Excellent Values

Salvador DALI Woman riding a man, 1969 Original etching Signed bottom right with the blind stamp signature of the artist Rare proof in green On Japan paper 38 x 28 cm (c. 15 x 11 i...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 23/54 Sheet Size: 29 5/8" x 8 3/4"...

David Shrigley Title: Sell Your Soul, 2012; Screenprint in colors on Arches Aquarelles wove, signed with initials, dated, and numbered 74/100 in pencil, sheet: 76.5 x 57.4 cm

Dali -De Draeger, Portfolio by Max Gérard Luxury edition inside special packaged box bearing a cover with “soft melting pocket watch” and bronze medal of “L'Unicorne Dyonisiaque” minted and numbered by Monnaie de Paris...

Basquiat Angel Skateboard Deck: Limited edition Basquiat skate deck licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar in 2018...

203R0945 (Abstract Print) Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 1/7 Pierre Muckensturm added printmaking to his oeuvre in 2010. The...

203R0943 (Abstract Print) Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 6/9 Pierre Muckensturm added printmaking to his oeuvre in 2010. The...

203R0946 (Abstract Print) Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 3/8 Pierre Muckensturm added printmaking to his oeuvre in 2010. The...

203R0942 (Abstract Print) Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 8/10 Pierre Muckensturm added printmaking to his oeuvre in 2010. Th...

Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 8/10 Pierre Muckensturm added printmaking to his oeuvre in 2010. The engraving and printing pr...

Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 1/7 Pierre Muckensturm added printmaking to his oeuvre in 2010. The engraving and printing pro...

Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 6/9 Pierre Muckensturm added printmaking to his oeuvre in 2010. The engraving and printing pro...

Shepard Fairey No More Bias Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 36 inches Edition: 600 Signed, dated and numbered by hand COA provided Ref.: 924802-15...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

Jonas Wood, Large Shelf Still Life, 2017 Offset lithograph in colours on smooth wove paper 58.42 x 58.42 (23 x 23 in) Open edition Jonas Wood (b. 1977, Boston) makes paintings t...

Salvador DALI The Look, 1969 Original etching With the blind stamp signature of the artist lower right Rare proof in brown On Japan paper 38 x 28 cm (c. 15 x 11 in) References: - ...

Salvador DALI Woman Leaf, 1969 Original etching Signed bottom right with the blind stamp signature of the artist Rare proof in blue On Japan paper 38 x 28 cm (c. 15 x 11 in) Refer...

Salvador DALI Man kissing a shoe, 1969 Original etching With the blind stamp signature of the artist Rare proof in blue gry On Japan paper 38 x 28 cm (c. 15 x 11in) References: - ...

Time Bokan, camouflage moss green, 2009 by Takashi Murakami Offset print, numbered and signed by the artist in gold and silver ink 19 11/16 × 19 11/16 in 50 × 50 cm Edition 116/300 ...

Red Time, 2011 by Takashi Murakami Offset print, numbered and signed by the artist 19 11/16 × 19 11/16 in 50 × 50 cm Edition 93/300 About the Artist: Takashi Murakami is best know...

Takashi Murakami We are the Square Jocular Clan (9), 2018 Offset lithograph Edition: 126/300 Diameter: 50 cm Hand Signed & Numbered by Takashi Murakami The artwork is in excellent co...

Takashi Murakami We are the Square Jocular Clan (10), 2018 Offset lithograph Edition: 95/300 Diameter: 50 cm Hand Signed & Numbered by Takashi Murakami The artwork is in excellent co...

Shepard Fairey Ocean Today Desert Tomorrow Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 375 Signed, dated and num...

René Gruau 🇮🇹 (1909 - 2004) was a fashion illustrator, whose style revolutionized haute-couture, theater, art and commercial design in the 1940s. Throug...

7 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper Edition of 125 Mint, as issued Signed, dated and numbered in pencil on the back Sold with COA from Jealous Gallery.

Dokuro (yellow), 2000 by Takashi Murakami Offset print, numbered and signed by the artist in gold and silver ink 19 11/16 × 19 11/16 in 50 × 50 cm Edition 44/300 Dokuro (literally ...

