The Pride Collection

Larry Zox (1937-2006) was a central figure in the evolution of 20th century abstraction in America. Raised in Des Moines, Iowa, Zox studied at the University of Oklahoma and went o...

A tall vase with a single rose in bright "Hornyak pink" is balanced by shapes and lines in this sophisticated composition by Jennifer Hornyak. Framed dimensions are 11.75 x 9.75 inch...

Swirling calligraphic marks and symbols swirl at the center of a burnished warm ground in this luminous canvas by Alice Teichert. The artist works with thin layers of acrylic gel and...

Aron Hill enjoys playing with bold colour and simple form. This abstract composition by the Calgary artist features a white oval ringed in black above a rainbow of colour—arched band...

Antique American modernist abstract landscape painting. Oil on canvas, circa 1970. Signed. Image size 24L x 18H. Housed in a period modern frame.

Vibrant orange, purple, and green hues typical of this master of still life abstraction. Mostly known for her fondness for the abstracted still life, Jennifer Hornyak draws inspirati...

Graphite on colored paper. This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the v...

An original 1950's unsigned abstract. This whimsical bright work comes housed in a contemporary natural wood frame presentation which signs on the w...

"Steel Factory" Cuban Mid 20th Century Modern Drawing WPA Latin Art Industrial Ink on paper. 12 x 19 inches. Pogolotti lived in Paris in the 1930s. The drawing here comes from the collection of his Parisian ophthalmologist, Dr. Prokopenko . Unfortunately, the artist lost his eyesight in 1938. Marcelo Pogolotti (1902–1988) was a Cuban painter...

Digital C-print Signed, dated, and numbered, verso 17 x 15 inches, image (Edition of 25) 24 x 22 inches, image (Edition of 15) 34 x 30 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles...

[ New Orleans, LA :: b.1959, Augsburg, Germany ] In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude photographed in 1971 in New York City. Comes di...

Passages of butter yellow, rose and light green float on a washed spring yellow ground in this elegant abstract painting by Milly Ristvedt. Milly Ristvedt (b. 1942, Kimberley, BC) MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe...

Titled in pencil lower left: "Howard"; signed and dated in pencil lower right: "John Thompson 2018". Titled, dated, and signed verso: "Howard / (c) 2018 / John Thompson". A fine impr...

An original abstract expressionist oil painting by American female artist Irene Zevon created and dated in 1959. This piece entitled "Musical" is a prime example of Zevon's relation...

Artist Ger Stallenberg likes to get lost in his landscapes. The artist born in Maastricht (1959) studied at the Academy of Visual Education in Tilburg. Ger Stallenberg is inspired b...

LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

A vase of pink tulips set against a deep pink tablecloth and a bright turquoise chair against a midnight blue wall is the subject of this delightful oi...

Wafer thin layers of crisp, ice blue glass frit are stacked to create an undulating, organic vessel. The sculptural glass works of Wilson-Smith are rooted in a theme contrasting frag...

Fresson print, inscribed ‘LAG 17033’ (verso), 29cm x 23cm (on view), 37cm x 30.5cm (sheet size), (48cm x 41cm framed). The photograph is framed to the line and crop indicated by the photographer on the print, behind museum quality UV non-reflective glass. (A Fresson print is a type of photographic printing, created in 1899, that has been passed down in the family for four generations. Still to this day, the Fresson family keeps some elements of the process a secret but make sure it stays alive. Located in the outskirts of Paris, their workshop is the only one in the world to produce such prints.) Albin-Guillot studied drawing and painting before becoming interested in photography. In 1925, she went on to have the first one-person exhibition at the Paris Autumn Salon. She also served as president of the French Societe des Artistes Photographes and in June 1928, was included in the first independent Salon of Photography in Paris. Published in 1932, she took a series of male nudes taken for Henry de Motherlant’s La Deesse Cypris. The strongly cropped images in which the male nudes fill the entire frame accompany the author’s text about sensuality. In 1933, she collaborated with the poet Paul Valery...

Abstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing Ariel 11 x 4 1/2 inches. Framed by Heydenryk. Provenance: Gary Snyder Fine Art B...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Inspired by 17th century botanical illustrations of women naturalists, Fiona Ackerman’s beautiful acrylic series of paintings are delicately detailed compositions of natural images—f...

Created in 1984, Grace Kelly is a color screenprint on Lenox Museum Board hand-signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in lower right. This work is numbered from the edition of 225 in pencil in lower right apart from the edition of: 30 Artist's Proofs, 8 Printer's Proofs, 2 Hors Commerce, 50 numbered in Roman numerals, 20 Trial Proofs; printed by Rupert Jasen Smith, New York; and published by Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, with the consent of the Princess Grace Foundation. Andy Warhol Grace Kelly...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) 22 x 22 inches, image (Edition of 15) 31 x 31 inches, image (Edition of 15) This artwork ...

Andy Warhol (1928-1987) is maybe the most influential and valuable American artist of the 20th century. While he is renowned for his iconic Pop art portraits, Caviar20 has been exploring and offering his inimitable works on paper from the 1950's. We believe this is an important, and for the time being, accessible and under-appreciated part of his legacy. During the 1950's Warhol established his reputation in New York City as an illustrator for numerous fashion publications and businesses. His succinct line drawings were modern and gentle, realized with a brave yet delicate gay sensibility. The images he created "off the clock" from his fashion commissions were romantic sketches, day-dreams of crushes, hunks and friends. His 1956 exhibition, Studies for a Boy Book...

'Portrait of a Young Man', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the tr...

"North Sea", by Christina Haglid, is a meticulously detailed watercolor. The single bloom suspended above the vase has translucent water droplets covering its soft peach colored pet...

