(after) Gustav Klimt Nude Prints
to
2
4
2
4
2
6
Overall Height
to
Overall Width
to
4
1
6
6
3
3
2
2
1
6
4
42
101
62
53
50
3
Artist: (after) Gustav Klimt
Study of an Old Woman- Vintage Colotype Print After G. Klimt - 1919
By (after) Gustav Klimt
Located in Roma, IT
Study of an old woman - Plate 25 is the last collotype from “ Gustav Klimt : Fünfundzwanzig Handzeichnungen” , a limited-edition collection of 25 monochrome and two-color collotype...
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Black and White
Lying Female Nude - Original Collotype Print After G. Klimt - 1919
By (after) Gustav Klimt
Located in Roma, IT
Lying Female Nude is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-tone collotyp...
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Black and White
Untitled (k)
By (after) Gustav Klimt
Located in New York, NY
1964
Lithograph in black ink
23 1/4 x 16 1/2 in. (59 x 42 cm), unframed
From the open edition as issued
(Published by the Albertina Museum, Vienna, Austria)
Available for local pi...
Category
20th Century (after) Gustav Klimt Nude Prints
Materials
Lithograph
Untitled (j)
By (after) Gustav Klimt
Located in New York, NY
1964
Lithograph in black ink
Artist’s printed signature
23 ¼ x 16 ½ in. (59 x 42 cm), unframed
From the open edition as issued
(Published by the Albertina Museum, Vienna, Austria)
...
Category
Mid-20th Century Contemporary (after) Gustav Klimt Nude Prints
Materials
Lithograph
Female Nude Lying with Scarf - 1910s
By (after) Gustav Klimt
Located in Roma, IT
Female Nude Lying with Scarf is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-tone collotypes after drawings by Gustav Klimt.
Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
Lying Female Nude - Vintage Colotype Print After G. Klimt - 1919
By (after) Gustav Klimt
Located in Roma, IT
Lying Female Nude is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt.
Published by Gilhofer and Ranschburg, Wien, July 1919, just one year after Klimt...
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Black and White
Related Items
Marc Chagall - Double Portrait - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 13.98 in W 10.24 in D 0.04 in
Jean Cocteau - Marine Mountains - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Marine Mountains - Original Lithograph
Dimensions: 38 x 28 cm
Edition: 200
In Rives
From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...
Category
1960s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 22.05 in W 14.97 in D 0.04 in
Jean Cocteau - White Book - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograp...
Category
1930s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 11.19 in W 8.98 in D 0.04 in
Leonor Fini - Walking on Death - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Walking on Death - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris...
Category
1960s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 18.12 in W 13.39 in D 0.04 in
after Henri Matisse, "Sitting Blue Nude"
By Henri Matisse
Located in Collonge Bellerive, Geneve, CH
Lithograph after Henri Matisse - Sitting Blue Nude
Artist : after Henri MATISSE
Edition of 200
76 x 56 cm
With stamp of the Succession Matisse
References : Artvalue - Succession Ma...
Category
1950s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
after Henri Matisse - Nude With Oranges - Lithograph
By Henri Matisse
Located in Collonge Bellerive, Geneve, CH
after Henri Matisse - Nude With Oranges
Edition of 200
printed signature, as issued
76 x 56 cm
Posthumous edition after the original drawing with the stamp of the Succession Matisse ...
Category
Mid-20th Century Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
Leonor Fini - Servants - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Servants - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckve...
Category
1980s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 14.97 in W 11.03 in D 0.04 in
Jean Cocteau - Parametabolismes - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Parametabolismes - Original Lithograph
Signed "Jean Cocteau" in the plate and dated 1956 in the plate.
39 x 29 cm
Edition: 500
Hand numbered
Stamp signed lower right
Category
1950s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 15.36 in W 11.42 in D 0.04 in
Marc Chagall - Colorful Bible King - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 13.98 in W 10.24 in D 0.04 in
From Portfolio "Twilight" with Karin Szekessy
By Paul Wunderlich
Located in Kansas City, MO
Paul Wunderlich
From Portfolio "Twilight" with Karin Szekessy
Year: 1971
Medium: Color Lithograph
Edition: 125
Size: 33 x 25 in.
