Awaji Pottery Garniture

Vintage Japanese Satsuma Covered Ginger Jar This Japanese jar decorated with birds, flowers, and satsumas would be a beautiful gift for a vin...

Discover the Japanese Imari Porcelain Ginger Jar with hand-painted birds and lotus flowers, symbolizing perfection and immortality. We sell items as acquired, without restoring or...

This Vintage Japanese Porcelain Ginger Jar features a striking hand-painted bamboo design, signed by the artist in Japanese. Its mid-20th-century Asian craftsmanship adds a touch of ...

A beautiful pair of Chinese Porcelain Qianlong vases, lidded ginger jars with the Qing Pottery markings. Hand painted designs are intricate and plentiful...

Pair of early 20th century cloisonné ginger jars with lids featuring a design of chrysanthemums and swirling tendrils in white on a turquoise blue ground. Dimensions: 5.5" x 7.75" (...

Pair of Chinese cinnabar covered ginger jars decorated with carved figural landscapes Late Qing dynasty Measures: H 8 in. (20.3 cm).

Chinese Blue & White 'Prunus' Jar/Vase & Cover Early Qing Dynasty (1644–1911) This impressive Chinese Blue & White 'Prunus' Jar/Vase and Cover, dating to the Early Qing Dynasty, is...

A pair of blue and white porcelain ginger jars with cherry blossom design, circa mid-20th century, Japan. A great set for a table, mantel, shelf or cabinet, etc. Very good condition ...

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

A finely made Art Deco Carlton Ware pottery Rouge Royal Mikado pattern lidded ginger jar dating between 1935 and 1955. The jar stands on a narrow...

DIMENSIONS: Height: 12.5 inches Width: 6.75 inches Depth: 6.75 inches ABOUT AWAJI POTTERY Awaji pottery was made on the Japanese island of the same name between 1830 and 19...

A rich, monochrome red glaze coats this ginger jar shaped contemporary vase, drawing attention to its updated profile and its sculptural Fu dog top. Referred to as shizi, these mythi...