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Alex Katz Paintings

American, b. 1927

Flat color and minimal forms contrast the often monumental scales of the paintings by Alex Katz through which he creates portraits and landscapes of deceptive simplicity. Although the signature stark style that defines his prints and other work is now recognizable at a glance, it took him a decade to develop. During that time, he has said he destroyed hundreds of paintings.

Born in Brooklyn, New York, to Russian émigré parents, Katz’s family moved to Queens when he was a baby and that is where his family’s passion for the arts supported his early creative interests. In 1946, he enrolled at the Cooper Union in Manhattan where he studied painting under Morris Kantor. While he was influenced by the bold colors and hard edges of modernism, he shifted away from the then-dominant Abstract Expressionism movement to figurative scenes of life that have an inherent cool in their pared-down approach. Especially impactful were Katz’s summer studies between 1949 and 1950 at the Skowhegan School of Painting and Sculpture in Maine, a place where, as he later wrote: “I tried plein air painting and found my subject matter and a reason to devote my life to painting.”

Katz’s first solo show was in 1954 at Roko Gallery in New York. He experimented over the course of the following years with collage and painting on aluminum sheets, with his work in the 1960s drawing inspiration from film and advertising. In the 1970s, Katz expanded into portrait groups that regularly depicted the cultural scene of New York; in the 1980s, he extended his focus to fashion and its supermodels. Since the late 1950s, an enduring muse for his portraits has been his wife, Ada, while others have painted friends and famous figures. The intimate closeness of the frequently cropped faces in Katz’s portraits exudes a sense of tension with the subjects’ enigmatic expressions and planes of color.

In the 1960s, Katz collaborated with American dancer and choreographer Paul Taylor on sets and costumes. His concentration on landscapes emerged in the late 1980s, with atmospheric night views joining his practice, which had previously been defined by bright colors. Always finding new perspectives on his work, he has explored using iPhone photographs as the basis for large-scale compositions in recent years.

Katz’s prolific career has spanned sculpture, prints and public art along with his paintings and drawings, and his works can be found in the collections of leading museums such as the Metropolitan Museum of Art, Whitney Museum of American Art and Museum of Modern Art. He has had over 250 solo exhibitions around the world and continues to be acclaimed. In 2022, the Solomon R. Guggenheim Museum opened a major retrospective of his art.

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Artist: Alex Katz
1946 "Untitled" oil on canvas painting signed and dated by artist Alex Katz.
By Alex Katz
Located in Boca Raton, FL
"Untitled" oil on canvas painting by artist Alex Katz. Signed and dated A. Katz 46 recto lower right. Painted in 1946, during the period when Katz was studying at Cooper Union in New...
Category

1940s Modern Alex Katz Paintings

Materials

Canvas, Oil

Reflection 2
By Alex Katz
Located in Fairfield, CT
Edition of 100 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper
Category

2010s Contemporary Alex Katz Paintings

Materials

Archival Ink, Rag Paper

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Located in Los Angeles, CA
Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...
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1940s American Modern Alex Katz Paintings

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Six O'Clock
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Alex Katz paintings for sale on 1stDibs.

Find a wide variety of authentic Alex Katz paintings available for sale on 1stDibs. You can also browse by medium to find art by Alex Katz in oil paint, paint, archival ink and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Alex Katz paintings, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Alex Ross, Patty Neal, and Judy Reynolds. Alex Katz paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $16,000 and tops out at $80,000, while the average work can sell for $75,000.
Questions About Alex Katz Paintings
  • 1stDibs ExpertMarch 22, 2022
    Alex Katz is a contemporary artist who produced paintings, sculptures and prints. Many historians associate him with the Nouveau réalisme movement, but he also worked in figurative and Pop art styles. Shop a collection of Alex Katz art on 1stDibs.
  • 1stDibs ExpertApril 16, 2024
    What media Alex Katz uses varies. Over the course of his career, the American artist has worked in painting, sculpture and printmaking. Always finding new perspectives on his work, he has explored using iPhone photographs as the basis for large-scale compositions in recent years. On 1stDibs, shop an assortment of Alex Katz art.
  • 1stDibs ExpertMay 3, 2024
    Yes, Alex Katz's style is Pop art. During the 1950s, he experimented with collage and painting on aluminum sheets, with his later work in the 1960s drawing inspiration from film and advertising. In the 1970s, Katz expanded into portrait groups that regularly depicted the cultural scene of New York. In the 1980s, he extended his focus to fashion and its supermodels. These sources of inspiration align with Pop art's focus on transforming elements of popular culture into fine art. On 1stDibs, shop a collection of Alex Katz art.

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