Publisher: A.A.A., New ...
Category
1970s Contemporary (after) Gustav Klimt Nude Prints
Materials
Lithograph
Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude scene
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...
Category
1970s Modern (after) Gustav Klimt Nude Prints
Materials
Etching
Alfons Mucha - Original Lithograph - Femmes Art Nouveau
By Alphonse Mucha
Located in Collonge Bellerive, Geneve, CH
Title: Decorative Documents
Author: Alfons Mucha.
Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...
Category
Early 1900s Art Nouveau (after) Gustav Klimt Nude Prints
Materials
Lithograph
H 17.33 in W 13.39 in D 0.04 in
Previously Available Items
Bundle with Klimt, Barletta, Dalì
By (after) Gustav Klimt
Located in Roma, IT
The bundle includes:
Barletta: 1stDibs: LU65037475192
Dali: 1stDibs: LU65036638712
Klimt: LU65037505342
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Black and White
Two Embracing Seated Female Nudes - Original Collotype After G. Klimt - 1919
By (after) Gustav Klimt
Located in Roma, IT
Two embracing Seated Female Nudes is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and t...
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Black and White
Seated Female Nude - Original Collotype Print - 1919
By (after) Gustav Klimt
Located in Roma, IT
Seated Female Nude is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collot...
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Black and White
H 19.69 in W 12.29 in D 0.04 in
Standing Female Nude - 1910s
By (after) Gustav Klimt
Located in Roma, IT
Standing Female Nude is a beautiful and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-tone collotypes afte...
Category
1910s Modern (after) Gustav Klimt Nude Prints
Materials
Black and White
Portrait of a Woman Drawing, Austrian Lithograph Art Nouveau Vienna Secession
By (after) Gustav Klimt
Located in Surfside, FL
Signed in plate (or stamped with nachlass stamp), also with blind stamp from publisher; from limited edition of 1000 hand numbered; Published in Graz Austria in 1985. The justification sheet is not included.
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger contemporary Egon Schiele.
Klimt lived in poverty while attending the Vienna Kunstgewerbeschule, a school of applied arts and crafts, now the University of Applied Arts Vienna, where he studied architectural painting from 1876 until 1883. He revered Vienna's foremost history painter of the time, Hans Makart. Klimt readily accepted the principles of a conservative training; his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the "Company of Artists". They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna. Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of "Allegories and Emblems".
In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna. He also became an honorary member of the University of Munich and the University of Vienna. Characteristic of his style at the end of the 19th century is the inclusion of Nuda Veritas (naked truth) as a symbolic figure in some of his works, including Ancient Greece and Egypt (1891), Pallas Athene (1898) and Nuda Veritas (1899). Historians believe that Klimt with the nuda veritas denounced both the policy of the Habsburgs and the Austrian society, which ignored all political and social problems of that time. In the early 1890s Klimt met Austrian fashion designer Emilie Louise Flöge (a sibling of his sister-in-law) who was to be his companion until the end of his life. His painting, The Kiss (1907–08), is thought to be an image of them as lovers. He designed many costumes that she produced and modeled in his works.
Klimt became one of the founding members and president of the Wiener Sezession (Vienna Secession) in 1897 and of the group's periodical, Ver Sacrum ("Sacred Spring"). He remained with the Secession until 1908. The goals of the group were to provide exhibitions for unconventional young artists, to bring the works of the best foreign artists to Vienna, and to publish its own magazine to showcase the work of members. The group declared no manifesto and did not set out to encourage any particular style—Naturalist, Realist, and Symbolist all coexisted. The government supported their efforts and gave them a lease on public land to erect an exhibition hall. The group's symbol was Pallas Athena, the Greek goddess of just causes, wisdom, and the arts—of whom Klimt painted his radical version in 1898.
Klimt's 'Golden Phase' was marked by positive critical reaction and financial success. Many of his paintings from this period included gold leaf. Klimt had previously used gold in his Pallas Athene (1898) and Judith I (1901), although the works most popularly associated with this period are the Portrait of Adele Bloch-Bauer I (1907) and The Kiss (1907–08).
