Arun Bose Abstract Prints

André LANSKOY (1902-1976) Composition Lithographic poster Editor: Mourlot Dimensions: 58.5 x 47.5 cm André Lanskoy was one of the great painters o...

Edward Avedisian (1936-2007) Green Gold, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25 inch...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered from the edition of 65 by the artist. 28 × 38 1/2 inches Unfram...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

André Masson - Composition Original Lithograph 1969 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Laz...

Breathe [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Please...

Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...

This artwork titled "Landscape XI' c.2000 is an original color etching with aquatint by Hungarian/American artist Theodora Varnay Jones, b.1942. It is hand signed, titled and numbered 18/50 in pencil by the artist. The image (plate mark) size is 14.75 x 17.65 inches, framed size is 28.25 x 30 inches. Custom framed in a silver and brown patina frame, with white matting. It is in excellent condition. About the artist: Theodora Varnay Jones, printmaker, sculptor, installation and digital artist, lecturer, and teacher, was born in Budapest, Hungary on 26 February 1942. She graduated from the Hámán Kató Leány Gimnázium before beginning her studies at the Academy of Fine Arts, Budapest where she earned her B.F.A. and, in 1971, her M.F.A. She moved to the United States in the early 1970s and married Monty Jones on 9 September 1972 in Reno. On 27 September 1984 she became a naturalized citizen of the United States. Her creativity seems unlimited and her work has been featured in exhibitions too numerous to enumerate. She is a member of the KALA Art Gallery in Berkeley, California and teaches classes there. SOLO EXHIBITIONS 2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA 2016 "Fugue" Don Soker Gallery, San Francisco, CA 2015 "Resonances" Stanford Art Spaces, Stanford University, CA "Appearances" Lena & Roselli Galeria, Budapest, Hungary 2011 "Theodora Varnay Jones: Prints & Drawings: Selected Archival Work” Baczek Gallery, Berkeley, CA 09/10 "Manifold", (survey) ICA, San Jose, CA 2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA 2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA 2007 "Structures" Don Soker Gallery, San Francisco, CA 2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Undercurrents", Don Soker Gallery, San Francisco, CA 2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n "Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n "Dialectica", Don Soker Gallery, San Francisco, CA 2001 "Transparentia", Don Soker Gallery, San Francisco, CA " Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Mixed Media Works", Shasta College Art Gallery, Redding, CA SFMOMA Artists Gallery, San Francisco, CA 2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y "Microcosmos" Kieler Kloster, Kiel, G e r m a n y 1999 Don Soker Gallery, San Francisco, CA 1998 Don Soker Gallery, San Francisco, CA 1997 Plaza Gallery, Tokyo, J a p a n 1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y 1995 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n 1994 Collectors Gallery, The Oakland Museum, CA 1993 Don Soker Gallery, San Francisco, CA 1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n "Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n 1991 Collectors Gallery, The Oakland Museum, CA 1990 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n Tamura Gallery, Tokyo, J a p a n Gallery 88, Sendai, J a p a n Heian Gallery, Kyoto, J a p a n 1989 Richard Hanson Fine Arts, Fresno, CA 1988 Don Soker Gallery, San Francisco, CA 1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n 1984 Rorick Gallery, San Francisco, CA 1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA TWO AND THRE PERSON EXHIBITIONS 2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez" Consulate General of Mexico, San Francisco, CA 2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA 2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis 2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University 2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA 2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y 1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA 1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA 1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2021 "50th Anniversary Survey Exhibition" Don Soker Gallery at Carriage House Annex, San Francisco, CA "Art in the Time of Corona" NUMU New Museum Los Gatos, CA 2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA 2019 "Hardly Strictly Mini" Bolinas Art Museum, CA "The Artists' Annual" Kala Art Institute Gallery, Berkeley, CA "Annual Members Exhibition" Berkeley Art Center, CA 2018 "Surprise: New Acquisitions" The Janet Turner...

Alberto Magnelli (After) Lithograph, Charles Sorlier 32 x 24 cm 1971 XXe siècle, San Lazzaro Signed in the plate Unumbered as issued

Pierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...