André Dunoyer de Segonzac Prints and Multiples

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Richard Florsheim created this color lithograph entitled “Approaching Storm” in 1967 in an edition of 125 pieces. Published by Associated American Artists and printed by Mourlot Press, Paris, this impression is signed and inscribed “Artist Proof.” It is in good condition with full original color. The printed image size is 28.25 x 19 3/4 inches and the paper size is 31.12 x 22 inches. RICHARD ABERLE...

Salvador Dali - Head of Veal - Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

The Wait. Three native Mexican women wait by the sea. This impression is #31/100. An impression of this lithograph is in the permanent collectio...

This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...

This artwork titled "Golden Gate Bridge, San Francisco" 1988 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and inscribed A.P. (Artist Proof) in pencil by the artist. The image size is 26 x 19.5 inches, framed is 37.25 x 31.25 inches. Published and printed by Art Estampes, Paris. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition, the frame has a minor restoration at the lower right side corner, practically invisible. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interiorscapes" or "interior visions...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. 3.75 x 2.75 inches, image 5.5 x 4.5 inches, paper 10 x 8 inches frame Signed and dated in the stone, lower right Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a cherry wood moulding Overall excellent condition; some toning to edges of paper; some minor abrasions to frame Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller. Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas...

This artwork titled "Les Montgolfieres, Place de la Concorde, Paris" 1987 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and numbered 67/250 in pencil by the artist. The image size is 25.25 x 19.5 inches, framed is 37.25 x 31.25 inches. Printed by Atelier d'Art Dejobert, Paris, with their blind stamp at the lower left corner. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interior...

Original vintage poster: WONDERFUL COPENHAGEN created by the artist Viggo Vagnby. This antique poster is archival linen-backed, in excellent condition, and ready to frame. No da...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 11.24 x 8.46 inches Inscription: Unsigned and unnumbered, as issued Notes: From the fo...

Richard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...