Dokuro (silver), 2000 by Takashi Murakami Offset print, numbered and signed by the artist in silver ink 19 11/16 × 19 11/16 in 50 × 50 cm Edition 69/300 Dokuro (literally starving ...

108 Earthly Temptations, 2022 by Takashi Murakami Offset print, numbered and signed by the artist 52.3 × 68.5 cm Edition 160/300 About the Artist: Takashi Murakami is best known f...

Darth Elvis - limited edition - Darth Vader Elvis Pop Art Mint Archival pigment print by the London based contemporary pop art image creator and artist, BATIK. Measures 20 x 16...

Snake by Donald Saff, American (1937) Date: 1980 Etching, signed and numbered in pencil Edition of 50 Image Size: 23 x 18.5 inches Size: 39 in. x 27.5 in. (99.06 cm x 69.85 cm)

Four Doors by Donald Saff, American (1937) Date: 1980 Etching, signed and numbered in pencil Edition of 50 Image Size: 24 x 18 inches Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

"Fire & Ice" is an archival pigment print of an oil painting on canvas from Jaime Corum's "Bourbon Visions" series. About the Artist: Jaime Corum's equine...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Peintures de Feu)" Year: 1976 Medium: Original Offset-Lithograph, Exhibition Poster on smooth wove paper ...

Michael David (b. 1954) Hand signed, Prestige Art blind stamp; edition of 45; 1993 Color Etching on Arches Buff "The Mugual Series" Printed by the artist with master printers Sylvia Roth and Mary Seibert at Hudson River Editions and published by Prestige Art Ltd., Mamaroneck, New York. 22 X 18 framed Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2010-2011 “Post Mammalian Tension, Michael David & Scott Browning”, Bill Lowe Gallery, Atlanta, GA 2006 “Unspoken Connections,” The Lowe Gallery, Santa Monica, CA 2004 The Lowe Gallery, Atlanta, GA 1999 “Waxing Poetic: Encaustic Art in America,” Montclair Art Museum, Montclair, NJ “Forty Years of American Drawings,” Raab Galerie, Berlin, Germany 1997 “Michael David and James Hyde,” Margulies Taplin Gallery, Coral Gables, FL 1996 “Different Sides: Drawings/Photographs/Prints/Paintings/Sculpture,” Knoedler and Company, New York, NY 1994 “Michael David: Paintings / Nicholas Pearson: Sculpture,” Margulies Taplin Gallery, Boca Raton, FL 1991 “Working with Wax: Ten Contemporary Artists,” Tibor de Nagy Gallery, New York, NY 1989 “Projects and Portfolios: the 25th Print National,” The Brooklyn Museum, Brooklyn, NY “Important Works on Paper,” Meredith Long and Company, Houston, TX “New Editions,” Pace Prints, New York, NY 1988 “Golem! Danger, Deliverance, and Art,” The Jewish Museum, New York, NY 1987 “Monotypes,” Pace Editions, New York, NY “Working in Brooklyn / Painting,” The Brooklyn Museum, Brooklyn, NY “Art Against AIDS,” benefit exhibition Knoedler and Company, New York, NY “Jewish Themes: Contemporary American Artists,” Spertus, Chicago, IL 1986 “First Impressions: Recent Monotypes by 15 Artists,” Allan Frumkin Gallery, (Charles Arnoldi, Pat Steir etc) “Saints and Sinners: Contemporary Responses to Religion,” De Cordova Museum, Lincoln, MA “Jewish Themes: Contemporary American Artists,” The Jewish Museum, New York, NY “Public and Private American Prints Today,” Brooklyn Museum, Brooklyn, NY 1985 “A Decade of Visual Arts at Princeton: 1975-1985,” The Art Museum, Princeton University, Princeton, NJ 1984 “Cunningham Dance Benefit,” Leo Castelli Gallery, New York, NY (Robert Rauschenberg, Arman etc) Twelve Abstract Painters, Siegel Contemporary (Elizabeth Murray, Melissa Meyer, Leon Polk Smith etc.) “Small Paintings,” Jeffrey Hoffeld Gallery, New York, NY 1982 “Elaine de Kooning’s Inadvertent Collection,” Elaine Benson Gallery, Bridgehampton, NY 1981 “New Visions,” The Aldrich Museum of Contemporary Art (James Biederman, Louisa Chase,Mel Kendrick etc.) 1980 “Seven Young Americans,” Sidney Janis Gallery, New York, NY (Sean Scully, Thornton Willis...

