Hollywood Regency

008 - Hand-woven Tibetan knot wool & silk rug In a world filled with complexity, there is beauty in simplicity. Welcome to our newest rug collection, where geometry meets minimalism and organic materials create an atmosphere of harmony and sophistication. Discover the perfect blend of form and function in our "geometry" rug line. MK Objects by MK Workshop...

Brass dome pendant lamp with brass socket and braided 12’ cord. Takes one standard lightbulb. This beautifully simple hand-forged brass pendant lamp includes a brass socket and an e...

This rare 19th century white parian sculpture in the round features the goddess being attended by maidens and cherubs. From the base up, every living creature is in mid-action, creat...

Amazing and rare 19th century French gilt bronze clock surmounted by two finely crafted cherubs riding a chariot drawn by a pair of wonderfully detailed goats. Clock is in working condition. The blue clock...

Modern art glass silver leaf round Italian chandelier with handmade elements designed by Marco Pagnoncelli. This piece showcases a broad glass bowl with hand-applied silver leaf, giv...

Beautiful vintage Royal Vienna style dessert/ coffee set for 16 decorated with four different mythological scenes: Ares receiving armor, Europa and the bull, Iphigenia escaping sacri...

Sophie Sitbon black dress with floral cut out size small condition: Excellent

Martin Margiela black cotton sweater vest with zipper. Condition: Excellent. Size M We accept returns for refund. We offer free ground shipping within the US. Please let us know ...

2004 ALEXANDER MCQUEEN Leather Mini Dress Condition: Very good 29.75" bust, 25.25" waist, 29.25" hips, 34.75" length Size S

Dolce & Gabbana stretch high waisted skirt and tank with polka dot chiffon hem Cropped tank Flare skirt hem Condition: Very good Size S/M

1992 Complice by Dolce & Gabbana high waisted skirt and bra top with removable tie for top or neck. Fabric is a spandex blend Condition: Excellent SZ S TOP: Bust: 28-38", Length:...

Paloma Picasso red leather bucket bag. Condition: Very good.

F/W 1991 Azzedine Alaia Stretch Dress with Sheer Sides Long Sleeve knit Condition: Excellent Bust : 30.25", Waist: 19.75", Hips: 25", Length: 34.75" Size XS

Mixed Media Original Charcoal, powder paint, acrylic, resin, and paper

Badgley Mischka black evening gown with lace insert. Condition: Excellent. Size 10

Renaud Pellegrino yellow satin flap bag with beaded handle. Condition: Very good. 8" W x 6.5" H x 2" D 7" shoulder strap drop

1970s artist Richard Anuszkiewicz silk printed scarf. Commissioned by the Smithsonian in 1970s for their gift shop. Limited first edition. Collectors item. Condition: Very good. We...

1960s Rudi Gegnerisch black silk chiffon dress. Two layers of sheer chiffon, sewn together at hem. 34" bust, 29" waist, 60" hips, 37 1/2" le...

JUNYA WATANABE for Comme des Garcons, Blue Lace Dress runway, 2011. Condition: Excellent. Size M

A handmade beautiful heavy large diamond bracelet with hidden watch in 14K gold. Bracelet has a coral-like form links with 27 brilliant cut diamonds weight total appro. 2.75 ctw and...

1940s Gorgeous Joseff of Hollywood brooch with green stone. Eugene Joseff was best known for his designs for Hollywood and theatre during the 20s - 40...

Gorgeous 1960s Mollie Parnis sheer silk chiffon gown with velvet dot design and black slip underneath. Mollie Parnis label circa 1960s before Mollie Parnis started Boutique label in ...

Richard Tyler 1990s soft black leather coat with zipper closure. Small. Does not close on mannequin which is a size 6, please see photos. We accept returns for refund, please see ...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

Oil-based mixed media on canvas. Signed verso. 47.25 x 56 in. 48.25 x 57.25 in. (framed) Custom framed in white oak. Provenance Allan Stone Gallery, New York John Beardman...

Acrylic on canvas. Signed, titled, and dated on verso. 34.25 x 87.5 in. 36 x 89.5 in. (framed) Custom framed in in a natural cherry floater. Provenance Dunkelman Gallery, Toronto Born Josef Drapell in German-occupied territory near Prague in the present-day Czech Republic, his interest in art was piqued as a young boy growing up in a country that traded one occupier for the next. Czechoslovakia - under communist Soviet control following the war - would never allow Drapell to enjoy true freedom of artistic expression. He eventually fled his homeland, first stopping in Vienna, before ultimately settling in Canada in 1966. After a brief spell at the venerable Cranbrook Academy of Art in Bloomfield Hills, MI, Drapell returned to Canada in 1970, settling in Toronto - though he frequently traveled between the two countries in pursuit of exhibition opportunities in both Toronto and New York. Those opportunities arrived almost immediately, as he enjoyed solo exhibitions with both Robert Elkon Gallery in New York, and Dunkelman Gallery back home in Toronto. Drapell splits time between his homes in Toronto and Georgian Bay on Lake Huron...