Klimt travelled little, but trips to Venice and Ravenna, both famous for their beautiful mosaics, most likely inspired his gold technique and his Byzantine imagery. In 1904, he collaborated with other artists on the lavish Palais Stoclet, the home of a wealthy Belgian industrialist that was one of the grandest monuments of the Art Nouveau age. Klimt's contributions to the dining room, including both Fulfillment and Expectation, were some of his finest decorative works, and as he publicly stated, "probably the ultimate stage of my development of ornament."
Klimt's paintings have brought some of the highest prices recorded for individual works of art. In November 2003, Klimt's Landhaus am Attersee sold for $29,128,000, but that sale was soon eclipsed by prices paid for Willem de Kooning's Woman III and later Klimt's own Adele Bloch-Bauer II, the latter of which sold for $150 million in 2016.
In 2006, the 1907 portrait, Adele Bloch-Bauer I, was purchased for the Neue Galerie New York by Ronald Lauder...
Category
20th Century Vienna Secession (after) Gustav Klimt Nude Prints
Materials
Lithograph
Portrait of a Woman Drawing, Austrian Lithograph Art Nouveau Vienna Secession
By (after) Gustav Klimt
Located in Surfside, FL
Signed in plate (or stamped with nachlass stamp), also with blind stamp from publisher; from limited edition of 1000 hand numbered; Published in Graz Austria in 1985. The justification sheet is not included. DAMENBILDNIS 1898 schwarze, rote und blaue Kreide
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger contemporary Egon Schiele.
Klimt lived in poverty while attending the Vienna Kunstgewerbeschule, a school of applied arts and crafts, now the University of Applied Arts Vienna, where he studied architectural painting from 1876 until 1883. He revered Vienna's foremost history painter of the time, Hans Makart. Klimt readily accepted the principles of a conservative training; his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the "Company of Artists". They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna. Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of "Allegories and Emblems".
In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna. He also became an honorary member of the University of Munich and the University of Vienna. Characteristic of his style at the end of the 19th century is the inclusion of Nuda Veritas (naked truth) as a symbolic figure in some of his works, including Ancient Greece and Egypt (1891), Pallas Athene (1898) and Nuda Veritas (1899). Historians believe that Klimt with the nuda veritas denounced both the policy of the Habsburgs and the Austrian society, which ignored all political and social problems of that time. In the early 1890s Klimt met Austrian fashion designer Emilie Louise Flöge (a sibling of his sister-in-law) who was to be his companion until the end of his life. His painting, The Kiss (1907–08), is thought to be an image of them as lovers. He designed many costumes that she produced and modeled in his works.
Klimt became one of the founding members and president of the Wiener Sezession (Vienna Secession) in 1897 and of the group's periodical, Ver Sacrum ("Sacred Spring"). He remained with the Secession until 1908. The goals of the group were to provide exhibitions for unconventional young artists, to bring the works of the best foreign artists to Vienna, and to publish its own magazine to showcase the work of members. The group declared no manifesto and did not set out to encourage any particular style—Naturalist, Realist, and Symbolist all coexisted. The government supported their efforts and gave them a lease on public land to erect an exhibition hall. The group's symbol was Pallas Athena, the Greek goddess of just causes, wisdom, and the arts—of whom Klimt painted his radical version in 1898.
Klimt's 'Golden Phase' was marked by positive critical reaction and financial success. Many of his paintings from this period included gold leaf. Klimt had previously used gold in his Pallas Athene (1898) and Judith I (1901), although the works most popularly associated with this period are the Portrait of Adele Bloch...
Category
20th Century Vienna Secession (after) Gustav Klimt Nude Prints
Materials
Lithograph
Erotic Nude Couple with Baby Austrian Lithograph Art Nouveau Vienna Secession
By (after) Gustav Klimt
Located in Surfside, FL
Signed in plate (or stamped with nachlass stamp), also with blind stamp from publisher; from limited edition of 1000 hand numbered; Published in Graz Austria in 1985. The justification sheet is not included.
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger contemporary Egon Schiele.
