Feminist Art

Stamped verso with Victor di Gesu (American, 1914-1988) Estate Stamp and created circa 1955. Graphite nude showing a young woman seated on a chair, one leg tucked beneath her, with ...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Signed, lower right, "Di Gesu" for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Ce...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988), dated 1954 and inscribed with roman numeral, '4'; additionally stamped verso with certification of authenticit...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...

Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp. A haunting and atmospheric figural watercolor showing a young woman ...

Stamped, verso, with certification of authenticity for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...

Painted circa 1955 by Victor Di Gesu, (American, 1914-1988). Stamped verso with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...

Stamped verso for estate of Victor Di Gesu (American, 1914-1988) and painted circa 1955. A Post-Impressionist figural watercolor showing a young woman partially-clothed in evening w...

Estate stamped, verso, for VIctor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...

Estate stamp verso for Victor di Gesu (AmerIcan, 1914-1986) and drawn circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the C...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Painted by Victor di Gesu (American, 1914-1988) circa 1955 and with Di Gesu estate stamp verso. A loosely painted, Post-Impressionist study of a woman shown nude and seated. Winner...

Stamped, verso, with certification of authenticity for Jane Ament De La Roche (American, 1916-2000) and created circa 1950. Winner of the Prix Othon Friesz, Ament first studied at the Chouinard Art Institute and, subsequently, in Paris with André L’Hote...

Victor Di Gesu (American, 1914-1988), estate stamp verso and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Ch...

Di Gesu Estate Stamp verso for Victor di Gesu (American, 1914-1988) and created circa 1955. An elegant, freehand sketch of a young woman with a bob cut, shown naked and reclining on...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

A graphite study of a young woman, shown nude and seated on a couch, one knee drawn up, beside a table bearing a mandolin. Victor Di Gesu (American, 1914-1988) estate stamp verso; d...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. An elegant, cabinet-sized Post-Impressionist graphite drawing of a young woman, sh...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the ...

Victor Di Gesu (American, 1914-1988) Estate Stamp verso; drawn circa 1955. An elegant, figurative drawing showing a view of a young woman seated and gazing candidly towards the view...

Victor Di Gesu (American, 1914-1988) estate stamp verso. Watercolor nude showing a woman seated with her back to the viewer against a background of dusty rose, sepia, and olive gree...

Signed lower right, 'Ament' for Janet Ament De La Roche (American, 1916-2000) and titled, 'Helene'; additionally bearing artist's estate stamp verso. Winner of the Prix Othon Friesz...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. A bravura pencil study of a young woman in an overcoat, shown stand...

Signed lower left, "Di Gesu" for Victor Di Gesu (American, 1914-1988), dated 1954 and inscribed with Roman numeral "II". Ink drawing of a woman reclining with knees bent, her head r...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A graphite study of a young woman shown nude and seated in an armchair. Winner of...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. An atmospheric and psychologically penetrating figural drawing, sho...

Painted circa 1955 and accompanied by certification of authenticity and estate seal for Victor Di Gesu (American, 1914-1988) and painted circa 1955. A dramatic, post-impressionist ...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Signed lower right, "Di Gesu" for Victor di Gesu (American, 1914-1988) and painted circa 1955. Watercolor nude showing a woman kneeling with her back to the viewer. Winner of the P...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A graphite drawing of a young woman, shown nude and seated with her chin cupped in...

Signed lower right, 'Di Gesu' and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before m...

Genre: German Expressionist Subject: Three Noble figures, Noblesse Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it) Surface: Paper Circa 1920's This is hand signed lower right. the edition is 7/100 Mat measures 15 X 11. window opening about 7 x 7 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45. Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929. In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. Dissatisfied with his slow progress in the new medium, he studied the art of drawing at the Académie Colarossi, and painted copies after the masters in the Louvre. He exhibited in the United States for the first time in 1913, when twelve of his works were shown at the Armory Show in New York. Pascin relocated to London at the outbreak of World War I to avoid service in the Bulgarian army and left for the United States on October 3, 1914. A few weeks later on October 31, Hermine David sailed for the United States to join him. Pascin and David lived in the United States from 1914 to 1920, sitting out World War I. They visited New York City, where David had an exhibit. Pascin frequented nightclubs, and met artists such as Yasuo Kuniyoshi and Guy Pene du Bois, but most of his time in America was spent traveling throughout the South. He also visited Cuba. He made many drawings of street life in Charleston, New Orleans, and other places he visited. Some of his works of 1915 and 1916 are in a Cubist style, which he soon abandoned. In 1918 Pascin married Hermine David at City Hall in New York City. Their witnesses were Max Weber and Maurice Sterne, friends and painters who both lived in New York. In September 1920, Pascin became a naturalized United States citizen, with support from Alfred Stieglitz and Maurice Sterne, but returned to Paris soon afterward. There he began a relationship with Lucy Vidil Krohg, who had been his lover ten years earlier but had married the Norwegian painter Per Krohg...

