angeles. His experimental investigative approach paralleled, and in many instances anticipated, the development of modern and contemporary art in New York and Europe including the work of Mark Rothko, Jackson Pollock, and Barnett Newman.
Burkhardt held his first solo exhibition in 1939 at Stendahl Gallery in Los Angeles, arranged by Lorser Feitelson, and, in response to the Spanish Civil War, he painted his first anti-war works. From the late 1930s he began to produce apocalyptic anti-war compositions, a theme which became particularly pronounced in an abstract expressionist style after the atom bomb was dropped on Hiroshima and Nagasaki at the end of the Second World War. In the years following an acclaimed (1945) solo exhibition at the Los Angeles County Museum, Burkhardt continued in his art to respond to WWII, in the aftermath of Gorky's suicide in 1948, Burkhardt delved into his grief and celebration of Gorky's life creating several versions of “Burial of Gorky” and a series entitled “Journey into the Unknown.” Burkhardt first visited Mexico in 1950, and spent the next decade living half of the year in and around Guadalajara. Strongly influenced by Mexican attitudes towards the dead, and by the country's colors, sensuality, and spiritual qualities, Burkhardt “painted the soul of Mexico” with Mexican themes and colors—especially those of burials and ceremonies surrounding death—permeating his abstract work. His Mexican work flirted with Surrealism although he was never really considered a Surrealist artist. Art critics of the time considered him a "great Mexican master” alongside Orozco, Diego Rivera, and Siqueiros, and Rufino Tamayo admired his work. Overall, in the 1950s Burkhardt held 23 solo exhibitions in Los Angeles and Mexico, and participated in group shows at over thirty museums worldwide. He was friends with June Wayne from Tamarind Press.
In the 1960s he produced paintings in protest against the Vietnam War, some of which incorporated the human skulls he had collected from Mexican graveyards. As art historian Donald Kuspit stated, Burkhardt was “a master—indeed the inventor—of the abstract memento mori.” In 1964, for the first time in forty years, Burkhardt returned to Basel, and began making annual summer visits where he became a friend of Mark Tobey—printing linocuts for the artist and collecting his work. In the 1970s Burkhardt continued his anti-war paintings—incorporating protruding wooden spikes into the canvas—while simultaneously painting abstractions of merging lovers and cityscapes during his summer visits to Basel. His “Small Print” (protesting smoking), “Graffiti,” and “Northridge” series demonstrate the evolution of his symbolism, and his “Desert Storms” series, in response to Iraq's invasion of Kuwait, was discussed by critic Peter Selz at a presentation at the International Congress of Art Critics Conference.
In the last decades of his life, Burkhardt's work had moved from images of imbalance to a study of human tragedy—which he embraced in an attempt to discover beauty and facilitate understanding. Critic Peter Frank called Burkhardt “…one of America’s most vital abstract expressionist painters, someone who took the seed of the movement and cultivated it a rather different way in very different soil.”
Burkhardt taught at numerous colleges and universities and retired as a professor emeritus from California State University, Northridge. In 1992 Burkhardt was honored as the recipient of the Lifetime Achievement Award by the American Academy and Institute of Arts and Letters’ Jimmy Ernst (son of Max Ernst) Award. Also in 1992, he established the Hans G. and Thordis W. Burkhardt Foundation. In 1993, the last year of his career, his final series “Black Rain” channeled pain and hardship, but provided poignant, symbolic beacons of hope and wishes for a better future for humanity. His unique role as an important American painter is affirmed by the constant interest and continuing reassessment afforded his work.
Select Solo exhibitions
1939: Stendahl Gallery, Los Angeles, March 27 – April 17
1945: Hans Burkhardt, Los Angeles County Museum of Art
1951: Museo de Bellas Artes, Guadalajara, Mexico: Exhibición de Pinturas Modernas; Comara Gallery, Los Angeles
1953: Fisher Gallery, University of Southern California, Los Angeles
1957: Pasadena Art Museum, California: Ten Year Retrospective, June 14 – July 14;
1968: San Diego Museum of Art: Vietnam Paintings...
Category
1980s Abstract Expressionist Emerging Artists
Materials
Lithograph, Linocut
Espace - Ecriture (Space - Writing) /// French Contemporary Abstract Minimalism
By James Coignard
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008)
Title: "Espace - Ecriture (Space - Writing)"
*Signed by Coignard in pencil lower right
Year: 1983
Medium: Original Hand-Embellished Carboru...
Category
1980s Contemporary Emerging Artists
Materials
Engraving, Handmade Paper, Intaglio
Perfect Studio
By Squeak Carnwath
Located in Santa Fe, NM
Squeak Carnwath draws upon the philosophical and mundane experiences of daily life in her paintings and prints, which can be identified by lush fields of color combined with text, pa...
Category
Early 2000s Contemporary Emerging Artists
Materials
Archival Paper, Intaglio, Lithograph
Flawless
By Squeak Carnwath
Located in Santa Fe, NM
This is an unframed, intaglio, lithography, woodblock, digital print on paper, by the iconic artist, Squeak Carnwath. It is edition 3 of 24.
Category
21st Century and Contemporary Contemporary Emerging Artists
Materials
Archival Paper, Digital, Intaglio, Lithograph, Woodcut
Four Swans - Paper Composition
By Patricia A. Pearce
Located in Soquel, CA
Impressed design layered with mulberry paper by Patricia A. Pearce (American, b. 1948). This pieces is unsigned, but was acquired directly from the artist with a collection of other ...
Category
1980s Contemporary Emerging Artists
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Composition - Mixed print technique, Contemporary abstract print
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Category
2010s Abstract Emerging Artists
Materials
Paper, Aquatint, Linocut