Ali Golkar Landscape Paintings

"Water-Barge with Onlookers," is a two panel, abstract landscape painting by contemporary artist, Jennifer Blalack. Blalack's fascination with layere...

This contemporary barn painting by artist Carol Young features a stunning contrasting palette. A cool, blue-grey barn sits on a vibrant orange landscape, wit...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Pink Stripe Blue Sky I By Tiffany Lynch [2020] original Acrylic on Canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm ...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Maggie LaPorte Banks. Pink ploughing. Original Abstract Painting Acrylic and collage on canvas. H. 75 cm x W. 75 cm x D 2 cm. Sold Unframed Please note that insitu images are purely ...

Wild Daisy Flowers English Countryside Landscape Painting by Contemporary Artist, Angela Wakefield Art measures 12 x 10 inches ...

The Lion Sleeps Tonight by Pixie Willoughby [2021] original Acrylic on canvas Image size: H:120 cm x W:100 cm Complete Size of Unframed Work: H:120 cm x W:100 cm x D:4cm Sold Unf...

Our Path [2021] Original Landscape Oil and Acrylic on Canvas Image size: H:110 cm x W:160 cm Complete Size of Unframed Work: H:100 cm x W:150 cm x D:4cm Frame Size: H:110 cm x W:160 ...

Acrylic paint on canvas Signed Unique work Julien CALOT "Let‘s focus on the smiles, the energy, the movement, the emulation, the strength of life, the colours, the whirlwinds, the c...

“Is Delhi Safe No. 1" is an abstract landscape painting of Delhi by Indian artist Ritu Sinha. Combining two styles of abstract expressionist and realism to create a dramatic landscape of the city, creating a visualization of how the artist views the city and the current political condition. This work is shipped as a rolled canvas. Please inquire for shipping costs if you’d like it stretched before shipping. "Delhi is the capital of India and houses a mixture of so many indecencies. All Indian War...

"Like a River, Let if Flow Through You" is a contemporary abstract painting by Washington-based artist Laurie Barmore. In this work, Barmore's signature, energetic, gestural marks c...