Sandbar Trilogy is a brilliantly colorful pop art painting, an ode to the popular gay beach scene in Miami, Florida. Three panels of male figures are seen lounging, sitting and stan...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Nancee Clark grew up in Jacksonville, Florida, with its then lush forests, raw beaches, the St. Johns River and the perfumes of the paper mill and the Maxwell House Coffee plant...

Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While still an undergraduate at Kutztown Universi...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

Vintage abstract expressionist etherial oil painting by Piry Rame (1921 - 2001). Oil on canvas, circa 1960. Signed on verso. Image size, 21L x 16H. Housed in a period frame.

Miró's La Sorcière (The Sorcerer), 1969 is a monumental piece whose abstract forms work in combination with splashes of green and red. Each element coexists in perfect harmony, echoi...

This lyrical abstract composition—a landscape re-imagined is by Aron Hill. The Calgary artist often creates work that features nature—a sun, leaf-like shapes, rocks. These organic fo...

Antonia's Line, named after the Dutch film written and directed by Marleen Gorris. The film has been described as a "feminist fairy tale," tells the story of the independent Antonia ...

An original acrylic on paper by American artist Richard Huntington from the artists current exhibition at The Corridors Gallery at Hotel Henry. Richard Huntington is a writer, printmaker, and painter who lives in Buffalo, N.Y. and San Miguel de Allende, Guanajuato, Mexico. Born in Albany, N.Y., Huntington received a BFA from Syracuse University in 1959 and an MFA in 1963 from the University at Buffalo, where he studied under Seymour Drumlevitch. He taught studio and art history courses at Bradley University in Peoria, Ill.; lived and worked in New York City, where he showed at the Fulton Street Gallery and other venues; was an art critic for the Buffalo Courier...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) Sold out. 22 x 22 inches, image (Edition of 15) $9,000 31 x 31 inches, image (Edition of 1...

Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Internationale des B...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

My Mom's neon nose portrait in aquamarine (one piece from a series of three). These works explore my intense and loving relationships with my mom, my yiayia (grandmother) and my Gre...

Horizontal bars of blue, maroon, cherry red, pink, lemon yellow, burnt orange and green communicate on a soaked sand-coloured ground in the two panels that form this 9-foot square acrylic diptych painting on canvas. The rhythm of the spaces between the short lengths of colour creates a dialogue of movement that leads the eye upwards through the large picture plane. About the inspiration for the work, the artist wrote: "This is one of the rare paintings that I saw clearly in a dream and painted almost exactly as I saw it. It relates back to the four-panel work, Lock-Up (1972), done a couple of months earlier, where I used the physical break between panels as an edge to anchor some colour bars. In Phoenix, some bars are anchored while others float within the larger ground colour." This painting was included in the exhibition catalogue Milly Ristvedt-Handerek: Paintings of a Decade (1979). Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. In Toronto, during the 1960s and 1970s, she was making and exhibiting large-scale paintings alongside a small but defined group of non-figurative painters who, like Ristvedt, had planted...

Comprised of a repetition of oval blue targets, Georges Braque Le tir à l'arc (Archery) exemplifies Braque's skill at evoking a sense of mood through abstraction. The soft, swirling ...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Artist: Hiroshi Murata Title: Circles Year: circa 1970's Medium: Serigraph, signed and numbered in pencil Paper Size: 19.5 x 27 inches Framed Size: 24.5 x 32

Landscape B/W Mineral Oxide on Paper ( Fabriano Elle Paper's 220 gr) 100x70 cm 2023 original art works of art published in the catalogue for the exhibition "Lo Spazio Fragile" Family...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

Rectangles and squares, large and small, in grey, green, red, blue and orange, dance across an orthogonal of light blue on a white ground in this canvas by Burton Kramer. The title o...

REWA says of her work… Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a truly original body of work that exists outside formal academic or Western dialogue. My art is drawn from life itself and deeply anchored in a place and culture from which it was derived. This is the Igbo culture pertaining to the Igbos of Nigeria. I think that this description is more accurate as it implies a unique iteration of customs and tradition, bound to a particular location and a particular people.  Igbo Vernacular Art is not to be mistaken with Folk Art, but rather, concerns itself with an expressive aesthetic that would be more commonly associated with Contemporary of Modern Art; form, composition and narrative. Vernacular dialects are anchored to a particular land, and in much the same way, my art contains a vocabulary that is built on a strong sense of place and is situated in a location and a history.  It is my hope that one day, my work will be included in art historical dialogue about Africa and specifically Nigeria, beyond the confines of the wide-reaching Contemporary African Art designation. ⎯⎯⎯⎯⎯ REWA was born and raised between Nigeria and England and received a BSc. in Physiology and Pharmacology from University College London (UCL). She previously worked as the Head of Corporate Development and Investor Relations...

George Platt Lynes 1950 Photograph #1 of Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1950 silver gelatin photograph of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC on March 21, 1950. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is one from a collection of 14 different poses in this series of nude photographs of Moncion and Magallanes in Orpheus by Platt Lynes. Complete collection is available on request. Photographs from this celebrated series are in the 20th Century collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), and the Columbus Museum. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...

Signed, titled and numbered in pencil, 3/50. Imaginary topiary and garden scene, with incredibly fine line work in the etching. François Houtin was born in Craon en Mayenne, France...

Antique American school artist portrait painting. Oil on board. Framed. Signed. Image size, 16L x 24H.4

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Antique American modernist landscape signed painting. Watercolor and gouache on paper. Signed. Framed.

Landscape B/W Mineral Oxide on Paper ( Fabriano Elle Paper's 220 gr) 100x70 cm 2023 original art one-of-a-kind you get the framed drawing ready to hang frame as in the photo Marili...