Klimt lived in poverty while attending the Vienna Kunstgewerbeschule, a school of applied arts and crafts, now the University of Applied Arts Vienna, where he studied architectural painting from 1876 until 1883. He revered Vienna's foremost history painter of the time, Hans Makart. Klimt readily accepted the principles of a conservative training; his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the "Company of Artists". They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna. Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of "Allegories and Emblems".
In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna. He also became an honorary member of the University of Munich and the University of Vienna. Characteristic of his style at the end of the 19th century is the inclusion of Nuda Veritas (naked truth) as a symbolic figure in some of his works, including Ancient Greece and Egypt (1891), Pallas Athene...
Category
20th Century Vienna Secession (after) Gustav Klimt Nude Prints
Materials
Lithograph
Erotic Embracing Nude Couple Austrian Lithograph Art Nouveau Vienna Secession
By (after) Gustav Klimt
Located in Surfside, FL
Signed in plate (or stamped with nachlass stamp), also with blind stamp from publisher; from limited edition of 1000 hand numbered; Published in Graz Austria in 1985. The justification sheet is not included.
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger contemporary Egon Schiele.
Klimt lived in poverty while attending the Vienna Kunstgewerbeschule, a school of applied arts and crafts, now the University of Applied Arts Vienna, where he studied architectural painting from 1876 until 1883. He revered Vienna's foremost history painter of the time, Hans Makart. Klimt readily accepted the principles of a conservative training; his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the "Company of Artists". They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna. Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of "Allegories and Emblems".
In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna. He also became an honorary member of the University of Munich and the University of Vienna. Characteristic of his style at the end of the 19th century is the inclusion of Nuda Veritas (naked truth) as a symbolic figure in some of his works, including Ancient Greece and Egypt (1891), Pallas Athene (1898) and Nuda Veritas (1899). Historians believe that Klimt with the nuda veritas denounced both the policy of the Habsburgs and the Austrian society, which ignored all political and social problems of that time. In the early 1890s Klimt met Austrian fashion designer Emilie Louise Flöge (a sibling of his sister-in-law) who was to be his companion until the end of his life. His painting, The Kiss (1907–08), is thought to be an image of them as lovers. He designed many costumes that she produced and modeled in his works.
Klimt became one of the founding members and president of the Wiener Sezession (Vienna Secession) in 1897 and of the group's periodical, Ver Sacrum ("Sacred Spring"). He remained with the Secession until 1908. The goals of the group were to provide exhibitions for unconventional young artists, to bring the works of the best foreign artists to Vienna, and to publish its own magazine to showcase the work of members. The group declared no manifesto and did not set out to encourage any particular style—Naturalist, Realist, and Symbolist all coexisted. The government supported their efforts and gave them a lease on public land to erect an exhibition hall. The group's symbol was Pallas Athena, the Greek goddess of just causes, wisdom, and the arts—of whom Klimt painted his radical version in 1898.
Klimt's 'Golden Phase' was marked by positive critical reaction and financial success. Many of his paintings from this period included gold leaf. Klimt had previously used gold in his Pallas Athene (1898) and Judith I (1901), although the works most popularly associated with this period are the Portrait of Adele Bloch-Bauer I (1907) and The Kiss (1907–08).
Klimt travelled little, but trips to Venice and Ravenna, both famous for their beautiful mosaics, most likely inspired his gold technique and his Byzantine imagery. In 1904, he collaborated with other artists on the lavish Palais Stoclet, the home of a wealthy Belgian industrialist that was one of the grandest monuments of the Art Nouveau age. Klimt's contributions to the dining room, including both Fulfillment and Expectation, were some of his finest decorative works, and as he publicly stated, "probably the ultimate stage of my development of ornament."
Klimt's paintings have brought some of the highest prices recorded for individual works of art. In November 2003, Klimt's Landhaus am Attersee sold for $29,128,000, but that sale was soon eclipsed by prices paid for Willem de Kooning's Woman III and later Klimt's own Adele Bloch-Bauer II, the latter of which sold for $150 million in 2016.
In 2006, the 1907 portrait, Adele Bloch-Bauer I, was purchased for the Neue Galerie New York by Ronald Lauder...