Oil on board. Signed and dated lower right and verso, titled verso. 36.25 x 48 in. 40.5 x 52.25 in. (framed) Framed in contemporary silver, tiered floater frame. Dennis Eugene Norman Burton was a Canadian modernist who was born in Lethbridge, Ontario. He attended the Ontario College of Art from 1952 to 1956, and worked for the Canadian Broadcasting Corporation (CBC) as a graphic designer until 1960. Inspired by a 1955 exhibition of the “Painters Eleven” at Toronto’s Hart House, as well as American Abstract Expressionist artists such as Robert Motherwell, Jack Tworkov, and Willem de Kooning, Burton shifted his focus toward abstraction in the mid-1950s. Burton showed with the famed Isaacs Gallery in Toronto, becoming one of the youngest members on the gallery’s roster. A talented musician, he also played saxophone in the Artist’s Jazz Band in Toronto - a pioneering Canadian free-jazz group...

Oil on canvas. Signed lower right, signed and sequentially numbered on verso. 44 x 30.25 in. 47.5 x 33.75 in. (framed) Custom framed in a two-tiered matte white hardwood tray frame. Provenance Estate of Norman Carton Norman Carton was born in the Ukraine, eventually immigrating to the U.S. in 1922 and settling in Philadelphia, where he attended the Pennsylvania Museum School of Industrial Art. In the 1930s, he received a scholarship to attend the Pennsylvania Academy of Fine Arts (PAFA). Between 1939 and 1942, the Works Project Administration (WPA) employed Carton as a muralist. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Oil on canvas. Signed, titled, and dated on verso. 36.25 x 42 in. 37.25 x 43.25 in. (framed) Custom framed in maple. Provenance Marcia Wood Gallery, Atlanta Yoshishige Furukawa...

Oil on masonite. Signed lower right and on verso. 30 x 24 in. 31 x 25 in. (framed) Custom framed in maple. Louis Leon Ribak was born in the Russian empirical governorate of Grodno in 1902. A long-disputed region that is ethnically Lithuanian, at present day, Grodno is located in the western reaches of the Republic of Belarus, near the borders with Poland and Lithuania. At the age of ten, Ribak and his family immigrated to New York City. In 1922, he attended the Pennsylvania Academy of Fine Arts, followed by studies at the Art Students League (1923) and the Educational Alliance (1924). Ribak’s oeuvre can be largely delineated between two stylistic phases: social realism and abstraction, the former taking hold during the 1930s and 40s. During that period, he had several solo exhibitions at the A.C.A. Gallery in New York, while also regularly exhibiting with “An American Group Inc.” - a cohort of socially-conscious painters that included Stuart Davis, Reginald Marsh, Maurice Sterne, and Raphael Soyer. In 1933, Ribak assisted Diego Rivera on the mural for the lobby of Rockefeller Center, while also being employed by the Works Progress Administration (WPA) as a muralist. Louis Ribak met fellow artist Beatrice Mandelman at a dance sponsored by the Artists Union in New York. They were married in 1942, and shortly thereafter, he was drafted for military service in World War II. After his discharge from the service in 1942 due to difficulties with asthma, Mandelman and Ribak traveled west to visit his former mentor John Sloan in Santa Fe, NM. By this time, the couple had become disenchanted with the art scene in New York, and in light of the need to find a healthier climate for Ribak’s asthma - as well as reputed FBI surveillance based on political affiliations with Communist sympathizers - they decided to permanently relocate to the emerging artists’ colony of Taos, NM in 1944. This change of scenery ushered in the second phase of Ribak’s stylistic career, with his work shifting from social realism toward abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico, the influences of which began to appear in his work. Ribak founded the Taos Valley Art School in 1947, offering no ideology to his students; instead arguing that the adoption of a single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...

Oil on canvas. Signed and dated lower right and verso, titled verso. 39.25 x 31.75 in. 40.25 x 32.75 in. (framed) Custom framed in maple. Philippe Hosiasson was born and grew up i...

