Notable Artists

TECHNICAL INFORMATION Shepard Fairey Stay Up Chaka 2005 Screenprint 24 x 18 in. Artist Proof (A. P.), apart from the edition of 300 Pencil signed & numbered Condition: This...

TECHNICAL INFORMATION Shepard Fairey Obey ‘89 2006 Screenprint 42 x 30 in. Edition 88 of 89 Pencil signed & numbered Condition: This work is in excellent condition

TECHNICAL INFORMATION Shepard Fairey Corporate Violence for Sale 2011 Screenprint 24 x 18 in. Edition 109 of 450 Pencil signed and numbered Condition: This work is in excellent con...

TECHNICAL INFORMATION Shepard Fairey Japan Stencil 2000 Screenprint 24 x 18 in. Edition 57 of 140 Pencil signed & numbered Condition: Thi...

TECHNICAL INFORMATION: Shepard Fairey Chinese Soldiers 2006 Screenprint 24 x 18 in. Edition 235 of 300 Pencil signed and numbered Condition: This wo...

TECHNICAL INFORMATION: Shepard Fairey Love Unites 2008 Screenprint 36 x 24 in. Edition 38 of 450 Pencil signed and numbered Condition: This work is in excellent condition. Frame:...

TECHNICAL INFORMATION: Shepard Fairey Ali Canvas 2010 Screenprint 24 x 18 in. Edition 229 of 450 Pencil signed and numbered Condition: The corners are crisp, the edges are perfect ...

TECHNICAL INFORMATION: Shepard Fairey Sedation Pill HPM 2013 HPM (hand-painted multiple), screenprint and mixed media collage on paper Edition 10 of 10 Pencil signed and numbered Condition: This work is in excellent condition. Frame: Framed in a maple wood shadowbox frame with UV protective Plexiglass ABOUT THE WORK: This piece is an HPM, or Hand Painted Multiple. This means that before the screenprint process takes place, Fairey creates the paper by collaging his patterns, stencil, newspaper clippings, and advertising logos...

TECHINICAL INFORMATION: Shepard Fairey Obey Harmony Relief 2012 Three color relief on hand-made paper 35 x 25 1/2 in. Edition 34 of 35 Pencil signed and ...

TECHNICAL INFORMATION Shepard Fairey Bush Hell 2004 Screenprint 24 x 18 in. Edition 185 of 300 Pencil signed & numbered Condition: This work is in excellent condition

TECHNICAL INFORMATION Shepard Fairey Castro Collage, from This is you God Series (Large Format) 2003 Screenprint 48 x 36 in. Edition 38 of 72 Pencil signed & numbered Cond...

Serigraph from "Visual Poetics: The Art of Donald Sultan" framed under glass in natural wood frame. Initialed and numbered. Edition 112 of 395. Framed dimensions: 19 1/2 x 19 1/4 inc...

Lilies , 1998 Silkscreen Framed Dimensions: 32 x 26 1/2 inches (81.3 x 67.3 cm) Sheet: 16.5 x 15.5 inches (41.9 x 39.4 cm) Edition 36/70

Donald K. Sultan (American, born 1951) Untitled, from Wallflowers, 2008 Screenprint in colors on wove paper Signed with artist's initials, numbered, dated, and titled in pencil along...

"One of Diamonds and Thirteen of Diamonds" (from Playing Cards) 1990 Aquatint Engravings Framed Together Each Signed, Titled and Dated Each Numbered Lower ...

Artist: Donald Sultan, American (1951 - ) Title: Red Poppies Year: 1989 Medium: Screenprint, signed and numbered in pencil Edition: 125 Image Size: 12 x 12...

Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...

Shaped aluminum with black powder coat on polished aluminum base. Edition 21/25.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50. Sold as Lantern Flowers, Feb 10, 2017 suite of four prints for $11,500.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Donald Sultan Yellow Roses, April from Fruit and Flowers II, 1992 Color Screenprint Signed in Pencil, DS and 34/100 Printed by Watanabe Studio, Brooklyn Published by Parasol Press, L...

Sku: RD0017-B Artist: Donald Sultan Title: Red Poppies I Year: 2007 Signed: Yes Medium: Serigraph Paper Size: 24 x 24 inches ( 60.96 x 60.96 cm ) Image Size: 24 x 24 inches ( 60.96 x...

Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 30 x 29 inches. A...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50. Sold as Lantern Flowers, Feb 10, 2017 suite of four prints for $11,500.

This piece is unframed.

Yellow Poppies is a natural companion for Red Poppies, March 21, 2012 and is equally strong installed solo. The multi-layered cropped poppies bleed to the paper edge and mimic the su...

Silver Flowers, March 3, 2011 Silkscreen with hand applied black Silica on Sauders Waterford paper, 410gm hot press 38 x 38 inches edition of 75 Print also available in Gold...

