21st Century and Contemporary Paintings

Gavin W. Sewell large mixed media collage painting. Measures: 48" x 58" tall. Painting is made up of heavily applied paint, collage and grasses. Sewell was born in Maine and has show...

Andrew Mandolene ”Pink Purge” Acrylic on canvas Unframed Signed at lower right AM, 20. Due to the Size of this painting it is recommended to hang on D-rings. D-rings are mounted on the stretcher on back of painting for hanging purposes, ANDREW MANDOLENE (b. 1960) Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion.Classic car collecting...

Pastel on paper, representing Monkey by Teresa Lacerda 2014.

Original Modern Contemporary acrylic painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but ...

"Pinch" by Ángela de la Cruz in 2015. Edition of 50 + 18 A.P. + 2 P.P. Acrylic on canvas. The document shown on the photo is the “Certificat...

Métro Abbesses - Jean Wallis 2005 Acrylic on canvas Signed lower right Certificate of authenticity from the artist Size : 47x55x2cm Price : 900€ for the artist.

George Stubbs, Painter. Catalogue Raisonné by Judy Egerton. Paul Mellon Center for Studies in British Art, Published by Yale University Press, New Haven & London, 2007. 1st Ed hardco...

A contemporary ink painting on paper by Chinese artist Li Jin (1958-) presented in a white shadowbox frame. Entitled in English "Morning Practice in California", this series of work was painted in 2017 when the artist resided in US. The Chinese title inscription is "Blossom Branch" with artist's name signed in both Chinese and English. The painting is considered "Expressionistic-abstract". Using only various shades of ink, the poetic work depicts a large lotus flower with the pistil in the center composed of clusters of mediating arhats, the beings who have gained nirvana through Buddhism practice (known as Luohans in Chinese). There is a strong association of lotus flower and purity in Buddhism. The wisdom one can possibly achieve may be considered omnipresent and morphogenetical quantum and be part of everything around us. The image size is 13.5" x 13.5". Provenance: Purchased in 2017 from the Ink Studio at West Bund Art and Design Fair, Shanghai, China. Li Jin (1958-, Tianjin, China) is an ink master who draws from the tradition of Chinese literati ink painting and creates contemporary works celebrating all aspects of everyday life. Having explored color washes for two decades, Li Jin has translated them into a masterful control of tonality-the "five colors of ink"-in a series of monochrome paintings in the expressionistic-abstract "Da Xie Yi" manner. Through the ink medium's inherent sensitivity and ambiguity, they evoke the nuances of human existence and raise profound questions about self-representation and subjectivity. Trained at Tianjin Academy of Fine Arts (graduated in 1983) and has been a leading figure in contemporary Chinese ink art...

Bring color and an energized feel to your interior with this contemporary Italian Oil Painting on Board. By unknown artist, the abst...

A monumental acrylic painting on canvas by American artist Marc Ross, 2018. This minimal abstract painting features an impressive gradation of blue hues, giv...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Contemporary painting, Dione, by Spanish artists Rubenimichi, acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 42.5 × 55 (H) cm cm Frame: 56.5 x 3.5...

Oil on raw canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

Elena Borup is a young and upcoming Danish artist. Her art is characterized by bright colours and a high degree of details. "Daylight" expresses the magic...

Contemporary Abstract Painting on Canvas by Alanna Murphy Offered for sale is a colorful contemporary abstract painting on canvas by Alana Murphy. The painting is signed in the l...

Spanish landscape painting of forest with deer in a gilt frame.

Having grown up in a military family, Marc’s youth was spent on the move. He was born in Oxnard, California and spent some of his early school years there. But his geographical resum...

Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper and signed by the artist. Each ...

Gavin W. Sewell "One Before Liberty" 2006 Mixed Media Painting/ Collage. Heavily applied paint and paper and drawings make up the surface of this painting. Nice Original condition.

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Painting in charcoal on linen made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Cha...

Contemporary painting, Bestiary I, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21×27 (H) cm Frame: 36 x 3.5 x ...

'Healing' by British artist Jessica Zoob lives up to its title - a peaceful and tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of l...

Stefan Johansson, acrylic on canvas, signed and dated -08 verso. "Session 1". Measures: 136 x 102 cm. A artist living in Stockholm working in the tr...

