Alexis Portilla Abstract Drawings and Watercolors

My 80's Hart "Token 5" 2019, gouache, acrylic, graphite, panel, purple, green, blue

My 80's Heart "Token 9" 2019, gouache, acrylic, graphite, panel, blue, orange, yellow

My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orange

This red and white abstract wall-hanging artwork titled "TORRENTS" is an original artwork by Jim Houser made of acrylic on panel. This piece mea...

My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...

Gestural abstract expressionist painting on archival paper mounted to panel with gold and silver metallic powders and accents of orange and deep blue "Fall's Sympathy", made in 2022 ...

This wall-hanging artwork titled "FEVER" is an original artwork by Jim Houser made of acrylic on panel. This piece measures 5.5"h x 5.5"w. Jim Houser was born in 1973 in Philadelphi...

Gestural abstract expressionist painting on paper in dark blue and forest green with accents of metallic gold and silver powders "Temptation in Blue and Gold", made by Hudson Valley ...

This wall-hanging artwork titled "OUR OWN WEIGHT" is an original artwork by Jim Houser made of acrylic on panel. This piece measures 8"h x 8"w. Jim Houser was born in 1973 in Philad...

Gestural abstract painting on paper with gold metallic powders and orange and silver colored enamel paint "Untitled Orange Silver and Gold", made in 2022 by Hudson Valley painter, Br...

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...