Oil on canvas. Signed and dated lower left, inscribed label verso. 59.25 x 55.25 in. 61 x 57 in. (framed) Custom framed in a wooden double tray frame, hand-painted white. Provenance Galerie Lovers of Fine Art, Gstaad, Switzerland This work has been recorded under no. 1531 in the digital Catalogue Raisonné of the artist, prepared by Michel Reymondin, Montreux, Switzerland. Carl Walter Liner was born in the Swiss canton of Appenzell, near the border with Liechtenstein, in 1914. The son of famed artist Carl August Liner, the younger Liner enjoyed more critical and commercial renown for his landscapes. In 1938 at the age of 24, he undertook what would become the first of several residencies in Paris. This particular sojourn helped to establish the trajectory of his career, as Paris would provide the setting in which he became acquainted with early twentieth century masters Maurice de Vlaminck, Georges Braque, Ossip Zadkine, Gérard Schneider, and Erich Heckel. The stylistic and technical influence of his contemporaries is clearly evident in Liner’s work from this point forward. Unfortunately, the dawn of the 1940s would bring about a number of challenges for Liner. With the outbreak of war, Liner was mobilized for the Swiss Border Guard, and returned home to Switzerland in 1939. He remained on active duty until 1945, only to lose his father the following year. The death of the elder Liner left a profound impact on his son, who eventually made his way back to Paris in 1947 and embarked upon what would become a very successful series of nudes. By his own admission, 1948 was a pivotal year in Liner’s career, as a particularly spiritual trip to Algeria would foment the emotions led to the beginning of his practice with abstraction. Henceforth, Liner would vacillate between the figurative and abstract, creating parallel oeuvres. His abstraction from the 1950s and 60s mirrored...

Egg emulsion on fiberglass. Signed and dated upper left and verso; titled verso. 49 x 48 in. 49.75 x 49 in. (framed) Custom framed in hickory. Provenance Albright-Knox Art Gallery, Buffalo, NY Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper. In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon...

Acrylic on canvas. Signed and dated lower left, verso. 40 x 40 in. 41 x 41 in. (framed) Custom framed in white oak. Canadian contemporary artist...

Acrylic on canvas. Signed, dated, titled, and estate stamped on verso. 50.25 x 31 in. 51.25 x 32 in. (framed) Custom framed in maple. Provenance Estate of Jack Roth Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force. Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff. The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine. Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography. However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University. Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962. Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection. During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter. In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...

Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...

Oil on canvas. Signed lower right and on verso. 59 x 54 in. 60 x 55.25 in. (framed) Custom framed in a hickory floater. After World War II, William Quinn...

Oil on canvas. Signed lower right; signed, titled, dated along rear stretcher. 48.25 x 52.25 in. 49.5 x 53.5 in. (framed) Custom framed in a solid maple floater, painted a light gray. Provenance Marian Locks Gallery, Philadelphia Exhibited 1996 - Locks Gallery, Philadelphia (Warren Rohrer...

Acrylic on canvas. Signed lower right. 36 x 48 in. 37 x 49 in. (framed) Custom framed in walnut. Canadian contemporary artist known fo...

Acrylic on paper (two sheets) mounted on canvas. Signed on rear support, gallery labels verso. 35.25 x 46.25 in. 36.5 x 47.5 in. (framed) Custom framed in a natural cherry, closed-...

Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody to Olivia Newton John for a book project; and fashion spreads for publications including Vogue and Marie Claire. Though his schedule is constantly full of such commissions, he also finds time to pursue his own projects. Like his commercial work, his personal work is based in photography and centered upon gorgeous women. He begins with photographs of women...

Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated...

Wood Transfer Print, Photo Collage, Acrylic, Found Objects, Encased in Resin Signed on bottom right corner Mazzucco borrows from his global travels to find inspiration in his studio, starting with his exquisite portraits of beautiful women and photographs of diverse landscapes that span Icelandic glaciers, African wildlife, the Western Australia outback...

Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody to Olivia Newton John for a book project; and fashion spreads for publications including Vogue and Marie Claire. Though his schedule is constantly full of such commissions, he also finds time to pursue his own projects. Like his commercial work, his personal work is based in photography and centered upon gorgeous women. He begins with photographs of women...

Signed by artist lower right Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody to Olivia Newton John for a book project; and fashion spreads for publications including Vogue and Marie Claire. Though his schedule is constantly full of such commissions, he also finds time to pursue his own projects. Like his commercial work, his personal work is based in photography and centered upon gorgeous women. He begins with photographs of women...