Genre: German Expressionist Subject: Woman Medium: gouache paint Surface: Paper board This is hand signed lower right. Framed it measures 17.25 X 15.5, sheet 12 X 10 This came from a Jewish estate. there was no additional paperwork or provenance. Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules...

This is a stylized figurative abstract expressionist nude. This one is hand signed and dated. From the style we are estimating it to the 1970's They have abstract stylized erotic male and female nude elements to them some have a stylized American flag. Carmen Louis Cicero (born 1926) is an American figurative abstract painter from Newark, New Jersey. Cicero attended the New Jersey State Teachers College (now Kean University) from 1947 to 1951. Cicero studied painting under Hans Hofmann and Robert Motherwell at Hunter College in 1953. He received an MFA from Montclair State University in 1991.Cicero started as an abstract painter and use automatism in his drawings of memories of places. In 1957, Cicero had his first solo show at the Peridot Gallery, New York, showing with fellow artists Louise Bourgeois and Philip Guston. In the early 1960s, Cicero’s canvases began to be populated with intense, expressionist figures. These works positioned him as one of the earliest figurative expressionist painters of his generation. In 1971 a studio fire destroyed the work still in his possession. He moved to New York to a studio loft on the Bowery and started over in a dramatically different figurative style. In the 1990s, Cicero's style changed again, from figurative expressionism to visionary realism/surrealism reminiscent of magic realism. His work spans three periods and styles Abstract Expressionism, Figurative Expressionism, and surrealist “visionary.” In the late 1970s and 1980s and produced a body of work that was well received both uptown on Madison Avenue and downtown during the heyday of the East Village art scene. He was represented by the Berta Walker Gallery. He lives in New York City and Truro on Cape Cod. He is also an accomplished jazz musician. Cicero taught painting at Sarah Lawrence College 1959 to 1968. Cicero was a professor of painting at Montclair State University from 1970 through 2001. A monograph, The Art of Carmen Cicero was published in 2013 by Schiffer Publishing in Atglen, PA. Awards Guggenheim Fellowship 1957-58 and 63-64 Ford Foundation, Purchase Prizes 1961 and 65 Jackson Pollock- Lee Krasner Foundation Grant, 2008 Jacob Lawrence and Gwendolyn Knight Lawrence...

Provenance: Hinckley & Brohel Gallery Jonathan Shahn, Born 1938 has been making sculpture, drawings and prints of the human figure since the early 1960s. He teaches at the Art Studen...

Subject: Figures Medium: Other, Charcoal Surface: Paper Country: United States Dimensions w/Frame: 27 1/4" x 20 1/4" without frame 15.25" X22.75" EDUCATION New York Studio School of Painting , Drawing & Sculpture 1973 Empire State College, B.A., Painting and Curatorial Studies 1999 ONE PERSON EXHIBITIONS Mirrors, Gallery Schlesinger, New York, N.Y. 1999 Figures, Gallery Schlesinger, New York, N.Y. 1997 Sexual Monochromes, Gallery Schlesinger, New York, N.Y. 1992 "Paintings", 17th Street Gallery, New York, N.Y. 1976 SELECTED GROUP EXHIBITIONS Family Line- drawings and paintings by Anne Harvey, Jason Harvey and Steven Harvey, New York Studio School, New York, NY 2002 Steven Harvey- Paintings and Bruce Gagnier - Sculpture, Gallery Schlesinger, New York, NY 2000 Woman, Gallery Schlesinger, New York, N.Y. 1999 Water and Light, Mary Gearhart Gallery, New York, N.Y. 1997 Contemporary Figures, M B Modern Gallery 1997 On Air, St. Peterís Church, N.Y. 1997 People , Places and Things: An Exploration of the Portrait, 1996-97 New York Studio School Cafe El Maroc, Jamaica Arts Center 1994 Paintings, Schlesinger Gallery 1993 WFMU Benefit Auction, Germans Van Eck Gallery 1992 Night, Trenkmann Gallery 1991 ACT UP Benefit Auction, Paula Cooper Gallery 1990 Figuring Eros, Director's Annual, Snug Harbor Cultural Center, Staten Island, N.Y. 1990 Erotic America, Galerie Antoine Candeau, Paris, France 1989 Of Another Nature, Loughelton Gallery, N.Y.C. 1988 New Territories in Art: Europe/America, curated by Achille Bonito Oliva, Francavilla Al Mare, Italy 1987 Spatial FX, Annina Nosei Gallery 1987 Paint/Film, Bess Cutler Gallery 1987 Melancholy, Anne Plumb Gallery 1987 Group Invitational, Schlesinger Gallery 1986 Thought Objects, Cash/Newhouse Gallery 1985 Saloon/Salon, Bill Rice Gallery 1985 Steven Harvey has worked as an art advisor, art dealer, curator, and writer for over 25 years. He is the director of Steven Harvey Fine Art Projects in NYC, a gallery focused on contemporary painting, which he founded in 2007. SHFAP moved to the lower east side in 2011. It exhibits contemporary artists including Susanna Coffey, Kurt Knobelsdorf, Sangram Majumdar, Stuart Shils, Gideon Bok, Eleanor Ray...