Decorative wall panel handmade by the artist manufactured using the scagliola technique. Tha Coloured Abstract subject dictated by the imagination ( in relief) emerges from the backg...

Gucci box, oil on canvas by Billy Monsalve Duffo.

An original take on an important and iconic award in the world. Each one is one of a kind.

Oil on raw canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

Abstract painting by Roan Barrion. Acrylic on board.

Contemporary painting, First Motherland, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21 x 27 cm Frame: 36 x 3.5 x 4...

Oil on raw canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

Intriguing abstract painting by acclaim Russian artist Alexander gore, oil Painting on canvas and is frame in shadow box with glass for protection. Signed and dated by the artist. Ce...

Landscape painting with mother-of-pearl inlay by Arijian.

Having grown up in a military family, Marc’s youth was spent on the move. He was born in Oxnard, California and spent some of his early school years there. But his geographical resum...

Immerse yourself in the extraordinary allure of our unique Expressionist painting on canvas, capturing a one-of-a-kind scene. This abstract artwork presents a captivating horse-like ...

Wonderful painting with bright hues by New York artist Kevin Paulsen. With a central bird motif, surrounded by trees, houses, and other various designs. Pigment and ink on plaster an...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Tree I, 54” x 52”, Oil on Canvas Mira park biography Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from companies...

Elena Borup is a young and upcoming Danish artist. Her art is characterized by bright colors and a high degree of details. "Nightlight" expresses the magi...

Vintage Optical Op Art Abstract Geometric acrylic painting on canvas Offered for sale is an optical art abstract acrylic painting in a geometric pat...

Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper...

Tintin Citroen Ami 8 on the Moon- Vinc Objective moon support : door of Citroën ami 8 Mixed technique Posca, acrylic, automotive varnish This piece can be exposed outside 20...

Contemporary Italian Claudio Granaroli abstract water colors. Signed by artist born 1939. Newly framed. From a collection of four. See images #4, P1410B #5, P1410A #6,P1410.

Monogrammed lower right, signed, dated 2018, with title on verso- "Have You Got Somewhere Better to Be?". A Surreal painting featuring a fashion model type figure wearing a black sli...

Modern impressionistic portrait of a woman with hat by Costain. Oil on canvas.

A sixth-generation Floridian, Doug Whittle received a BFA in painting from the University of Florida in 1984. After graduation, he spent two years as a Peace Corps volunteer in centr...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Western sunset by Thomas DeDecker Item Number: AG1733 (1951-). 30" x 40". Oil on panel. Well framed. Thomas DeDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards, including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

Mixed media abstract flaming figural painting cut and reassembled by artist George Turner ( 1943-2014) Illinois. Signed dated 2001 in pencil lower right corner.

Framed oil on canvas "Extrication" depicting Savannah Lanes, Jeff Markowsky. Measures: Unframed 48" x 48" Jeff Markowsky’s paintings begin with an intimate and direct relationship to nature through painting outdoors in the open air (en plein air). From these oil sketches Markowsky investigates and extrapolates the power of large abstract shape relationships in the studio through a more synthesized internal process. Born in Prince Albert, Saskatchewan, Canada, Markowsky’s education as a painter began in graduate school with Gregory Crane and then with Frank Mason at the Art Students League in New York City. You will often find him in the summers hiking the Appalachian Trail or traveling on a plein air painting excursion while camping out in his truck. Markowsky recently won the Grand Prize at the 3rd Annual Saint Augustine Plein Air Festival in 2019. He was the 2018 Grand Prize winner of the Lighthouse...

Oil on Raw Canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

Murf Murphy Large Contemporary abstract painting on canvas Offered for sale is a striking mixed-media painting by Marvin Murf Murphy. The artist has u...

Citroen ID 19 rally Liège-Sofia- Liège 1962 Bodywork painting - ID wing by Vinc Posca, acrylic, automotive varnish this piece can be displayed outside The miniature is not sold...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Oil on panel, inscribed on reverse and signed lower left front. Provenance: Fay Gold Gallery b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...

Large and striking original landscape on canvas having a large fruit tree with turtles on each side and beautiful ethereal background, like something out of a fairytale. Signed and d...