Etching of 26

Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...

Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...

Limited Edition #2 of 20 Print of original painting, printed on Coventry rag paper. Alexandria Ocasio-Cortez, also known by her initials, AOC, is an American politician serving as ...

Limited Edition #3 of 20 Print of Original Artwork / Framed Dimensions 30" x 24" "Share the Love," by Amy Smith is an empowering image of a black woman. Smith photographs her m...

Abstract Triptych Rolando de Juan, Argentine (1931–1989) Date: circa 1971 Etching, signed and numbered in pencil Edition: 17/35 Image: 8 x 17 inches Size: 15 x 22 in. (38.1 x 55.88 cm)

"Profil de Lumière" by French symbolist artist, Odilon Redon. Framed and matted, piece measures 23 in x 18.5 in x 2 in. Wired and ready to hang!

Untitled (Nr. 0951) Photography 18" x 24" Edition 3/20 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminat...

Joan MIRO Le Marteau sans Maitre XVII, 1976 Original etching and aquatint From a limited edition of 175 copies (+ 25 Hors Commerce) On Arches vellum With the editor watermark "Au ve...

Black and white photograph on a ChromaLuxe metal panel with a UV coating bonded to substrates that include 0.45" metal. ChromaLuxe has superior fade, moisture, stain and scratch resi...

Joan MIRO Le Marteau sans Maitre XX, 1976 Original etching and aquatint From a limited edition of 175 copies (+ 25 Hors Commerce) On Arches vellum With the editor watermark "Au vent...

Joan MIRO Le Marteau sans Maitre XVI, 1976 Original etching and aquatint From a limited edition of 175 copies (+ 25 Hors Commerce) On Arches ve...

Joan MIRO Le Marteau sans Maitre XIX, 1976 Original etching and aquatint From a limited edition of 175 copies (+ 25 Hors Commerce) On Arches ve...

Joan MIRO Le Marteau sans Maitre XVIII, 1976 Original etching and aquatint From a limited edition of 175 copies (+ 25 Hors Commerce) On Arches vellum With the editor watermark "Au v...

WENDINGEN Number 3/4 of the 9th series (1928), dedicated to Jan Toorop, edited by H.C.Verkruysen, Dutch text, cover designed by R.N.Roland Holst. Lithogr...

Juggler 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint depicting a juggler. Edition of 100 copies. On the back oh the artwork there ...

Warrior 1963 is an original contemporary artwork realized by Marino Marini. Color etching and acquatint depicting a warrior. Edition of 100 copies. On the back oh the artwork there...

Paper Size: 39 x 26.75 inches ( 99.06 x 67.945 cm ) Image Size: 39 x 26.75 inches ( 99.06 x 67.945 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Allison Gildersleeve Untitled, Yellow (2017) Etching on Rives BFK paper Image size: 12 x 12 inches Paper: 26 x 19 ½ inches Edition of 18 Published by Eminence Grise Editions Printed ...

Applause is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in chi...

This is an interesting and deep multiple artwork by Annie Lambert, a talented artist of 1980’ in Italy. This is a multiple of a numbered edition of 1.00...

Allison Gildersleeve Untitled, Green (2017) Etching on Rives BFK paper Image size: 12 x 12 inches Paper: 26 x 19 ½ inches Edition of 18 Published by Eminence Grise Editions Printed b...

Allison Gildersleeve Untitled, Red (2017) Etching on Rives BFK paper Image size: 12 x 12 inches Paper: 26 x 19 ½ inches Edition of 18 Published by Eminence Grise Editions Printed by ...