Artist: Donald Sultan (American, born 1951) Title: Pears Year: 1989 Medium: Color silkscreen and lithograph Edition: Numbered 87/125 in pencil Paper: Arches 88 Image size: 12 x 12 inches paper size: 22 x 23 inches Signature: Hand signed in pencil by the artist Publisher : Parasol Editions Press L.T.D. Portland, Oregon. Condition: Excellent Frame: Framed in a custom wooden maple frame, with fabric bevel and matting. Description: From the suite, Fruits Donald Sultan is an American painter, sculptor, and print maker, well-known for large-scale still life paintings and the use of industrial materials such as tar, enamel, spackle and vinyl tiles. He has been exhibiting internationally in prominent museums and galleries, and his works are included in important museum collections all over the globe. Donald Sultan rose...

This artwork titled, Flower, 1990 is a color silkscreen and lithograph on Arches 88 paper, by artist Donald Sultan (American, b. 1951) It is hand signed and numbered 31/125 in pencil by the artist. It was published by Parasol Editions Press L.T.D. Portland, Oregon. From the suite,Fruits. It is beautifully framed in a wood maple custom frame, with bevel and fabric matting. Donald Sultan is an American painter, sculptor, and print maker, well-known for large-scale still life paintings and the use of industrial materials such as tar, enamel, spackle and vinyl tiles. He has been exhibiting internationally in prominent museums and galleries, and his works are included in important museum collections all over the globe. Donald Sultan rose...

This piece is unframed.

Artist: Donald Sultan (American, born 1951) Title: Pears Year: 1991 Medium: Color silkscreen and lithograph Edition: Numbered 31/125 in pencil Paper: Arches 88 Image size: 12 x 12 inches paper Size: 22 x 23 inches Signature: Hand signed in pencil by the artist Publisher: Parasol Editions Press L.T.D. Portland, Oregon. Condition: Excellent Frame: Unframed Description: From the suite, Fruits Sultan is an American painter, sculptor, and printmaker, well-known for large-scale still life paintings and the use of industrial materials such as tar, enamel, spackle and vinyl tiles. He has been exhibiting internationally in prominent museums and galleries, and his works are included in important museum collections all over the globe. Donald Sultan rose...

This piece is unframed.

Donald Sultan (born 1951), is one of the leading American contemporary still life artists. He currently lives and works in New York. Sultan has been given numerous exhibitions dedica...

This piece is unframed.

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...

Jim Dine is a major post-war artist whose work ranges from vibrant, large-scale paintings to exquisitely-rendered, romantic drawings and bronze sculpture. Dine's debut on the New Y...

Sybil As Juliet is an original lithograph artwork realized by Jim Dine. Hand-signed in pencil on the lower right margin, edition of 1/100 prints, on the rear. Titled on the lower left. Belongs to the Suite "The Picture of Dorian Gray"; Published by Petersburg Press, London. Very good conditions. Jim Dine (Cincinnati, Ohio, 1935) is an American artist who rejected any formal association with Pop Art, but who is still commonly considered an important exponent of this art movement. He became famous for his "happenings", chaotic art performances originally invented together with other important artists, such as Claes Oldenburg and Allan Kaprow...

Original exhibition poster printed on the occasion of Jim Dine's 1971 exhibition at Kunsthalle Bern, featuring Saw, 1971. Against a sea of electric blue, Dine has written “saw” in lo...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

In 1968, Jim Dine, an American artist associated with the Pop Art movement, collaborated with the New York City Center and the New York City Opera to create a unique and visually stu...

Dine, Jim. SELF-PORTRAIT IN A FLAT CAP (WINTER). Krens and Castleman, 181. Etching, 1974. First State, published by Petersburgh Press. The Bon A Tirer proof b...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

This piece is an original etching done by Jim Dine in 1973. It was printed in black on Hodgkinson hand made paper and is hand signed and dated by the artist. This piece is from the e...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Charcoal, pastel, gesso, and acrylic on paper

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...

Signed, dated, and numbered

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...

A mixed media artwork by Jim Dine. A silverpoint and acrylic on 2 joined canvases, wood, knife, and string in artist's frame work by Post War artist Jim Dine. "Double Silver Point Robes" depicts the outline of two robes in silverpoint on a white acrylic painted ground. Jim Dine's use of his favorite bathrobe, a frequent image in his works, is a self portrait which connects an everyday object and imbues it with meaning. This Robe painting was part of the first exhibition of Robe paintings at Sidney Janis...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...

Artist: Jim Dine, American (1935 - ) and Lee Friedlander, American (1934 - ) Title: Photographs and Etchings Year: 1969 Medium: Portfolio of 16 Diptychs of Gelatin Silver Prints and ...

Offset lithograph, using a single zinc plate, with collage in colors printed from a watercolor on Hodgkinson mould paper Signed, numbered, and dated on recto

TECHNICAL INFORMATION: Jim Dine The Woodcut Bathrobe 1975 Woodcut and lithograph on Natsume 4007 paper 36 x 24 in. Artist's Proof (A.P.) Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a light wood frame with matte, as shown in photos. ABOUT THE WORK: Jim Dine began painting bathrobes in 1964; some of them were titled or subtitled as self portrait. The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings. Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been using over the years in countless printed works to depict mostly himself, but also his wife and people around him. This subject came to him as source of inspiration after coming across an image of a man's dressing gown...

TECHNICAL INFORMATION: Jim Dine Watercolored By Jim Dine 2015 Watercolor and copperplate etching 42 x 56 1/2 in. Edition of 6; each piece is unique Pencil signed, dated and numbered...