Mixed Media, Photography, encased in resin Signed "RM" lower right corner Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody...

Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody to Olivia Newton John for a book project; and fashion spreads for publications including Vogue and Marie Claire. Though his schedule is constantly full of such commissions, he also finds time to pursue his own projects. Like his commercial work, his personal work is based in photography and centered upon gorgeous women. He begins with photographs of women...

Mixed Media Signed bottom right recto

Archival print, ink, acrylic paint, encased in resin Signed by artist bottom right Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody...

Archival print, pigment, acrylic paint, encased in resin Signed by artist in the lower right Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody to Olivia Newton John for a book project; and fashion spreads for publications including Vogue and Marie Claire. Though his schedule is constantly full of such commissions, he also finds time to pursue his own projects. Like his commercial work, his personal work is based in photography and centered upon gorgeous women. He begins with photographs of women...

Signed "RM" lower right corner Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody to Olivia Newton John for a book project; and fashion spreads for publications including Vogue and Marie Claire. Though his schedule is constantly full of such commissions, he also finds time to pursue his own projects. Like his commercial work, his personal work is based in photography and centered upon gorgeous women. He begins with photographs of women...

Archival print, pigment, and acrylic paint encased in resin Signed by artist in the lower right

Archival Print on Canvas, Acrylic, Encased in Resin Signed by artist bottom right Raphael Mazzucco travels the world, shooting fashion, advertising, and celebrity portraits for leading brands, businesses, and magazines. He has shot bikini-clad models for the Sports Illustrated Swimsuit Issue; celebrities ranging from Adrien Brody to Olivia Newton John for a book project; and fashion spreads for publications including Vogue and Marie Claire. Though his schedule is constantly full of such commissions, he also finds time to pursue his own projects. Like his commercial work, his personal work is based in photography and centered upon gorgeous women. He begins with photographs of women...

Oil on canvas. Signed, titled, dated verso. 40 x 44 in. 41.5 x 45.5 in. (framed) Custom framed in a natural cherry floater. Provenance Knoedler Contemporary, New York Ludwig Sand...

Oil on canvas. Signed and titled verso. 40.25 x 56.25 in. 40.75 x 56.75 in. (framed) Custom framed in a whitewashed cherry closed-corner frame. Aaron Levy was born in New York Cit...

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Diptych, acrylic on canvas. Signed lower right. Two canvases, joined along vertical stretcher on verso. 40 x 60 in. 41 x 61 in. (framed) Custom framed in maple. Provenance Estate of Beatrice Mandelman 203 Fine Art, Taos, NM A certificate of authenticity issued by the Mandelman Ribak Collection at the University of New Mexico Foundation will be provided with this work. Beatrice Mandelman was born on December 31, 1912 in Newark, New Jersey. At age 12, she began taking classes at the Newark School of Fine and Industrial Art, subsequently attending Rutgers University, the Newark School of Fine and Industrial Art, and the Art Students League in New York. In 1935, Mandelman was employed by the Works Progress Administration (WPA), first as a muralist and then as a printmaker with the Graphic Division of the New York Project. One of the original members of the Silk Screen Unit under Anthony Velonis, she worked until the disbandment of the WPA in 1942. During this period, she was associated with numerous New York School artists including Louis Lozowick, Willem de Kooning, Arshile Gorky, Jackson Pollock, and Stuart Davis. Mandelman married fellow artist Louis Ribak in 1942, and two years later they traveled to Santa Fe, NM to visit his teacher and mentor, the artist John Sloan. Finding Santa Fe congested, they took the train along the Rio Grande and a stagecoach up to Taos and decided to settle there. An impulsive and inspired move, it was a decision that would effectively remove them from mainstream art involvement, for which Santa Fe had become an important outpost in the west. While Taos was a well-known within the art community, there were no galleries exhibiting modern art. This changed later in the decade, with an influx of new artists arriving from New York and California. Some of these artists would come to be known collectively as the “Taos Moderns...

Oil on canvas. Signed, titled, dated verso. 67 x 66 inches67.75 x 66.75 inches (framed) Custom framed in a solid maple floater. Warren Rohrer was born...

Oil on canvas. Signed and dated lower left. 51 x 38 in. 52.5 x 39.25 in. (framed) Framed in maple. Gabriel Godard, a self-taught painter, was born in 1933 in Delouze, France. Hist...

Acrylic on linen. Signed and dated verso. 28 x 24 in. 29.25 x 25.25 in. (framed) Custom framed in maple. Provenance Allan Stone Gallery, New York Born ...