Alan Wallwork Furniture

Stoneware studio pottery 'split pod' form designed by Alan Wallwork (British, 1931-2019) and dating from around 1980. The heavily made sculptural pod sta...

Slashed Crumpled Form No 60 is a unique ceramic sculptural vessel by the British artist Nicholas Arroyave-Portela, made from white St.Thomas ...

Black crumpled form No 10 is a unique ceramic sculptural vessel by the British artist Nicholas Arroyave-Portela. Nicholas Arroyave-Portela...

Undulating Crumpled Form No 70 is a unique ceramic sculptural vessel by the British artist Nicholas Arroyave-Portela, made from white St.Thom...

Ammonite vessel is a unique steel & moon gold sculptural vessel by the British artist Claire Malet. Created from an oxidised re-formed steel can and hand-gilded on the interior with ...

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in r...

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in r...

Striped fold with inclusions I is a unique sculpture by the British artist Steven Edwards, created from colored parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Alan Wallwork (1931-): Organic landscape sculptural vessel, 1960-1965 Exhibiting the articulated, inventive, organic qualities & tactility of Wallwork’s early oeuvre for which he is best known - This sculptural landscape vessel has been handmade by coiling, slabbing and shaping the clay. The totemic form and pitted and pierced surfaces draw on the abstract landscape and tactility of elements in nature. matte glazes and oxides have been skillfully used to enhance the rich textures of the surfaces and the organic aesthetic. - Wallwork is one of the great individualists in British pottery, developing an archetypal language that echoed some of the wider artistic obsessions of that period, what the art critic Herbert Read called the “postwar ferment” of sculptural activity. - This piece was made during 1960-1965, the time that Wallwork was sharing a studio in Greenwich with Bernard Rooke and comes from a private collection along with a waterscape vase by Rooke and a bottle by Robert Fournier...

Sculptural Cyto vessel by Ia Kutateladze Dimensions: W 25 x H 25 cm Materials: Raw Black Clay “Playground For Salvation” was created entirely during quarantine, in my Berlin stu...

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware vessel, fired multiple times to achieve a textured surface of random...

Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...