Abraham Bosse was a French artist, mainly as a printmaker in etching, but also in watercolor. He was born to Huguenot (Calvinist) parents in Tours, France, where his father had moved from Germany. His father was a tailor, and Bosse's work always depicted clothes in loving detail. He married Catherine Sarrabat at Tours in 1632. Bosse remained a Huguenot, dying before the Revocation of the Edict of Nantes, but was happy to illustrate religious subjects to Catholic taste. Roughly 1600 etchings are attributed to him, with subjects including daily life religion, literature, history, fashion, technology and science. Most of Bosse's output was illustrations for books, but many were also sold separately. His style grows from Dutch and Flemish art but is given a strong French flavor. Many of his images give informative detail about middle and upper-class daily life in the period, although they must be treated with care as historical evidence. Bosse's combination of very carefully depicted grand interiors with relatively trivial domestic subjects was original and highly influential on French art, and also abroad, William Hogarth's engravings are, among other things, a parody of the style. Most of his images are perhaps best regarded as illustrations rather than art. He was apprenticed in Paris about 1620 to the Antwerp-born engraver Melchior Tavernier (1564–1641), who was also an important publisher. Bosse's first etchings date to 1622 and are influenced by Jacques Bellange. Following a meeting in Paris about 1630, he became a follower of Jacques Callot, whose technical innovations in etching he popularised in a famous and much translated Manual of Etching (1645), the first to be published. Bosse took Callot's highly detailed small images to a larger size and a wider range of subject matter. Unlike Callot, his declared aim, in which he largely succeeded, was to make etchings look like engravings, to which end he sacrificed willingly the freedom of the etched line, whilst certainly exploiting to the full the speed of the technique. Like most etchers, Bosse frequently used the engraving on a plate in addition to etching but produced no pure engravings.
Portrait of an infamous thief
By Abraham Bosse
Located in Middletown, NY
A fascinating image of a well-known theif robbing a merchant of goods held atop her head. Paris: circa 1670. Etching and engraving on cream laid paper, 6 3/4 x 4 15/16 inches (17...
Handmade Paper, Engraving, Etching
Group of seven (7) prints from Engravings of Plants + 1 Redouté
By Abraham Bosse
Located in Middletown, NY
Each a lithograph with hand coloring on watermarked Arches wove paper with a deckle edge. Each 16 1/4 x 12 1/4 (412 x 312 mm); sheet 26 x 19 3/4 inches (661 x 502 mm), each with full...
Watercolor, Lithograph
$750
H 22.5 in W 17.75 in
The Sea Itself from the Rilke Portfolio, Minimalist Lithograph by Ben Shahn
By Ben Shahn
Located in Long Island City, NY
Artist: Ben Shahn, American (1898 - 1969) Title: The Sea Itself from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 ...
Lithograph
$750
H 23 in W 57 in
New York, New York, vintage 1980s poster (hand signed and inscribed by Don Nice)
By Don Nice
Located in New York, NY
Don Nice New York, New York (hand signed and inscribed by Don Nice), 1984 Rare offset lithograph poster (signed and inscribed from Don Nice to Dick Polich) Signed and inscribed in gr...
Lithograph, Offset
$326
H 9.06 in W 7.49 in D 0.04 in
A Peasant Calling Out - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
A Peasant Calling Out: "tis vinnich kout" (It's biting cold) is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This w...
Engraving
$280
H 16.54 in W 12.21 in D 0.04 in
Self-Portrait - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...
Engraving
Philip Evergood, (The New York Times)
By Philip Evergood
Located in New York, NY
The ever-quirky Philip Evergood has composed a print that is at once a World War II image (The New York Times on the table has the headline 'Japs Bomb P...
Lithograph
$165
H 23 in W 16 in
Vintage Jim Dine tool Poster Kestner Gesellschaft 1970 (Hammers 1970) retro red
By Jim Dine
Located in New York, NY
This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...
Lithograph
$257
H 5.91 in W 7.49 in D 0.04 in
Self-Portrait - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...
Engraving
$850
H 24.5 in W 18.5 in
Untitled Still Life Hanging Plaid Shirt, Figurative Poetry Lithograph
Located in Surfside, FL
Signed, numbered and dated limited edition lithograph print. The number might not match the photo as I had more than one. George Schneeman (March 11, 1934 – January 27, 2009) was an...
