Ben-Zion Art

GLOWING SILHOUETTE Size: 33.5 x 21 cm (including frame) Oil on Board A small yet striking mid-century semi-abstract figurative composition, executed in oil onto board. The painting...

A Pair of Modernist Landscapes by listed female artist Margaret Munro Stratton McLennan. Margaret was a painter working in the early 20th Century in the Syracuse area. These charmi...

'Port of Saint-Malo', oil on canvas affixed to board, French Modern School (1984). Although the artist dated this painting '84, it depicts a nostalgic view of the port of Saint-Malo in Western France's, Brittany in 1884 judging by the clothing worn by the characters depicted. The crowd on the shoreline is watching a sailboat regatta starting just inside the port's breakwater. A rather rare sunny day in Brittany brought out the parasols of the sitting ladies on the edge of the old ramparts. The walled city...

'Seated Woman', oil on board, by François Diana (circa 1970s). This work of sumptuous colour and sensuous subject matter elicits an immediate response. ...

COURTYARD HARVEST Size: 64.5 x 75 cm (including frame) Oil on board An expressive and naïve style mid-century figurative painting, executed in oil onto canvas. The composition capt...

A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...

Trees is an Original China Ink and Pen Drawing realized by Gustave Pierre. Hand-signed by the artist on the lower right corner. Good condition included a white cardboard passpartout (48.5x32.5 cm). Gustave René Pierre...

Jim’s of Lambertville is proud to offer this artwork: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

A strong modernist oil painting depicted in the 1950's of a Boy seated with a bowl of fruits. Comes displayed in a distressed wood frame, signed lower left illegibly. Art measures 1...

"Tailor" WPA American Scene Social Realism Modernism Mid Century Modern Fashion Mervin Jules (1912 – 1994) "The Tailor" 9 1/2 x 15 1/2 inches Oil on masonite, c. 1930s Signed lower ...