Augustus Rockwell Art

In this detailed and colorful rendering of a Vermont countryside entitled “Reminiscence of Vermont,” William Hart paints two figures walking along a stream

"Seascape," by Hudson River School artist George Herbert McCord (1848-1909) is oil on canvas and measures 18.07 x 30.13 inches. The work which comes from a private collection in Birmingham, Alabama is signed “G.H. McCord A.N.A.” at the lower left. The work is framed in a beautiful, period appropriate frame, and ready to hang. A member of the second generation of Hudson River School painters, George Herbert McCord is known for his atmospheric landscape and marine paintings which capture a variety of locales and are executed in a variety of media—including oil, pastel, and watercolor. McCord was born in 1848 in New York City, where he lived and worked his entire life. After 1883, he kept an additional studio in Morristown, NJ. McCord traveled throughout North America, painting in the Berkshire, Adirondack and Laurentian mountain ranges, the Hudson River Valley, the Coast of New England, the Upper Mississippi, and Florida, which had become popular among Eastern vacationers. He was among a select group of artists commissioned by the Santa Fe Railroad to paint the Grand Canyon, and also participated in a special painting excursion to the Erie Canal. His travels in Europe were equally expansive, taking him to England, Scotland (having been commissioned by Andrew Carnegie to paint the scenery around his castle there), France, the Netherlands, and Italy. McCord was well-educated, having attended Claverack College amidst the Catskills in Claverack, NY, which provided instruction in classical, French, German, English, music, painting, military, commercial, telegraphic and agricultural studies. He also studied with the accomplished painter and inventor of Morse code, Samuel F.B. Morse, and with the Scottishborn landscape painter, James Fairman. McCord was active in numerous art clubs and institutions in New York, including the National Academy of Design, which elected him an Associate member in 1880, the American Watercolor Society, the Brooklyn Art...

Beautiful Hudson River School Original gouache autumnal landscape of vivid sunset through forest by Charles Russell Loomis (American 1857 - 1936), circa 1880. Warm and cool tones wit...

Shore III, Oil on Board, 21x18. It is framed. It is a stormy, abstracted landscape in a Hudson River School painting style. In Sharon Gordon's landscapes, you can feel her deep co...

Painted by Hudson River School artist Thomas Benjamin Pope (1834–1891), "Highlands - Hudson River from West Point Looking North" is oil on canvas ...

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...

Hudson River School artist Ernest Parton's (1845-1933) "Anglers on an Adirondack Lake" is oil on canvas, measures 10 x 20 inches, and is signed and dated 1871 at the lower left. The ...

Shawangunk Mountains [View from top of Granit Road Looking Southeast] by Hudson River School artist Lemuel Maynard Wiles (1826-1905) is oil on can...

Painted by Hudson River School artist Frederick Rondel, Sr. (1826-1892), "Haying in the Hudson River Valley" is oil on canvas, measures 10.25 x 14 inches, and is signed by Rondel at ...

A rare depiction of Lake Mohonk, this painting by Hudson River School artist Nelson Augustus Moore (1824-1902) features Sky Top Tower and the serene natural surroundings of the historic Mohonk Mountain House. This 19th century oil painting on canvas measures 12 x 17.75 inches. The painting is signed and dated at the lower right, signed again and titled "Lake Mohonk" on the verso. The painting is framed is ready to hang. Nelson Augustus Moore was born on August 2, 1824, in Kensington, CT. His artistic studies began under the tutelage of Thomas Cummings and Daniel Huntington in New York City. After returning home to Connecticut, Moore taught drawing classes and also opened a photography business. He and his brother operated this daguerreotype studio in Hartford, CT until 1864 when Moore chose to return to landscape painting. His landscapes consisted mostly of New England subjects. He kept a studio in New York, painting in the same building as Arthur Fitzwilliam Tait, James Hart and William Hart. Nelson Augustus Moore, while sharing in many ideologies with his contemporaries, felt no need to travel vast distances in search of grandiose and spectacular landscapes. He held a particular delight in the peaceful harmony of the local American countryside...

Franklin Stanwood was born in Portland Maine and was raised by a captain. He was very self taught as he began his painting journey and practiced many di...

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.