Bernard Glasgow Art

"Spirit" a bold and thoughtful cubist oil on canvas was painted in December of 2001 by African American artist William (Bill) Cooper. William Y. Cooper was a writer, painter, muralist, illustrator, and art teacher. He moved to Western New York in 1954 from Birmingham, Alabama, to pursue work, and Buffalo has been his home ever since. In 1975, he received his Bachelor of Fine Arts degree from the University at Buffalo; he was also a state certified art teacher. Cooper woked primarily in oils and acrylics, but also creates drawings on paper. He has painted several commissioned murals and has had more than fifteen one-man shows in Western New York and Ghana, West Africa, and has participated in more than twenty-five group exhibitions since he began his professional career in 1969. His paintings and drawings address both his African heritage and his experience as an American through symbolism and metaphor. He observes, “I am an Afrocentric artist. My worldview is rooted in an African frame of reference and a deep, abiding sense of the creator from whence I draw my inspiration, strength, and a sense of who I am. The use of symbols allows me to explore literal ideas.” Among Cooper’s published works are two children’s books, 77 Jackson Street, Rear and Nakai and the Red Shoes, and a novel for adults, The Mopane Tree. Cooper founded the Afrocentric Artists’ Collective and ran the organization from 1979 to 1981. In 2013 he was designated a “Living Legacy” artist by the Burchfield Penney Arts Center, the latest in a series of honors which has also included awards from the Arts Council of Buffalo & Erie County, the New York State Council on the Arts, and Alpha Kappa Alpha...

Predominantly recognized as a self-taught painter, he also worked in architectural murals, sculptures, ceramics, prints and drawings. Vigas is one...

Very finely executed modernist ballet scene. Pastel and gouache on paper. Handsomely framed. Image size, 12H by 16L.

Beautiful cubist portrait of a woman by unknown Russian artist. Oil on canvas measures 17 x 25 inches. Signed and dated lower right. Label fragments affixed on verso.

Cubist portrait woman. Patrick Boudon. Art Informel. Ecole de Paris. 1970s. Technique: oil on canvas, very textural and colorful. Patrick BOUDON (1944-2019), signed. Oil on canvas....

Shlomo Zafrir is active/lives in Israel, France. Shlomo Zafrir is known for cubist painting. Shlomo Zafrir is a painter and, at the same time, the owner of a nightclub called Omar K...

Osborne was born in Portsmouth, England in 1919 and died in 2016. He served in WW2 with the Royal Artillery and was a prisoner of war in Italy and Germany for over three years. After the war he pursued his art studies with a grant from the London County Council, and studied at the Camberwell School of Arts and Crafts. After Camberwell, it was his affinity for Irish landscape that brought him in 1950 to live in Donegal, Ireland. In this year he exhibited in the Royal Academy. In 1952 he emigrated to Ontario, Canada with his first wife the late artist Jean Osborne, a protegy of Paul Nietsche...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

"In the studio" is an cubist and abstract painting by the Armenian-Bulgarian artist Maestro Arshak Nersisyan. This painting is dedicated in 2013 to his beloved woman Nadya. About th...

The waitress. Oil on canvas, three quarter portrait of a beautiful waitress. Cubist style Measurements in centimeters: 122 x 48 x 2 cm / Framed: 152 x 78 x 4 cm. In Inches: 48.03 x 18.9 x 0.79 " Framed: 59.84 x 30.71 x 1.57 " Original three-quarter close-up of the surprised model at work, with the carefree and seductive air of young and happy waitresses at work. The painting is harmonious in its rich shades of blue, white, grey and violet, combined with muted, earthy tones and tints of ocher flesh. The flattened perspectives, the fractured surfaces and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...

ARTIST: Vladimir Cora MEIDUM: Oil on canvas Signed & dated lower left "Vladimir Cora 89" Painting dimensions 39 x 31 inches Framed dimensions 47 x 38 inches Seated Woman Oil/Canvas...

In this mid-century modern oil painting, two Chinese male figures in yellow and red clothing are featured predominantly in foreground of an urban landscap...