Category
20th Century Vienna Secession (after) Gustav Klimt Nude Prints
Materials
Lithograph
Erotic Sleeping Woman Austrian Lithograph Nude Boudoir Drawing
By (after) Gustav Klimt
Located in Surfside, FL
Signed in plate (or stamped with nachlass stamp), also with blind stamp from publisher; from limited edition of 1000 hand numbered; Published in Graz Austria in 1985. The justification sheet is not included.
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger contemporary Egon Schiele.
Klimt lived in poverty while attending the Vienna Kunstgewerbeschule, a school of applied arts and crafts, now the University of Applied Arts Vienna, where he studied architectural painting from 1876 until 1883. He revered Vienna's foremost history painter of the time, Hans Makart. Klimt readily accepted the principles of a conservative training; his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the "Company of Artists". They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna. Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of "Allegories and Emblems".
In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna. He also became an honorary member of the University of Munich and the University of Vienna. Characteristic of his style at the end of the 19th century is the inclusion of Nuda Veritas (naked truth) as a symbolic figure in some of his works, including Ancient Greece and Egypt (1891), Pallas Athene...
Category
20th Century Vienna Secession (after) Gustav Klimt Nude Prints
Materials
Lithograph
Erotic Sleeping Woman Austrian Lithograph Nude Boudoir Drawing
By (after) Gustav Klimt
Located in Surfside, FL
Signed in plate, also with blind stamp from publisher; from limited edition of 1000 hand numbered; Published in Graz Austria in 1985. The justification sheet is not included.
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger contemporary Egon Schiele.
Klimt lived in poverty while attending the Vienna Kunstgewerbeschule, a school of applied arts and crafts, now the University of Applied Arts Vienna, where he studied architectural painting from 1876 until 1883. He revered Vienna's foremost history painter of the time, Hans Makart. Klimt readily accepted the principles of a conservative training; his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the "Company of Artists". They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna. Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of "Allegories and Emblems".
In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna. He also became an honorary member of the University of Munich and the University of Vienna. Characteristic of his style at the end of the 19th century is the inclusion of Nuda Veritas (naked truth) as a symbolic figure in some of his works, including Ancient Greece and Egypt (1891), Pallas Athene...
Category
20th Century Vienna Secession (after) Gustav Klimt Nude Prints
Materials
Lithograph
Untitled I.II, Gustav Klimt
By (after) Gustav Klimt
Located in New York, NY
This lithograph, Untitled I.II after Gustav Klimt was created in 1985.Stamp signed, with publisher's chop mark, from the edition of 1000 measuring 27 x 19 ¼ in. (68.6 x 48.9 cm.). (F...
Category
20th Century Art Nouveau (after) Gustav Klimt Nude Prints
Materials
Lithograph
(after) Gustav Klimt nude prints for sale on 1stDibs.
Find a wide variety of authentic (after) Gustav Klimt nude prints available for sale on 1stDibs. If you’re browsing the collection of nude prints to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by (after) Gustav Klimt in lithograph and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large (after) Gustav Klimt nude prints, so small editions measuring 13 inches across are available. (after) Gustav Klimt nude prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $868 and tops out at $3,454, while the average work can sell for $1,340.
Questions About (after) Gustav Klimt Nude Prints
- What art did Gustav Klimt do?1 Answer1stDibs ExpertApril 5, 2022Gustav Klimt was an Austrian painter and sculptor whose primary focus was on female subjects. An symbolist painter and a prominent member of the Vienna Art Nouveau movement, Klimt was well-known for his erotic and highly ornate style, although he also painted landscapes and figurative works. Find a collection of authentic Gustav Klimt artwork from trusted art dealers on 1stDibs.
- 1stDibs ExpertMarch 13, 2024Gustav Klimt's most famous piece is arguably The Kiss. Painted in 1908, the work shows an embracing man and woman draped in gold finery. The piece is oil on canvas and is now in the Österreichische Galerie Belvedere museum in Vienna, Austria. Explore a collection of Gustav Klimt art on 1stDibs.
- 1stDibs ExpertApril 5, 2022Gustav Becker started as a clock repair worker prior to opening his own small clock shop in 1847. From 1850–80, Gustav Becker created clocks and clock cases. You’ll find a selection of authentic Gustav Becker antique clocks from reputable sellers on 1stDibs.