Agostino Aglio Art

NYC Subway Riders Mid 20th Century American Scene Social Realism WPA Modern 1930s Daniel Celentano (1902 - 1980) Subway Scene, 1930s 8 x 9 inches Ink and wash on paper Singed lower ...

Marc Chagall (Liozna, Russian Empire, 1887 – Saint-Paul-de-Vence, France, 1985). Study for “Moïse brisant les Tables de la Loi”. 1955. India ink, wash and gouache on paper. 23 × ...

Frida Willis (Swedish, born 1971) "Friendship II" 2024 Watercolor, Ink, Paper The artist signed the bottom right of the artwork. In Friendship II, Frida Willis captures the delicate...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

The artwork is signed (see last photo) and will be shipped rolled in a tube. Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting...

A refined example of French Art Deco illustration, this elegant drawing is executed in ink and gouache on blue laid paper and showcases the stylish, fashion‑forward aesthetic of the ...

Beautifully detailed early 20th century French drawing of furniture details, circa 1930. Signed lower right. Original artwork on paper...

Sam Norkin's original caricature of Liza Minnelli in "FLORA THE RED MENACE" Off Broadway Musical Theatrical Caricature. Published in the NY Daily News on May 9, 1965. Ink and gouache on board; dimensions: 23" x 15 1/4. Framed Samuel Norkin (1917-2011) was a Brooklyn, New York-born cartoonist who specialized in theatre caricatures for more than seven decades. His drawings of theatre, opera, ballet and film celebrities appeared in Variety, Backstage, The Philadelphia Enquirer, The Washington Post, Los Angeles Times, The Boston Globe and many other publications. Norkin learned composition and anatomy from the muralist Mordi Gassner...

Created in 1992, this ink and gouache on paper by Menachem Gueffen depicts a seated woman, a recurring and defining subject throughout the artist’s career. Executed with fluid, expre...

"King and I" Oscar Costume Design Film Musical "Small House of Uncle Tom" Ballet Irene Sharaff (1910-1993) "The King and I" costume design for the 1956 Film Sight: 13 3/4 x 10 3/4 inches Gouache, watercolor, pen and ink on paper, Signed and inscribed: "Singers Ballet" lower right Framed: 19 1/2 x 16 1/2 inches This is one of two costume design drawings...

Jules Habert Dys (1850-1930) Aquatic fantasies Around 1885 Watercolor and ink on paper, heightened with "gold" gouache 27 x 20 cm Signed lower left J. Habert-Dys Bibliography: Decor...

“Untitled” by N.S. Harsha (Indian, b. 1969) This delicate watercolor by N.S. Harsha, one of the leading contemporary artists from India, is a masterclass in visual subtlety and conc...

Mary Martin in "Jennie" 2 Costume Design Drawings for 1963 Broadway Musical Flop Irene Sharaff (1910-1993) Mary Martin in "Jennie" Two drawings...

ALBERT RUTHERSTON, RWS (1881-1953) Page for the Emperor – Costume Design for Androcles and the Lion Variously inscribed: “Androcles”/No.28/ Two Pages for The Emperor/ Mr Alfree/Mr Bugh/King Watercolour, pen and ink and gold paint Framed 25 by 19 cm., 9 ¾ by 7 ½ in. (frame size 43 by 36 cm., 17 by 14 ¼ in.) Provenance: By descent in the family of the artist. Exhibited: London, Sally Hunter Fine Art, Albert Rutherston – Drawings, Theatre Designs & other Treasures, 2016, no.75. The present work is a costume design for a page in Androcles and the Lion, a play in two acts by George Bernard. Rutherston designed the set and costumes for the 1913 premier production performed at St James’s Theatre, London and produced by Harley Granville-Barker. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

Unknown Artist (probably French, probably late 18th-early 19th century) Peasants in a Landscape Ink, watercolor, and gouache on vellum, 12 5/8 x 19 3/8 inches FRAMED: 21 x 27 inches...