Popular Artists

Original poster produced on the occasion of Jim Dine's 1971 exhibition at the Boymans Museum, Rotterdam. This vintage poster reproduces the artist’s lithograph Two Ties: neckties ske...

Original exhibition poster printed on the occasion of Jim Dine's 1971 exhibition at Kunsthalle Bern, featuring Saw, 1971. Against a sea of electric blue, Dine has written “saw” in lo...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

In 1968, Jim Dine, an American artist associated with the Pop Art movement, collaborated with the New York City Center and the New York City Opera to create a unique and visually stu...

Dine, Jim. SELF-PORTRAIT IN A FLAT CAP (WINTER). Krens and Castleman, 181. Etching, 1974. First State, published by Petersburgh Press. The Bon A Tirer proof b...

JIM DINE (B. 1935) "THE BLUE HEART" Signed and dated in white pencil lower right and numbered 70/200 lower left Published by Marco Fine Arts Contemporary, Hawthorne, CA Printed by ...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

This piece is an original etching done by Jim Dine in 1973. It was printed in black on Hodgkinson hand made paper and is hand signed and dated by the artist. This piece is from the e...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Charcoal, pastel, gesso, and acrylic on paper

A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lea...

Jim Dine's exhibition featuring "Portrait of a Female Nude" at Galerie 33 on Nørrebrogade 33 in Copenhagen, Denmark in 1984 was a notable event showcasing the artist's exploration of...

Jim Dine has expertly sketched the accomplished French poet and coffee trader Arthur Rimbaud. A vignette of dark brown surrounds his thin, fine features, which are defined with a flu...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...

Signed, dated, and numbered

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...

A mixed media artwork by Jim Dine. A silverpoint and acrylic on 2 joined canvases, wood, knife, and string in artist's frame work by Post War artist Jim Dine. "Double Silver Point Robes" depicts the outline of two robes in silverpoint on a white acrylic painted ground. Jim Dine's use of his favorite bathrobe, a frequent image in his works, is a self portrait which connects an everyday object and imbues it with meaning. This Robe painting was part of the first exhibition of Robe paintings at Sidney Janis...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...

Artist: Jim Dine, American (1935 - ) and Lee Friedlander, American (1934 - ) Title: Photographs and Etchings Year: 1969 Medium: Portfolio of 16 Diptychs of Gelatin Silver Prints and ...

Offset lithograph, using a single zinc plate, with collage in colors printed from a watercolor on Hodgkinson mould paper Signed, numbered, and dated on recto

TECHNICAL INFORMATION: Jim Dine The Woodcut Bathrobe 1975 Woodcut and lithograph on Natsume 4007 paper 36 x 24 in. Artist's Proof (A.P.) Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a light wood frame with matte, as shown in photos. ABOUT THE WORK: Jim Dine began painting bathrobes in 1964; some of them were titled or subtitled as self portrait. The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings. Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been using over the years in countless printed works to depict mostly himself, but also his wife and people around him. This subject came to him as source of inspiration after coming across an image of a man's dressing gown...

TECHNICAL INFORMATION: Jim Dine Watercolored By Jim Dine 2015 Watercolor and copperplate etching 42 x 56 1/2 in. Edition of 6; each piece is unique Pencil signed, dated and numbered...

This piece is an original silkscreen collage on graph paper done in 1966. It is hand initialed "J.D." on the front right corner and numbered 14/150 on the back. This piece measure...

Paper Size: 22 x 17 inches ( 55.88 x 43.18 cm ) Image Size: 17 x 13.5 inches ( 43.18 x 34.29 cm ) Framed: No Condition: A: Mint Additional Details: Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". In his youth, Indiana lived in an abandoned warehouse for 12 years in lower Manhattan. He devised his own meter to syphon gas from the city grid for himself and his fellow denizens, many who would go on to have their own illustrious careers in the arts. This was a tribute to his 12 years of free gas. The circles, ringed by numbers, are references to gas meters...

Artist: Robert Indiana (American, 1928-2018) Title: "Decade: Autoportrait '70 (Vinalhaven)" Portfolio: Decade: Autoportraits, Vinalhaven Suite *Signed and dated by Indiana in pencil ...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The phrase "God is the...

Artist: Robert Indiana Medium: Serigraph Title: Two Portfolio: The American Dream Year: 1997 Edition: PP 14/30 Image Size: 16 7/8 x 14 inches Sheet Size: 22 x 17 inches Framed Size: ...

Highball on the Redball Manifest is a limited edition serigraph by Robert Indiana, signed and numbered 100 out of 395 in pencil. This print is part of the celebrated portfolio and bo...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The Mississippi River ...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". A serigraph of the first in Indiana's series of American Flag re-inventions. Released in 1963 through Multiples, Inc. as a felt banner...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "yield" can i...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". "The American Dream" p...

Artist: Robert Indiana, American (1928 - ) Title: The American Dream: High Ball Redball Manifest Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: ...

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

Robert INDIANA Votes for Women, 1977 Original lithograph Handsigned in pencil Numbered / 150 On Arches vellum 59.5 x 49.5 cm (c. 24 x 20 in) Excellent...

Artist: Robert Indiana, American (1928 - ) Title: Picasso from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 ...

Artist: Robert Indiana, American (1928 - 2018) Title: New Glory Banner from the American Dream Portfolio Year: 1963 (1997) Medium: Serigraph Edition: 395 Image Size: 17 x 10 inches S...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF VIII Year: 1991 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Artist: Robert Indiana, American (1928 - 2018) Title: The New Glory Penny from the American Dream Portfolio Year: 1963 (1997) Medium: Serigraph (unsigned) Edition size: 395 Image Siz...

Robert Indiana Swedish LOVE Multiple wool, handtufed Year: 2006 Numbered, verso numbered and with COA. With printed signature on the COA. Size: 14.9 × 14.9 inches *Edition number mi...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF VI Year: 1991 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 P...

TECHNICAL INFORMATION Robert Indiana High Ball Red Ball Manifest 25 1996 Screenprint 19 x 16 in. Edition of 395 Pencil signed & numbered Accompanied ...

TECHNICAL INFORMATION Robert Indiana The Hartley Elegies KvF VIII 1991 Screenprint 57 5/8 x 57 5/8 in. Edition of 50 Pencil signed & numbered Accompanied with COA by Gregg Shie...

Robert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...

TECHNICAL INFORMATION Robert Indiana The Hartley Elegies KvF V 1990 Screenprint 77 x 53 in. Edition of 50 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.

Artist: Robert Indiana Title: The Santa Fe Opera Year: 1976 Medium: Screenprint, signed and numbered in pencil Edition: 250 Paper Size: 38 in. x 24 in...

TECHNICAL INFORMATION Robert Indiana Golden Future Of America 1976 Screenprint on Arches paper 26 1/4 x 20 in. Edition of 175 Pencil signed & numbered Accompanied with COA by ...

TECHNICAL INFORMATION Robert Indiana The Hartley Elegies KvF VII 1991 Screenprint 57 5/8 x 57 5/8 in. Edition of 50 Pencil signed & numbered Accompanied with COA by Gregg Shie...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF V Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 Pa...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF I Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

TECHNICAL INFORMATION Robert Indiana The Hartley Elegies KvF IX 1991 Screenprint 57 5/8 x 57 5/8 in. Edition of 50 Pencil signed & numbered Accompanied with COA by Gregg Shienb...

TECHNICAL INFORMATION Robert Indiana The Hartley Elegies KvF VI 1991 Screenprint 57 5/8 x 57 5/8 in. Edition of 50 Pencil signed & numbered Accompanied with COA by Gregg Shien...