Alias Seating

Set of six 614 or La Tonda chairs in black lacquered tubular metal frame with seats in black lacquered perforated sheet metal, designed by Mario Botta and produced by Alias in 1980s....

Iconic 'Quinta' chair designed by Mario Botta for Alias. This sculptural masterpiece, dating back to the 1980s, has earned a place of honor in the permanent collection of the MoMA in...

Designer - Mario Botta Producer - Alias Model - Quinta Chair Design Period - Eighties Measurements - Width 43 cm x Depth 55 cm x Height 94 cm x Seat Height 43 cm Materials - Metal Co...

Italian Spaghetti chair by Giandomenico Belotti for Alias, 1980s. Spaghetti chair with off white/light grey painted metal structure, seat and b...

Designed by Giandomenico Belotti (1922-2004), these Spaghetti chairs are quite comfortable with their PVC spaghetti straps on steel bases. A most successful design by Belotti, they a...

Italian modern black plastic and metal Spaghetti armchairs by Giandomenico Belotti for Alias, 1980s Spaghetti armchair with black painted metal structure with a geometric shape and s...

Italian modern black plastic and metal Spaghetti armchairs by Giandomenico Belotti for Alias, 1980s Spaghetti armchair, with armrests and structure in black lacquered metal and seat ...

These beautiful Spaghetti chairs were designed by Giandomenico Belotti for Alias ​​in Italy in the 1980s. It has chrome-plated steel frames and light beige straps. All PVC tapes are...

Alien model chair with black metal rod frame and red-colored MDF seat and back. Produced by Alias in c. 1980 and designed by Carlo Forcolini in 1982. Very good condition. Measures 38...

Alien model chair, Italian and modern, made of metal and mdf wood, designed by Carlo Forcolini for Alias in 1980. Alien chair with yellow metal rod frame and MDF seat and back. Produ...

Quinta 605 chair, Italian postmodern, in metal by Mario Botta for Alias 1980 Quinta 605 armchair with seat and back composed of two sheets of microperforated, bent metal, black lacqu...

Mario Botta for Alias, pair of sofas, model ´Obliqua´, fabric, black lacquered wood, Italy, circa 1983. Bold pair of 'Obliqua' sofas designed by Mario Botta for Alias. Upholstered ...

Italian modern light green blue chairs Quinta 605 by Mario Botta Alias, 1980s Pair of chairs mod. Quinta 605 in metal. The seat and backrest are made of a sheet of micro-perforated m...

Italian modern black Stool Spaghetti by Giandomenico Belotti for Alias, 1980s tool mod. Spaghetti with rectangular and elastic seat and back made from black scooby threads. The stru...

Italian modern black Chair Spaghetti by Giandomenico Belotti for Alias, 1980s Chair mod. Spaghetti with rectangular and elastic seat and back made from black scooby threads. The str...

Italian modern black chairs Spaghetti by Giandomenico Belotti for Alias, 1980s Set of six chairs mod. Spaghetti with rectangular and elastic seat and back made from black scooby thr...

Listed for sale is a pair of postmodern Mario Botta Seconda armchairs, produced by Alias circa the mid 1980s. These are gorgeous and iconic works by Botta, the renowned industrial de...

Quinta chair (model 605) by Mario Botta, for Alias Black lacquered steel structure, seat and back in black perforated sheet steel

Mario Botta for Alias, sofa, model ´Obliqua´, fabric, black lacquered wood, Italy, circa 1983. 'Obliqua' sofa designed by Mario Botta for Italian manufacturer Alias in the 1980s. ...

Italian modern black Spaghetti chairs by Giandomenico Belotti for Alias, 1980s Pair of chairs mod. Spaghetti in metal rod with elastic seat and back made from black scooby threads. C...

postmodernism actually became famous for the rediscovery of joy in design, playfulness, fun and, yes: decoration. but there is also the very straightforward honesty, as seen in these...

Italian modern black metal sofa Re e Regina by Mario Botta for Alias, 1985 Sofa mod. King and Queen two seater. The structure is entirely in perforate...

Italian modern black scooby and metal rod Spaghetti chair by Giandomenico Belotti for Alias, 1980s Beautiful Spaghetti model chair in black metal rod with elastic seat and back made...

The 'Latonda' chair was designed by the famous Swiss architect Mario Botta in 1987 for the Italian company Alias. This chair has become an icon of contemporary design and is characte...

Alien chair design by Carlo Forcolini in the 1980s. Yellow wood seat and back. Frame is painted steel. Manufactured by Alias Italy.

Italian modern pair of black metal and plastic Signorina Chan armchairs by Carlo Forcolini for Alias, 1986. Armchairs with footrest model Signorina Chan, with black painted curved m...

Italian modern black and light blue metal chair mod. la Tonda by Mario Botta for Alias, 1980s Chair mod. la Tonda with curved back and legs in black painted tubular metal. The seat is made up of a light blue micro-perforated sheet metal. Produced by Alias ??in 1980s and designed by Mario Botta. Label present under the seat. Very good conditions, it has small scattered marks. Measurements in cm 63x51x77.5h 40h seat This seat is suitable both for a formal place such as an office or a waiting room, and for an informal place such as a bedroom, a living room, a dining room or an entrance hall. This chair from the fine Italian manufacture of the end of 1900s has an elegant and beautiful Silhouette in its simplicity. It also has a comfortable seat. You can fide other vintage seat...