Lithograph
$2,750
H 27 in W 35 in D 2 in
Two Flies on a Bentwood Chair: colorful rainbow pop art landscape Micheal Hurson
By Michael Hurson
Located in New York, NY
A colorful pop art drawing of a whimsical landscape scene featuring red flowers, green trees, yellow sun, and blue sky and clouds with cubist furniture on a front porch. Two flies converse over bentwood chairs drawn in black, red and white, in this whimsical work by famed New York artist Michael Hurson. Framed in white enamel. Paper 23.5 x 32.5 in. / 59.5 x 82.5 cm Frame 27 x 35 x 2 in. / 68.5 x 89 x 5 cm Two Flies on a Bentwood Chair by Michael Hurson. Lithograph on white paper with silkscreen on plexiglass, in a cream-colored lacquer frame. Edition 70: this impression 56/70. Signed by the artist with initials and numbered 56/70 in pencil lower right. Prepackaged and framed: ready to ship immediately, and ready to hang out of the box. This mixed-media lithograph with silkscreen portrays the colorful scene of a lush, sun-drenched front porch. Hurson's whimsical play on geometry and three-dimensionality is enhanced by the layers of plexiglass and paper upon which the image is printed. In the center of the composition, printed on the base layer of paper, a bright yellow sun sits atop a liquid, sky-blue background, and a jaunty, crayon-textured cloud. A porch door...
Lithograph, Screen
$500
H 19.75 in W 15.25 in D 1 in
Aegidius Sadeler II Engraving "Petronia, First Wife of Vitellius, Roman Emperor"
By Aegidius Sadeler II
Located in New York, NY
Artist: Aegidius Sadeler II Petronia, First Wife of Vitellius, from set of Roman Emperors and Empresses, c. 16th-17th century Engraving Publisher: Marcus Christoph Sadeler Sight: 15 1/4 x 10 3/4 in. Framed: 19 3/4 x 15 1/4 x 1 in. This image was conceived in the 16th century by Aegidius Sadeler II and published by Marcus Christoph Sadeler. It is unclear when the present version was executed. Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries. His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550-1632), Rudolf II's gemologist and physician.[3] After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan...
Engraving
$1,754
H 29.93 in W 21.26 in D 0.04 in
René Lenig - Original Handsigned Lithograph - Ecole de Paris
By René Lenig
Located in Collonge Bellerive, Geneve, CH
René Lenig Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions René Lenig was one of the great painters of the “Ecole de Paris” and of the second mid twenty century.
Lithograph
$1,754
H 29.93 in W 21.26 in D 0.04 in
Georges Rohner - Original Handsigned Lithograph - Ecole de Paris
By Georges Rohner
Located in Collonge Bellerive, Geneve, CH
Georges Rohner Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions Georges Rohner was one of the great painters of the “Ecole de Paris” and of the second mid twenty century. Georges Rohner, French (1913 - 2000) Georges Rohner Georges Rohner was a French painter, born July 20, 1913 in Paris and died on 3 November 2000 in Lannion. Georges Rohner was born in 1913 in Paris. His uncle George Stugocki, art teacher, gives him an early taste for art and thus develops his passion. In 1929 he left school to run in the "galleries" of the School of Fine Arts in Paris where he will be received. A year later, it will be admitted as a student in the workshop Lucien Simon alongside Robert Humblot...
Lithograph
Un homme se dirigeant a droite monte un degre
By Abraham Bosse
Located in Saint Augustine, FL
An original engraving and etching on laid paper by French artist Abraham Bosse (c.1602-1604-1676) titled "Un homme se dirigeant a droite monte un degre" 1629. Comes from the 1629 portfolio "The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing (La Jardin de la Noblesse Françoise dans lequel ce peut ceuillir leur maniere de Vettements)", a series of 18 plates. This etching is after a painting by French artist Jean de-Saint-Igny (ca. 1595-1600). This artwork is in many permanent museum collection including The Metropolitan Museum of Art in NYC and the Boston Museum of Fine Arts. Provenance: ex-permanent collection Bass Art Museum, Miami, Florida. Framed size: 16.5" x 14.5". Image size: 5.5" x 3.5". A rich impression, in excellent condition. Rare. Abraham Bosse (c. 1602-1604 – 14 February 1676) was a French artist, mainly as a printmaker in etching, but also in watercolor. He was born to Huguenot (Calvinist) parents in Tours, France, where his father had moved from Germany. His father was a tailor, and Bosse's work always depicted clothes in loving detail. He married Catherine Sarrabat at Tours in 1632. He remained a Huguenot, dying before the Revocation of the Edict of Nantes, but was happy to illustrate religious subjects to Catholic taste. Roughly 1600 etchings are attributed to him, with subjects including: daily life religion, literature, history fashion, technology, and science. Most of his output was illustrations for books, but many were also sold separately. His style grows from Dutch and Flemish art, but is given a strongly French flavor. Many of his images give informative detail about middle and upper-class daily life in the period, although they must be treated with care as historical evidence. His combination of very carefully depicted grand interiors with relatively trivial domestic subjects was original and highly influential on French art, and also abroad — William Hogarth...
Engraving, Etching, Intaglio