Quinta 605 chair, Italian postmodern, in metal by Mario Botta for Alias 1980
About the Item
- Creator:Mario Botta (Designer),Alias (Manufacturer)
- Dimensions:Height: 36.62 in (93 cm)Width: 22.45 in (57 cm)Depth: 17.72 in (45 cm)
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1980s
- Condition:
- Seller Location:MIlano, IT
- Reference Number:1stDibs: LU4860237509482
Mario Botta
Swiss architect Mario Botta may be renowned for his impressive postmodern architecture projects such as the San Francisco Museum of Modern Art, but the chairs, lighting and other furniture he created reflect a mastery of geometrically rich forms and an elegant application of simple symmetry.
Born in Mendrisio, Switzerland, in 1943, Botta gained an interest in architecture at an early age. He apprenticed at the architectural firm Carloni and Camenisch and designed his first building — a two-family house at Morbis Superiore in Ticino — at age 16. During the early 1960s, Botta attended the Liceo Artistico in Milan and then studied at the University Institute of Architecture in Venice under art historian Giuseppe Mazzariol and influential Italian architect Carlo Scarpa.
While studying in Venice, Botta worked for Swiss-born French architect Le Corbusier — whose career spanned hundreds of architecture projects — and gained inspiration from Estonian-American architect Louis Kahn, who was known for his modern and brutalist architectural style. In 1969, Botta completed his studies and established his practice in Lugano, designing and building single-family homes.
Throughout the 1970s, Botta gained fame for his innovative, geometrical designs and deceptively simple forms, such as his first large-scale building project in 1977 — the Middle School in Morbio Inferiore, Switzerland. Botta later established himself as one of the masters of 1980s postmodern design in his architecture and his furniture. His postmodern ideas characterize the dining room tables and seating he designed for companies such as Alias, as well as his table lamps and floor lamps for Artemide.
Botta’s noteworthy architectural projects designed during the 1990s and 2000s include the Cymbalista Synagogue and Jewish Heritage Center in Tel Aviv, Israel; the Monastery of the Holy Apostles Saint Peter and Andrew in Lviv, Ukraine; and the Theater of Architecture in Mendrisio, in 2018.
On 1stDibs, discover a range of vintage Mario Botta lighting fixtures, seating, tables and decorative objects.
- ShippingRetrieving quote...Ships From: Milano, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Italian modern light green blue chairs Quinta 605 by Mario Botta Alias, 1980sBy Mario Botta, AliasLocated in MIlano, ITItalian modern light green blue chairs Quinta 605 by Mario Botta Alias, 1980s Pair of chairs mod. Quinta 605 in metal. The seat and backrest are made of a sheet of micro-perforated m...Category
Vintage 1980s Italian Modern Chairs
MaterialsMetal
- Italian Modern Black Light Blue Metal Chair La Tonda by Mario Botta Alias, 1980sBy Mario Botta, AliasLocated in MIlano, ITItalian modern black and light blue metal chair mod. la Tonda by Mario Botta for Alias, 1980s Chair mod. la Tonda with curved back and legs in black painted tubular metal. The seat is made up of a light blue micro-perforated sheet metal. Produced by Alias ??in 1980s and designed by Mario Botta. Label present under the seat. Very good conditions, it has small scattered marks. Measurements in cm 63x51x77.5h 40h seat This seat is suitable both for a formal place such as an office or a waiting room, and for an informal place such as a bedroom, a living room, a dining room or an entrance hall. This chair from the fine Italian manufacture of the end of 1900s has an elegant and beautiful Silhouette in its simplicity. It also has a comfortable seat. You can fide other vintage seat...Category
Vintage 1980s Italian Modern Dining Room Chairs
MaterialsMetal
- Italian modern black metal sofa Re e Regina by Mario Botta for Alias, 1985By Mario Botta, AliasLocated in MIlano, ITItalian modern black metal sofa Re e Regina by Mario Botta for Alias, 1985 Sofa mod. King and Queen two seater. The structure is entirely in perforate...Category
Vintage 1980s Italian Modern Sofas
MaterialsMetal
- Modern Italian Alien chair, metal and wood, by Carlo Forcolini for Alias 1980By Alias, Carlo ForcoliniLocated in MIlano, ITAlien model chair, Italian and modern, made of metal and mdf wood, designed by Carlo Forcolini for Alias in 1980. Alien chair with yellow metal rod frame and MDF seat and back. Produ...Category
Vintage 1980s Italian Modern Chairs
MaterialsMetal
- Italian Mid-Century Red Wood and Metal Alien Chair by Forcolini for Alias, 1980sBy Carlo Forcolini, AliasLocated in MIlano, ITItalian mid-century red wood and metal Alien chair by Forcolini for Alias, 1980s Alien chair with round seat in red painted MDF wood, like the backrest. Th...Category
Vintage 1980s Italian Mid-Century Modern Chairs
MaterialsMetal
- Italian modern black chairs Spaghetti by Giandomenico Belotti for Alias, 1980sBy Giandomenico Belotti, AliasLocated in MIlano, ITItalian modern black chairs Spaghetti by Giandomenico Belotti for Alias, 1980s Set of six chairs mod. Spaghetti with rectangular and elastic seat and back made from black scooby thr...Category
Vintage 1980s Italian Modern Chairs
MaterialsMetal
- Mario Botta "Quinta" Chair for Alias 1980sBy Mario Botta, AliasLocated in Wien, WienQuinta, a chair with a legacy dating back to its creation in 1985, is not your ordinary seat; it embodies a fusion of comfort and architectural sophistication. Designed under the inf...Category
