Archiguille Art

Artist: William Wegman (American, born 1943) Title: Tote Year: 2001 Medium: photograph Size: 19 x 15 in. (48.3 x 38.1 cm.) Framed: 25 x 21.5 Inches Edition: 29/150 Hand Signed and nu...

Untitled (Taos Landscape) is an oil on canvas painting by Louis Leon Ribak (1902-1979) circa 1950. Signed by the artist in the lower left corner. Painted in colors of yellow, orange, red, green, black, and white. Presented in a custom frame, outer dimensions measure 17 ¼ x 21 ¼ x 1 inches. Image size is 12 x 16 inches. Expedited and International shipping is available - please contact us for a quote About the artist: Born Russian Poland, 1902 Died New Mexico, 1979 Louis Ribak emigrated with his family from Russian Poland to New York City in 1912. He studied at the Art Students League during the early 1920’s under John Sloan. Sloan was an editor for the radical periodical, New Masses, and prompted the young artist to illustrate for the publication. In 1929, Ribak’s involvement with New Masses led him to become a founding member of a closely associated group, the John Reed Club. Over the next few years he exhibited with the club and, in 1933, he received attention from critics including the New York Sun for his painting, Striking Farmers. Ribak joined the Silk Screen Group in the late 1930’s as he believed, along with a group of liberal artists, that the print medium was the “people’s art of the twentieth century.” Also during the 1930’s, Ribak worked for the Works Progress Administration (WPA) as a muralist. In 1942, he married fellow artist Beatrice Mandelman. In the mid 1940’s, the couple followed the advice of John Sloan and moved to New Mexico. The move was prompted in part by the desire for a healthier climate for Ribak but also because they felt a need to leave New York as they had become disillusioned by “dissention between Social Realists and Abstract Expressionists.” In 1947, the Ribaks’ opened and instructed at the Taos Valley Art School. The school closed in 1953 when the couple returned to New York City. However, the move back to New York was short-lived and they settled permanently in Taos in 1956. In 1959, the couple opened the Gallery Ribak in their home. The gallery showed their own work as well as that of other Taos artists...

Peter Boettcher started his career in the late 80’s when he shot cover for the independent music-magazine "spex" as LL Cool J, Morrissey (The Smiths), Son...

Diana and the Three Fates, vintage 1970s semi abstract oil painting on board by 20th century Denver artist, Edward Marecak (1919-1993). Female nude figure of the the Roman virgin goddess, Diana, the protector of childbirth reclining with vases of flowers and the Three Fates looking on. Semi abstract, cubist style painting in bright colors of pink, fuchsia, green, yellow, orange, blue, brown, purple and red. Unframed, custom framing is available. In situ photos are frame mocks ups, the piece is currently unframed. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish...

Oil on canvas painting by Margo Hoff (1910-2008) titled "Pyramid" from 1979. Shows an abstract depiction of two pyramids on top of each other with a brown and red background. Present...

Oil painting on foam core titled "Adam and Eve" by Denver artist Edward Marecak (1919-1993) from 1983. Portrays two semi-abstract figures with shapes in the background, painted in colors of pink, blue, yellow, and brown. Presented in a custom wooden frame, outer dimensions measure 30 ⅞ x 48 ⅞ x 2 ⅝ inches. Image size 30 x 48 inches. Painting is in good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. His junior and senior high projects earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy...

Oil on board painting of abstracted New York City skyline by Charles Ragland Bunnell from 1951. Nocturne cityscape painted in colors of black, shades of blue, and yellow. Presented in a custom black frame, outer dimensions measure 30 ¼ x 12 ¼ x ¾ inches. Image size is 30 x 12 ¼ inches. Painting is in good vintage condition - please contact us for detailed condition report. Provenance: Estate of Charles Ragland Bunnell Expedited and international shipping is available - please contact us for a quote. About the Artist: Charles Bunnell developed a love for art at a very young age. As a child in Kansas City, Missouri, he spent much of his time drawing. When he was unable to find paper he drew on walls and in the margins of textbooks for which he was often fined. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...

Two Mystic Ladies Hiding, 1980s semi abstract geometric painting by Denver, Colorado artist, Edward Marecak. Two reclining female figures, interior scene, bowl of fruit and vase of f...

Three Figures Caught in Stained Glass, vintage 1980s semi abstract painting by Denver modernist, Edward Marecak with three human figures, painted in colors of brown, olive, black, pu...

Geometric farm landscape in green, red, blue, and white circa 1940 by 20th century artist Ralph Anderson. Oil on paper. Presented in a custom hardwood frame with all archival materi...

20th Century Southwestern Native American oil painting Hopi Ceremony in Oraibe, Arizona by New Mexico artist, Charles C. Stewart (1922-...

Original 1958 mid-century modern oil painting by Charles Bunnell (1897-1968), abstract expressionist composition in colors of Yellow, Blue, Teal, Green, Gray, Orange, Red & White, signed and dated lower right. Presented in a vintage gold tone frame, outer dimensions measure 34 ¾ x 28 ¾ x 1 ½ inches. Image size is 29 ¾ x 23 ¾ inches. Painting is clean and in very good vintage condition - please contact us for a complete condition report. Provenance: Estate of Charles Ragland Bunnell Expedited and international shipping is available - please contact us for a quote. About the Artist: Charles Bunnell developed a love for art as a child in Kansas City, Missouri. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...