Excellent Values

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Patagonia #32 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pap...

Patagonia #32 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pap...

Antarctica #29is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pap...

The picture was taken during a nice April day. And behind the corner. There was just a tree. Signed by the author. Fine Art Print.

Braun G., Hogenberg F., "Vienna", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 15 x 47, Dim: cm 20 x 53. Wonderful B/W Aquatint r...

Antarctica #35 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #32 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #93 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #66 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #29 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #25 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

This photograph is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19. It is printed on 17x22 archival paper. Signed and Numbered. This is curre...

At Jurmala 1960, 1/10, paper, linocut, 45x37 cm The artwork depicts a railway setting, specifically at Jurmala, during the evening hours. The dark-toned nature of the composition s...

La Grande Cascade de Saint Cloud Color aquatint on watermarked Arches J Perrigot paper, 1905 Signed by the artist in pencil lower right. (see photo) Edition: 100. Numbered "39" in pencil lower left. Titled in pencil verso Published by Edmund Sagot, Paris, his dry stamp lower right below signature. Image: 23-1/8 x 17-3/8" (58.7 x 44 cm.) From the British Museum: "Colour etcher. Born in Livorno from a family of wealthy Swiss cotton merchants, studied with Giuseppe Ciaranfi and Michele Gordigiani in Florence. In 1886 exhibited with Fattori, Achille Lega and Tommasi in the Prima Esposizione delle Belle Arti in Livorno. In 1888 he and his family moved to Paris, where he studied first with François Flameng until 1892 and later with Carolus-Duran. Müller remained in the French capital until the outbreak of the First World War, taking French citizenship in 1913. He worked in the countryside at Barbizon, Suresnes and elsewhere, but also made frequent visits to his native country, where he exhibited regularly in Florence with the Promotrice Fiorentine. His early work was indebted to Fattori and Plinio Nomellini, but he soon became interested in the Impressionists and was credited by the critic Mario Tinti with introducing the luminism of Monet into Italian art. Müller was a member of the Société des Artistes Indépendents and exhibited regularly in the Paris dealer George Petit's annual exhibitions of colour prints. He made his first print in 1896, a lithographic portrait of the poet Paul Verlaine in the Café Procope. The following year Müller made his first colour aquatints. Among them were a series of illustrations to Dante's Divine Comedy. In style his etchings and aquatints were influenced by Manuel Robbe. Very occasionally he combined drypoint or soft ground etching with aquatint. Müller's principal publisher was Pierrefort, who also issued prints by Toulouse-Lautrec. After 1903 he largely abandoned aquatint for pure etching. Fourteen of his colour etchings were reproduced over a number of months in the weekly magazine 'Le Courrier français'. Müller also made a small number of colour lithographs, some of which were published by the Parisian print dealer Sagot. A single monotype of Mallarmé done in 1911, thirteen years after the poet's death in 1898, is recorded. Müller made a few landscape prints and a couple of etchings of fishing boats, but his principal subject was young women in long dresses. Often there is an aura of fin-de-siècle wistfulness. When he returned to Italy, he lived first in Taormina, then in Florence, and finally settled in a villa at Settignano. Müller largely abandoned printmaking after 1914. Only three more prints by him made in 1920, 1925 and 1933 are recorded after he moved back to his native country. Müller was a regular exhibitor in Florentine exhibitions, the most significant of which was the 1922 Primaverile Fiorentina. He returned to France in 1930 where he died in 1939. (Text by Martin Hopkinson)" Said to rival the fountains at Versailles, La Grande Cascade is still turned on for a few hours every Sunday in June. The Grande Cascade, constructed in 1664-1665 by Antoine Le Pautre has survived. The château was expanded by Phillipe de France, duc d'Orléans in the 17th century, and finally enlarged by Marie Antoinette in the 1780s. Napoleon I and Napoleon III also used the palace, which was a U-shaped scheme of three sections, open to the east. Destroyed by fire (with the exception of a few outbuildings and its majestic garden) in 1870, during the Franco-Prussian War. The burned-out shell stood until 1891, when it was demolished. The gardens were replanned by André Le Nôtre...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

Whimsical and vivacious limited editions screen-print on paper depicting a smiling nude figure lounging on a beach next to a fantastical orange and purple striped iguana, with volcanos erupting in the distance and several airplanes flying through the night sky by Phoebe Cole...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

This artwork titled "When Predators Meet" 1988 is an offset lithograph by renown Western artist Gary Carter, born 1938. It is hand signed and numbered 817/...

Artist: Michael Knigin, American (1942 - 2011) Title: Fiery Idol Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 29.5 x 20 in. (74.93 x 50.8 cm)

Color Reduction woodcut with chine collé, Edition 15. Jeera Rattanangkoon has a unique printmaking approach and style. His images are stylized and s...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...

This artwork titled "Harvest" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. Th...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the p...

Limited edition Giclée prints on stretched canvas with archival ink (Epson UltraChrome). These reproductions of hand brushed paintings are scanned using high-resolution CRUSE scanning technology. Stretched canvas features gallery depth (1.5") with mirrored edging (art continues around edges) allowing collectors to hang unframed if desired. Item is numbered and limited to a total of 15 reproductions on canvas after which reproductions (prints on canvas) will no longer be available. *limited edition prints on paper for this work are also available on 1stDibs. Matt Beasant...

Etching on paper

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Dungeness by Mychael Barratt [2022] limited_edition and hand signed by the artist Woodcut print Edition number of 50 Image size: H:64 cm x W:62 cm ...

Braun G., Hogenberg F., "Orleans, Bourges", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 37 x 46.5 Dim: cm 40.5 x 53.5. Interesti...

Braun G., Hogenberg F., Oxonium or Oxford, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine and interestig B/W aquatint showing a view of O...

Braun G., Hogenberg F., "Toledo", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 19 x 48 , Dim: cm 22. 5 x 52.5 . Very nice B/W Aqu...

Braun G., Hogenberg F., "Calecut", (Kolkata) from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 18.5 x 48 Dim: cm 21.5 x 53 . Very Fine...

Braun G., Hogenberg F., Aldenburgum Holsatiae, or Stade, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Precious hand-colored aquatint showing a vi...

Signed, titled and numbered in pencil Edition: 26 Note: Very rare Reference: Not in Passerson