Émile Antoine Bourdelle Furniture

Antoine Bourdelle's poster for the 1925 Exposition of Decorative and Industrial Arts. Artist: Bourdelle Antoine Title: Exposition Internationale des A...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture Bronze brutalist bust titled Enfant Riant (Laughing Child) Most probably modeled by his daughter; Rhodia. Bourdelle was...

EMILE-ANTOINE BOURDELLE (French, 1861 - 1929). La Nuit de profil (The Night in profile) Conceived 1900-1904 Cast 1972 Patinated bronze Interior signature "BY BOURDELLE." Foundry st...

Prière du Christ is an original modern artwork realized by the French artist and sculptor Antoine Bourdelle (Montauban, 1861 - 1929) in the first years of the 20th Century. Original colored watercolor on paper. Hand-signed in pencil by the artist on the upper left corner: Bourdelle. Titled on the lower right corner in pencil: Prière du Christ. Excellent conditions. Beautiful and fresh painting depicting christ in prayer. The figure is luminous and the background completely blue. The color gives a great brightness to the whole painting. The figure of Christ is kneeling and wearing a very bright white toga. This work has been realized by the French artist Antoine Bourdelle (Montabaun, 1861 - 1929). Born Émile Antoine Bordelles, he was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work. In 1885, he moved into the studio on 16, impasse du Maine - which is now the museum. That same year, his paster cast of La Première victoire d'Hannibal (The First Victory of Hannibal) won a medal at the Salon of French Artists. In 1900, Bourdelle decorated the theatre of the Grevin Museum. In 1909, Bourdelle started teaching at the Grande Chaumière Academy, where his students included Alberto Giacometti, Germaine Richier, Vieira da Silva and Otto...