Abbott Fuller Graves Art
American, 1859-1936
Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism.
Graves was born in Weymouth, Massachusetts, on April 15, 1859, the son of James Griswold Graves and Eliza Nicholls (Fuller). Hoping to become an architect, Graves attended the Massachusetts Institute of Technology but did not graduate. Graves went to Paris and Italy in 1884 to refine his skills as a flower painter. In Europe, he roomed with Edmund C. Tarbell. After returning to Boston in 1885, Graves became a teacher at the Cowles Art School, where his friend Childe Hassam was also on the faculty. The two painters undoubtedly influenced one another. In 1887, Graves returned to Paris to study figure painting at the Academie Julien.
Graves returned to Boston in 1891, and lived in the coastal town of Kennebunkport, Maine, where he taught painting classes in oil and watercolor. He continued to visit there in later years, painting genre scenes featuring farmers, fishermen, firemen and old sea captains of Kennebunkport. Many of his portrayals of small-town life were reproduced on calendars and postcards.
After 1891, the majority of Graves's works depict gardens and floral landscapes, some including female figures. Some portray exotic gardens of Spain and South America. In 1891, he opened his own art school in Boston. The school later moved to Kennebunk, Maine. From 1902 to 1905, Graves was employed as a commercial illustrator for magazines and studied at the Académie Vitti in Paris. After 1922, Graves spent his winters in New York City, where he belonged to such organizations as the National Academy of Design, the National Arts Club, the Salmagundi Club and Allied Artists of America.
Examples of Graves’s work can be found in public and private collections across the country, including the Mead Art Museum at Amherst College, the Arnot Art Museum, Elmira, New York; the Brick Store Museum, Kennebunk, Maine; Ball State University Museum of Art, Muncie, Indiana; the Hermitage Foundation Museum, Norfolk, Virginia; and the Princeton University Art Museum, Princeton, New Jersey.to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
1
1
1
1
1
1
1
1
7,790
4,999
2,504
1,374
1
1
Artist: Abbott Fuller Graves
Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater
By Abbott Fuller Graves
Located in Costa Mesa, CA
Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater
Watercolor on Paper Circa 1903
15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed
LR: Graves
This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863.
The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant).
At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor.
After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...
Category
Early 1900s American Realist Abbott Fuller Graves Art
Materials
Paper, Watercolor
Related Items
Mid Century Modern Mixed Media Painting -- Day at the Beach
Located in Soquel, CA
Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W.
Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...
Category
1950s American Realist Abbott Fuller Graves Art
Materials
Ink, Watercolor, Color Pencil, Laid Paper
H 13.82 in W 16.25 in D 0.5 in
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration
By Antonio Petruccelli
Located in New York, NY
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration
Antonio Petruccelli (1907 - 1994)
The Wedding
Colliers published, June 17, 1933
17 1/4 X 11 1/2 inches (sight)
Framed 23 1/4 X 17 1/2 inches
Gouache on board
Signed lower right
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Realist Abbott Fuller Graves Art
Materials
Gouache, Board
Fishermen, Bahamas (North Carolina artist)
By Frank Stanley Herring
Located in Wilton Manors, FL
Beautiful ca. 1935 painting by American artist, Frank Stanley Herring (1894-1966). Watercolor on heavy rag handmade paper measures 14.5 x 19 inches, 23 x 28 inches in original vintag...
Category
1930s American Realist Abbott Fuller Graves Art
Materials
Watercolor, Handmade Paper
Native American Painting 1860 Montana Fort Owen Museum Rare Gold Frame Original
Located in Buffalo, NY
A rare mid 19th Century watercolor depicting Native Americans approaching a fort by Peter Peterson Tofft.
This painting depicts a Fort built by Major John Owen in what is now Steve...
Category
1840s American Realist Abbott Fuller Graves Art
Materials
Paper, Watercolor, Gouache
St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA
By Jo Cain
Located in New York, NY
St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA
Jo Cain (1904-2003)
The Drama of the St. Louis Great River
23 1/4 x 25 ½ inches
Gouache on board c. 19...
Category
1930s American Realist Abbott Fuller Graves Art
Materials
Gouache, Board
Young Love: Walking to School, Four Seasons Calendar Illustration
By Norman Rockwell
Located in Fort Washington, PA
Illustrated for the 1949 Four Seasons Calendar, published by Brown and Bigelow.
A young girl holds a freshly-picked bouquet of flowers as she strolls alongside a boy who carries he...
Category
1940s American Realist Abbott Fuller Graves Art
Materials
Paper, Ink, Watercolor
Sleeping in a Tree a Watercolor Surreal Landscape with a Female Figure on Branch
By Melanie Vote
Located in New York, NY
Melanie Vote’s small watercolor painting captures a whimsical and surreal moment, depicting a mysterious figure draped in a sheer nightgown, sleeping on a tree branch. Her head disap...
Category
2010s American Realist Abbott Fuller Graves Art
Materials
Paper, Ink, Watercolor
Portrait of Chinese Couple. Pearl S. Buck Tiger Tiger Illustration Cosmopolitan
By Dean Cornwell
Located in Miami, FL
Among the many accolades I would grant Dean Cornwell, the one that rises to the top would be that he is one of America's greatest portrait painters. With a few strokes, he captures h...
Category
1930s American Realist Abbott Fuller Graves Art
Materials
Gouache
Cowboy Hanging, Killer's Trail Illustration
By Victor Kalin
Located in Miami, FL
The old west depicted in a graphic and dramatic manner. Paperback Novel Cover Painting Original Art (Avon, 1963). Work has a matted image area of 12.5" ...