Spaghetti chair with white cording attached to a white lacquered frame designed by Giandomenico Belotti and manufactured by Alias. Italy 1980s. A symbol in the history of design,...

This pair of Spaghetti chairs was designed by Giandomenico Belotti for Alias, in Italy, during the 1980's. They have chromed steel frames and orange straps. All PVC straps are still ...

Set of six 605 Quinta chairs with a black steel rod frame seat and back in bent perforated sheet metal. Designed by Mario Botta for Alias in 1985 (This chair is no longer in production). The Quinta chair it's an architecture you can sit on, this design clearly shows the inspiration of iconic designer as Le Corbusier, Louis Kahn, and Carlo Scarpa, an exemplary of this iconic chair is also exhibited at the Museum of Modern Art. Mario Botta was born in 1943 in Mendrisio. After working as an apprentice draughtsman for the Lugano-based architect Tita Carloni, he moved first to Milan and then to Venice, where he enrolled at the department of Architecture at the IUAV. He completed his degree in 1969 with a thesis tutored by Carlo Scarpa – after having met Le Corbusier and Louis Kahn, who were later to be sources of inspiration – and returned to Switzerland to open his own professional firm, which at the time dealt mainly with detached family private homes. These included the villas in Riva San Vitale (1971-1973), Ligornetto (1975-1976) and Morbio Superiore (1982-1983), in which Botta treated the theme of the home as a refuge, which protects and reassures its inhabitants. These were buildings with a character that was ironic and, in a certain sense, monumental, obtained for example (in the case of Morbio) through rigorous symmetrical compositions and a particular use of raw concrete blocks set in a linear pattern and alternated with strips of silvered brick which, on the contrary, were set at 45 degrees. Partially dug into the hillside, the villa was also characterised by a theme which was particularly dear to Botta and which had already been explored in Riva San Vitale; the net distinction between solids and voids, the latter appearing to have been dug out of the building. Between 1980 and 1990, Botta associated with artists and intellectuals from all walks of life and took numerous long trips abroad. Together with Gabriele Basilico and Edoardo Sanguinetti, he published “La Casa Rotonda”, and he became friends with Max Huber, Nicki de Saint Phalle, Dante Isella, Harld Szeemann, Robert Frank and Alberto Flammer. In 1986, the MoMA in New York dedicated a solo exhibition to his work, and the Swiss architect received his first contracts for public buildings and from abroad, debuting with the Cultural Centre in Chambéry (1984-1987). In Japan, on a challenging triangular lot of only one hundred and sixty square metres, a space which remained from the opening of a new highway, Botta built a small building which, with its clarity and strength of image, attempted to stand out in the midst of the chaos that surrounded it, thanks to a thick masonry curtain raised on the main façade, in which slabs of grey marble are crossed with horizontal fissures which erode the angles and cancel the perception of the number of floors which make up the museum. The church of Mongo, on the other hand, was the first step in a long series of places of worship, including designs for the churches of Pordenone (1987-1992) and Sartiana (1987-1995), for the cathedral of Evry (1988-1995), for the basilica of Santa Maria degli Angeli on Mont Tamaro (1990-1996, for the Giovanni XXII church in Seriate (1994-2000) and for the Cymbalista synagogue in Tel Aviv (1996-1998). In each of these, light plays a predominant role as a prime generator of space and a measure for the definition of time that passes with the various phases of the day, the months and the seasons. Light is, however, the main symbolic element, representing through its variations the uneasiness of humankind in the face of divine perfection. In this same period, the scheduling for the construction of a new School of Architecture, the Mendrisio Academy, took place. Inaugurated in 1996, it offered an alternative approach to teaching in contrast to the Swiss University system, in which an important role is played by humanistic subjects and by a copious group of well-known international professors: from Rykwert to Benevolo, Burkhart, Campos Baeza, Dal Co, Frampton, Mendes da Rocha...

Italian mid-century red wood and metal Alien chair by Forcolini for Alias, 1980s Alien chair with round seat in red painted MDF wood, like the backrest. Th...

Set of four "Quinta" model chairs, designed by Mario Botta for Alias, in the 1980s. Entirely made of metal, with a very particular shape, they are in excellent condition. Measu...

Italian Postmodern 1980s "Seconda" 602 Chair by Mario Botta for Alias. Features a painted steel perforated black seat, and a black backrest made up of two simple cylindrical elements...

Set of four vintage Italian chrome and leather dining chairs by Giandomenico Belotti for Alias, 1980s Italy. Chrome metal structure, grey leather backs and seating. Seat and backres...

Italian mid-century black metal chairs "Seconda" by Mario Botta for Alias, 1985 Black metal chairs "Seconda" by Botta, with a painted steel structure and a seat in perforated and p...

Rare "Spaghetti" armchair designed by Giandomenico Belotti for Alias, early 1980s, version in black leather with reconstructed armrests, original whi...