This is a stylized figurative abstract expressionist nude. This one is hand signed and dated. From the style we are estimating it to the 1970's They have abstract stylized erotic male and female nude elements to them some have a stylized American flag. Carmen Louis Cicero (born 1926) is an American figurative abstract painter from Newark, New Jersey. Cicero attended the New Jersey State Teachers College (now Kean University) from 1947 to 1951. Cicero studied painting under Hans Hofmann and Robert Motherwell at Hunter College in 1953. He received an MFA from Montclair State University in 1991.Cicero started as an abstract painter and use automatism in his drawings of memories of places. In 1957, Cicero had his first solo show at the Peridot Gallery, New York, showing with fellow artists Louise Bourgeois and Philip Guston. In the early 1960s, Cicero’s canvases began to be populated with intense, expressionist figures. These works positioned him as one of the earliest figurative expressionist painters of his generation. In 1971 a studio fire destroyed the work still in his possession. He moved to New York to a studio loft on the Bowery and started over in a dramatically different figurative style. In the 1990s, Cicero's style changed again, from figurative expressionism to visionary realism/surrealism reminiscent of magic realism. His work spans three periods and styles Abstract Expressionism, Figurative Expressionism, and surrealist “visionary.” In the late 1970s and 1980s and produced a body of work that was well received both uptown on Madison Avenue and downtown during the heyday of the East Village art scene. He was represented by the Berta Walker Gallery. He lives in New York City and Truro on Cape Cod. He is also an accomplished jazz musician. Cicero taught painting at Sarah Lawrence College 1959 to 1968. Cicero was a professor of painting at Montclair State University from 1970 through 2001. A monograph, The Art of Carmen Cicero was published in 2013 by Schiffer Publishing in Atglen, PA. Awards Guggenheim Fellowship 1957-58 and 63-64 Ford Foundation, Purchase Prizes 1961 and 65 Jackson Pollock- Lee Krasner Foundation Grant, 2008 Jacob Lawrence and Gwendolyn Knight Lawrence...

Reclining Nude.Early modernist line drawing, by American artist William S. Schwartz, c. 1940, gouache painting, signed with initials, framed. (size includes frame). Work is reminisce...

An exceptionally fine, brush and wash, mythological figural study showing a centaur interrupting the playing of his pan pipes to cast a speculative eye towards a dancing nymph. Datin...

Color pencil on paper. Signed and dated lower right: FGray? 1933. Described lower left: " Wilfrabot" Image size: 13.86 x 9.13 in ( 35,2 x 23,2 cm ), Fr...

Ink on paper, about 1920s, by Béla Kádár ( 1877-1956 ), one of the most important Hungarian artists of the 20th century. Signed lower right: Kádár Béla. Me...

Black and brown ink, about 1930 by Béla Kádár ( 1877-1956 ), one of the most important Hungarian artists of the 20th century. Signed lower right: Kádár Béla. Measurements: 10....

Pencil and watercolor on vellum papier, 1920s by Georg Kolbe ( 1877-1947 ), Germany. Monogrammed lower left: GK. With dedication: Richard Hamann. Framed under glass. Measurements: H...

Pencil on paper, around 1920 by Adolphe Milich ( 1886-1964 ), French-Polish. Monogrammed lower right in pencil: m Measurements: Sheet: 8.86 x 8.27 in ( 22,5 x 21 cm ) Framed: 13.86 x...

Graphite and watercolor on paper by Karl Albiker, Germany, 1st half of the 20th century. Monogrammed lower right: A. Matted under glass in a silvered wooden frame. Sheet size: 16.54 ...

MARCEL JANCO 1895-1984 Bucarest 1895-1984 Ein Hod (Rumanian/Israeli) Title: Reclining Nude Technique: Original signed Watercolour and Ink on paper s...

ARISTIDE MAILLOL 1861-1944 1861 Banyuls sur Mer - 1944 Paris (French) Title: Study for 'The Thought' or 'The Mediterranean' / Etude pour 'la Pensee' ou ...

ARISTIDE MAILLOL 1861-1944 Banyuls sur Mer 1861 - 1944 Paris (French) Title: Standing Nude Nude with raised Arms Technique: Signed Double Sided Sanguine Pastel Drawing and Charc...

Classical mythology is fraught with stories of sexual misdeeds by Zeus, King of the Gods. Often Zeus would fall in love with a mortal woman and then transform himself into an animal before acting on his desires. These have been recreated by many masters though the millennia. Here, Reuben Nakian masterfully, yet tastefully, recreates the tale of Leda and the...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...