Category
1960s American Realist Abbott Fuller Graves Art
Materials
Gouache
Battle Scene At Sea World War II . Dead Soldiers and Blood Red Sea
By Mort Künstler
Located in Miami, FL
The artist invents and then captures a moment of a peak drama with soldiers being shot and bombs exploding. It's beautifully rendered.
This work was published as a two-page spread...
Category
1960s American Realist Abbott Fuller Graves Art
Materials
Gouache
Rowing to Shore - Nautical Seascape in Gouache on Paper
Located in Soquel, CA
Noble nautical scene of a small rowboat coming to shore from a larger sailing vessel by George A. Robbins (American, 1918-2010). In the foreground, sever...
Category
Late 20th Century American Realist Abbott Fuller Graves Art
Materials
Paper, Gouache
H 29 in W 25 in D 1.5 in
Study for the Mural "Westward Movement"
By John Steuart Curry
Located in Fairlawn, OH
Study for the Mural "Westward Movement"
Graphite, watercolor, gouache and paint on paper, 1936
Signed in pencil lower center (see photo)
A study leading up to his mural Justice of th...
Category
1930s American Realist Abbott Fuller Graves Art
Materials
Gouache
Previously Available Items
"Colonial Doorway" Abbott Fuller Graves, Sunny Floral Landscape, Impressionist
By Abbott Fuller Graves
Located in New York, NY
Abbott Fuller Graves
Colonial Doorway
Signed lower right
Oil on panel
15 1/2 x 11 1/2 inches
Provenance:
Christie's New York, American Paintings, Drawings and Sculpture, March 13, 1...
Category
Early 20th Century American Impressionist Abbott Fuller Graves Art
Materials
Oil, Board
"Sunny Doorway, New England" Abbott Fuller Graves, Maine, Massachusetts
By Abbott Fuller Graves
Located in New York, NY
Abbott Fuller Graves (1859 - 1936)
Sunny Doorway, New England
Oil on board
16 x 12 inches
Signed lower left
Housed in a period Newcomb-Macklin frame
Provenance:
The artist
Mildred Moses, New Orleans, Louisiana (acquired from the above)
Private Collection, by descent
Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism.
Graves was born in Weymouth, Massachusetts, on April 15, 1859, the son of James Griswold Graves and Eliza Nicholls (Fuller). Hoping to become an architect, Graves attended the Massachusetts Institute of Technology but did not graduate. Graves went to Paris and Italy in 1884 to refine his skills as a flower painter. In Europe, he roomed with Edmund C. Tarbell. After returning to Boston in 1885, Graves became a teacher at the Cowles Art School, where his friend Childe Hassam was also on the faculty. The two painters undoubtedly influenced one another. In 1887, Graves returned to Paris to study figure painting at the Academie Julien.
Graves returned to Boston in 1891, and lived in the coastal town of Kennebunkport, Maine, where he taught painting classes in oil and watercolor. He continued to visit there in later years, painting genre scenes featuring farmers, fishermen, firemen and old sea captains of Kennebunkport. Many of his portrayals of small-town life were reproduced on calendars and postcards.
After 1891, the majority of Graves's works depict gardens and floral landscapes, some including female figures. Some portray exotic gardens of Spain and South America. In 1891, he opened his own art school in Boston. The school later moved to Kennebunk, Maine. From 1902 to 1905, Graves was employed as a commercial illustrator for magazines and studied at the Académie Vitti in Paris. After 1922, Graves spent his winters in New York...
Category
Early 1900s American Impressionist Abbott Fuller Graves Art
Materials
Oil, Board
"Maine Dorie Fisherman" Seascape and Boating Genre Scene
By Abbott Fuller Graves
Located in New York, NY
Abbott Fuller Graves (1859 - 1936)
Maine Dorie Fisherman
Oil on canvas
14 x 20 inches
Signed lower right: Abbott Graves
Provenance:
Vose Galleries, Boston
Everett Thomas Kilbride Jr., Madison, Connecticut
Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism.
Graves was born in Weymouth, Massachusetts, on April 15, 1859, the son of James Griswold Graves and Eliza Nicholls (Fuller). Hoping to become an architect, Graves attended the Massachusetts Institute of Technology but did not graduate. Graves went to Paris and Italy in 1884 to refine his skills as a flower painter. In Europe, he roomed with Edmund C. Tarbell. After returning to Boston in 1885, Graves became a teacher at the Cowles Art School, where his friend Childe Hassam was also on the faculty. The two painters undoubtedly influenced one another. In 1887, Graves returned to Paris to study figure painting at the Academie Julien.
Graves returned to Boston in 1891, and lived in the coastal town of Kennebunkport, Maine, where he taught painting classes in oil and watercolor. He continued to visit there in later years, painting genre scenes featuring farmers, fishermen, firemen and old sea captains...
Category
1890s American Impressionist Abbott Fuller Graves Art
Materials
Canvas, Paint, Oil
Abbott Fuller Graves art for sale on 1stDibs.
Find a wide variety of authentic Abbott Fuller Graves art available for sale on 1stDibs. You can also browse by medium to find art by Abbott Fuller Graves in paint, oil paint, board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Impressionist style. Not every interior allows for large Abbott Fuller Graves art, so small editions measuring 19 inches across are available. Customers who are interested in this artist might also find the work of Charles Hargens, Gifford Beal, and William Lester Stevens. Abbott Fuller Graves art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $15,200 and tops out at $68,000, while the average work can sell for $21,000.