Mid-20th Century Italian Mid-Century Modern Chairs
MaterialsMetal, Stainless Steel
- Mario Botta Quinta Chairs for Alias, a PairBy Mario Botta, AliasLocated in Miami, FLPair of Quinta chairs with chrome frame and black steel seat and back by Mario Botta for Alias, 1980s.Category
Late 20th Century Italian Post-Modern Dining Room Chairs
MaterialsSteel, Chrome
- Mario Botta Set of Six 605 Quinta Chairs in Black Lacquered Steel by Alias 1980By Mario Botta, AliasLocated in Montecatini Terme, ITSet of six 605 Quinta chairs with a black steel rod frame seat and back in bent perforated sheet metal. Designed by Mario Botta for Alias in 1985 (This chair is no longer in production). The Quinta chair it's an architecture you can sit on, this design clearly shows the inspiration of iconic designer as Le Corbusier, Louis Kahn, and Carlo Scarpa, an exemplary of this iconic chair is also exhibited at the Museum of Modern Art. Mario Botta was born in 1943 in Mendrisio. After working as an apprentice draughtsman for the Lugano-based architect Tita Carloni, he moved first to Milan and then to Venice, where he enrolled at the department of Architecture at the IUAV. He completed his degree in 1969 with a thesis tutored by Carlo Scarpa – after having met Le Corbusier and Louis Kahn, who were later to be sources of inspiration – and returned to Switzerland to open his own professional firm, which at the time dealt mainly with detached family private homes. These included the villas in Riva San Vitale (1971-1973), Ligornetto (1975-1976) and Morbio Superiore (1982-1983), in which Botta treated the theme of the home as a refuge, which protects and reassures its inhabitants. These were buildings with a character that was ironic and, in a certain sense, monumental, obtained for example (in the case of Morbio) through rigorous symmetrical compositions and a particular use of raw concrete blocks set in a linear pattern and alternated with strips of silvered brick which, on the contrary, were set at 45 degrees. Partially dug into the hillside, the villa was also characterised by a theme which was particularly dear to Botta and which had already been explored in Riva San Vitale; the net distinction between solids and voids, the latter appearing to have been dug out of the building. Between 1980 and 1990, Botta associated with artists and intellectuals from all walks of life and took numerous long trips abroad. Together with Gabriele Basilico and Edoardo Sanguinetti, he published “La Casa Rotonda”, and he became friends with Max Huber, Nicki de Saint Phalle, Dante Isella, Harld Szeemann, Robert Frank and Alberto Flammer. In 1986, the MoMA in New York dedicated a solo exhibition to his work, and the Swiss architect received his first contracts for public buildings and from abroad, debuting with the Cultural Centre in Chambéry (1984-1987). In Japan, on a challenging triangular lot of only one hundred and sixty square metres, a space which remained from the opening of a new highway, Botta built a small building which, with its clarity and strength of image, attempted to stand out in the midst of the chaos that surrounded it, thanks to a thick masonry curtain raised on the main façade, in which slabs of grey marble are crossed with horizontal fissures which erode the angles and cancel the perception of the number of floors which make up the museum. The church of Mongo, on the other hand, was the first step in a long series of places of worship, including designs for the churches of Pordenone (1987-1992) and Sartiana (1987-1995), for the cathedral of Evry (1988-1995), for the basilica of Santa Maria degli Angeli on Mont Tamaro (1990-1996, for the Giovanni XXII church in Seriate (1994-2000) and for the Cymbalista synagogue in Tel Aviv (1996-1998). In each of these, light plays a predominant role as a prime generator of space and a measure for the definition of time that passes with the various phases of the day, the months and the seasons. Light is, however, the main symbolic element, representing through its variations the uneasiness of humankind in the face of divine perfection. In this same period, the scheduling for the construction of a new School of Architecture, the Mendrisio Academy, took place. Inaugurated in 1996, it offered an alternative approach to teaching in contrast to the Swiss University system, in which an important role is played by humanistic subjects and by a copious group of well-known international professors: from Rykwert to Benevolo, Burkhart, Campos Baeza, Dal Co, Frampton, Mendes da Rocha...Category
Vintage 1980s Italian Post-Modern Chairs
MaterialsSteel, Sheet Metal
- Quinta Chair by Mario Botta for Alias, 1980sBy Mario Botta, AliasLocated in Ixelles, BruxellesDesigner - Mario Botta Producer - Alias Model - Quinta Chair Design Period - Eighties Measurements - Width 43 cm x Depth 55 cm x Height 94 cm x Seat Height 43 cm Materials - Metal Co...Category
Vintage 1980s Italian Mid-Century Modern Armchairs
MaterialsMetal
- Mario Botta Quinta Chair Alias ItalyBy Mario Botta, AliasLocated in BAARLO, LIIconic 'Quinta' chair designed by Mario Botta for Alias. This sculptural masterpiece, dating back to the 1980s, has earned a place of honor in the permanent collection of the MoMA in...Category
Vintage 1980s Italian Post-Modern Dining Room Chairs
MaterialsMetal
- Quinta chair by Mario Botta for Alias, Italy 1984By Mario Botta, AliasLocated in TOURS, FRQuinta chair (model 605) by Mario Botta, for Alias Black lacquered steel structure, seat and back in black perforated sheet steelCategory
Vintage 1980s Italian Post-Modern Dining Room Chairs
MaterialsMetal