Abraham Bosse was a French artist, mainly as a printmaker in etching, but also in watercolor. He was born to Huguenot (Calvinist) parents in Tours, France, where his father had moved from Germany. His father was a tailor, and Bosse's work always depicted clothes in loving detail. He married Catherine Sarrabat at Tours in 1632. Bosse remained a Huguenot, dying before the Revocation of the Edict of Nantes, but was happy to illustrate religious subjects to Catholic taste. Roughly 1600 etchings are attributed to him, with subjects including daily life religion, literature, history, fashion, technology and science. Most of Bosse's output was illustrations for books, but many were also sold separately. His style grows from Dutch and Flemish art but is given a strong French flavor. Many of his images give informative detail about middle and upper-class daily life in the period, although they must be treated with care as historical evidence. Bosse's combination of very carefully depicted grand interiors with relatively trivial domestic subjects was original and highly influential on French art, and also abroad, William Hogarth's engravings are, among other things, a parody of the style. Most of his images are perhaps best regarded as illustrations rather than art. He was apprenticed in Paris about 1620 to the Antwerp-born engraver Melchior Tavernier (1564–1641), who was also an important publisher. Bosse's first etchings date to 1622 and are influenced by Jacques Bellange. Following a meeting in Paris about 1630, he became a follower of Jacques Callot, whose technical innovations in etching he popularised in a famous and much translated Manual of Etching (1645), the first to be published. Bosse took Callot's highly detailed small images to a larger size and a wider range of subject matter. Unlike Callot, his declared aim, in which he largely succeeded, was to make etchings look like engravings, to which end he sacrificed willingly the freedom of the etched line, whilst certainly exploiting to the full the speed of the technique. Like most etchers, Bosse frequently used the engraving on a plate in addition to etching but produced no pure engravings.
Portrait of an infamous thief
By Abraham Bosse
Located in Middletown, NY
A fascinating image of a well-known theif robbing a merchant of goods held atop her head. Paris: circa 1670. Etching and engraving on cream laid paper, 6 3/4 x 4 15/16 inches (17...
Handmade Paper, Engraving, Etching
Group of seven (7) prints from Engravings of Plants + 1 Redouté
By Abraham Bosse
Located in Middletown, NY
Each a lithograph with hand coloring on watermarked Arches wove paper with a deckle edge. Each 16 1/4 x 12 1/4 (412 x 312 mm); sheet 26 x 19 3/4 inches (661 x 502 mm), each with full...
Watercolor, Lithograph
$550
H 22.5 in W 17.75 in
Frontispiece from the Rilke Portfolio, Minimalist lithograph by Ben Shahn
By Ben Shahn
Located in Long Island City, NY
Artist: Ben Shahn, American (1898 - 1969) Title: Frontispiece (Portrait) from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5...
Lithograph
Bouquet
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Bouquet" c.1990 is a original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is unsigned. The image size is 39.75 x 12 inches, sheet size is 41.5 x 18.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist. Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity. Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles. In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide. Selected Museums Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum Selected public collections ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell Telephone Company, Chicago IBM, Atlanta, New York, San Francisco KPMG LLP, Atlanta Lincoln Center/List Collection, New York Macy's California, San Francisco MetLife, New York The Metropolitan Opera, New York MGM Mirage Hotel...
Lithograph
$279
H 8.67 in W 7.49 in D 0.04 in
Beggar with a Stick - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Beggar with a stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of ...
Engraving
Nature Morte aux Vases
By René Genis
Located in San Francisco, CA
This artwork titled "Nature Morte aux Vases" c.1980, is an original colors lithograph on wove paper by noted French artist Rene Genis, 1922-2004. It is hand signed and numbered 67/10...
Lithograph
$550
H 22.5 in W 17.75 in
Unexpected Meetings from the Rilke Portfolio, Minimalist Lithograph by Ben Shahn
By Ben Shahn
Located in Long Island City, NY
Artist: Ben Shahn, American (1898 - 1969) Title: Unexpected Meetings from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 1...
Lithograph
$1,500
H 46 in W 29 in
Metropolitan Opera Centennial 1883-1983 lithographic poster A Heart at the Opera
By Jim Dine
Located in New York, NY
Jim Dine Metropolitan Opera Centennial 1883-1983 poster, 1983 Offset lithograph poster; unsigned 46 × 29 inches Unframed This limited edition poster was pu...
Lithograph, Offset
$550
H 22.5 in W 17.75 in
The First Word of Verse Arises from the Rilke Portfolio, lithograph by Ben Shahn
By Ben Shahn
Located in Long Island City, NY
Artist: Ben Shahn, American (1898 - 1969) Title: The First Word of Verse Arises from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Siz...
Lithograph
$3,250
H 19.1 in W 14.18 in D 0.04 in
After Pablo Picasso - Cubist Still Life - Pochoir
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
After Pablo Picasso - Cubist Still Life - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man and his ...
Lithograph
$550
H 22.5 in W 17.75 in
To Parents One Had to Hurt from the Rilke Portfolio, lithograph by Ben Shahn
By Ben Shahn
Located in Long Island City, NY
Artist: Ben Shahn, American (1898 - 1969) Title: To Parents One Had to Hurt from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 2...
Lithograph
$9,600
H 34 in W 28 in
Personnage et Colombe, Cubist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Personnage et Colombe". The original painting was completed in 1913. In the 1970's after Pic...
Lithograph
Flowers, very large lithograph
By Gary Bukovnik
Located in San Francisco, CA
This artwork "Flowers" .1996 is a large original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 13/200 in whi...
Lithograph
$3,250
H 19.1 in W 14.18 in D 0.04 in
After Pablo Picasso - Cubism - Pochoir
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
After Pablo Picasso - Cubism - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man and his work. Picas...
Lithograph
Un homme se dirigeant a droite monte un degre
By Abraham Bosse
Located in Saint Augustine, FL
An original engraving and etching on laid paper by French artist Abraham Bosse (c.1602-1604-1676) titled "Un homme se dirigeant a droite monte un degre" 1629. Comes from the 1629 portfolio "The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing (La Jardin de la Noblesse Françoise dans lequel ce peut ceuillir leur maniere de Vettements)", a series of 18 plates. This etching is after a painting by French artist Jean de-Saint-Igny (ca. 1595-1600). This artwork is in many permanent museum collection including The Metropolitan Museum of Art in NYC and the Boston Museum of Fine Arts. Provenance: ex-permanent collection Bass Art Museum, Miami, Florida. Framed size: 16.5" x 14.5". Image size: 5.5" x 3.5". A rich impression, in excellent condition. Rare. Abraham Bosse (c. 1602-1604 – 14 February 1676) was a French artist, mainly as a printmaker in etching, but also in watercolor. He was born to Huguenot (Calvinist) parents in Tours, France, where his father had moved from Germany. His father was a tailor, and Bosse's work always depicted clothes in loving detail. He married Catherine Sarrabat at Tours in 1632. He remained a Huguenot, dying before the Revocation of the Edict of Nantes, but was happy to illustrate religious subjects to Catholic taste. Roughly 1600 etchings are attributed to him, with subjects including: daily life religion, literature, history fashion, technology, and science. Most of his output was illustrations for books, but many were also sold separately. His style grows from Dutch and Flemish art, but is given a strongly French flavor. Many of his images give informative detail about middle and upper-class daily life in the period, although they must be treated with care as historical evidence. His combination of very carefully depicted grand interiors with relatively trivial domestic subjects was original and highly influential on French art, and also abroad — William Hogarth...
Engraving, Etching, Intaglio