Awaji Pottery Garniture

A beautiful pair of Chinese Porcelain Qianlong vases, lidded ginger jars with the Qing Pottery markings. Hand painted designs are intricate and plentiful...

A pair of Chinese blue and white ginger jars, 20th Century. 11 inches wide by 11 ½ inches tall

A pair of blue and white porcelain ginger jars with cherry blossom design, circa mid-20th century, Japan. A great set for a table, mantel, shelf or cabinet, etc. Very good condition ...

Pair of early 20th century cloisonné ginger jars with lids featuring a design of chrysanthemums and swirling tendrils in white on a turquoise blue ground. Dimensions: 5.5" x 7.75" (...

A Chinese Turquoise Glazed Pottery Jar, 19th Century Provenance: Private Australian Collection. Dimensions: Height: 36.5cm. Diameter: 26cm.

Stunning and large emerald green hand card ceramic Awaji vase with iris design. This dynamic vase shows the artistry of the Japanese during the 1920s. Magnificent scale and a vibrant...

Pair of Chinese cinnabar covered ginger jars decorated with carved figural landscapes Late Qing dynasty Measures: H 8 in. (20.3 cm).

Exquisite Mid-Century Orange Italian Pottery Ginger Jar Chinoiserie. Hand Painted Flower Detail, Lidded.

This turquoise Chinese ginger jar is a striking example of mid-20th century porcelain, crafted circa 1950s in the style of the celebrated Jingdezhen ceramicist Wang Bingrong. This vi...

Discover vintage charm with this Chinese porcelain ginger jar in classic blue and white. Ideal for collectors and elegant home decor. We sell items as acquired, without restoring ...

This Vintage Japanese Porcelain Ginger Jar features a striking hand-painted bamboo design, signed by the artist in Japanese. Its mid-20th-century Asian craftsmanship adds a touch of ...

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...