Bernard Lorjou Art

“Le Hibou” (The Owl), a Limited Edition and Hand-Signed Woodblock by Bernard Lorjou, is a piece for the true collector. This whimsical, abstract, realist, expressionist portrait of an owl is perfect for those who have an affinity for abstracts, birds, nature, and modern art. Depending on your choice of frame, this can be the perfect fit in a myriad of room styles, from a contemporary or modern room to a cabin retreat or eclectic-styled home. Contact us today for custom framing options to best suit this artwork to the style of your residential or commercial project. In the early years, Bernard Lorjou talked mainly of Tintoretto and El Greco, and his enthusiasm for Rembrandt developed somewhat later. He professed not to like Van Gogh, but it seems evident that Van Gogh’s late Provençal landscapes must have emboldened him in his early approach to both landscape and portraiture. Lorjou was represented in numerous exhibitions through his career as an artist – in the great salons of Paris and Musee d’ Art Moderne – and alongside some of the leading artists of the 20th Century, including Pablo Picasso, Fernand Leger, Georges Rouault, Marc Chagall, and Raphael Soyer. Artist: BERNARD LORJOU (1908-1986) Title: LE HIBOU (THE OWL) Medium & Surface: COLOR WOODBLOCK ON AUVERGNE PAPER WITH DECKLED EDGES (unframed) Signed/Numbered: HAND SIGNED & NUMBERED IN PENCIL BY ARTIST (WITH LORJOU CUSTOM WATERMARK EMBEDDED IN PAPER) Number: 73 OF 150 Year Created: 1965 Country of Creation: FRANCE Image Area Dimensions:* 10 x 14 INCHES Paper Dimensions:* 16.875 x 22.125 INCHES *The border is not included in the image area dimensions. Frame Dimensions:** UNFRAMED **This work of art is being sold unframed. Mock frame images have been provided in the image bank to help you visualize the work after framing. Contact us for Custom Archival Framing options. Additional Info: THIS WORK HAS NEVER BEEN FRAMED, SO THERE IS NO HINGING OR OTHER REMNANTS FROM FRAMING, WHICH IS RARE TO FIND. IN 1965, LORJOU CREATED WOODBLOCKS FROM HIS ILLUSTRATIONS “LE BESTIAIRE OU CORTÈGE D'ORPHÉE” BY GUILLAUME APOLLINAIRE, WHICH WAS PUBLISHED BY EDITIONS D’AUTEUIL AND PRINTED BY ROBERT BLANCHET IN AN EDITION OF 230 COPIES. APOLLINAIRE WAS A HIGHLY ORIGINAL POET WHOSE VISUAL IMAGERY WITH SURREALIST JUXTAPOSITIONS INSPIRED MANY ARTISTS TO ILLUSTRATE HIS WORK. THE MOST POPULAR BEING ALCOOLS, FIRST PUBLISHED WITH A FRONTISPIECE BY PABLO PICASSO IN 1913. A NUMBER OF ARTISTS ILLUSTRATED HIS BESTIAIRE. IT IS A COLLECTION OF SHORT POEMS, EACH REPRESENTING THE QUALITIES OF A PARTICULAR ANIMAL. WHEN FIRST PUBLISHED, IN 1911, IT WAS ILLUSTRATED WITH WOODCUTS BY RAOUL DUFY. THE LORJOU WOODCUT FEATURED IN THIS LISTING IS ONE OF THOSE WORKS, “LE HIBOU.” IN THE PHOTO BANK, WE HAVE INCLUDED IMAGES OF HIS STUDIO WITH MANY OF THE WORKS FEATURED IN “LE BESTIAIRE,” WITH “LE HIBOU” (THE OWL) SHOWN LAYING ON THE FLOOR IN THE CENTER OF OTHER WORKS IN ONE OF THE IMAGES. A RARE PROOF OF THIS WORK IS IN THE PERMANENT COLLECTION OF THE VICTORIA AND ALBERT MUSEUM IN LONDON, BEQUEATHED BY POET AND SCHOLAR WALTER STRACHAN. IN APOLLINAIRE’S OWN WORDS, HE DESCRIBES THE OWL: “MY POOR HEART IS AN OWL WE NAIL, WE UNCLAMP, WE RECLAIM. BLOOD, ARDOR, HE IS EXHAUSTED. ALL THOSE WHO LOVE ME, I PRAISE THEM.” Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Bernard Lorjou was born on September 9, 1908 in Blois, France. He was a born painter. In 1924, he headed to Paris, where he lived in extreme poverty in a small room on the rue Raspail. Eventually, his funds ran out, so he started sleeping in the Orsay train station. Within a year, he found work with the silk house Ducharne. He used his income at Ducharne to finance his formal studies at the Evening School of the City of Paris. At Ducharne, he designed patterns for prints that became sought by fashion houses ranging from Jacques Fath, Balmain, Lanvin, and Christian Dior, and worn by many notable women of the period, including Marlene Dietrich, Dolores del Rio, Jane Aubert...

“Le Hibou” (The Owl), a Limited Edition and Hand-Signed Woodblock by Bernard Lorjou, is a piece for the true collector. This whimsical, abstract, realist, expressionist portrait of an owl is perfect for those who have an affinity for abstracts, birds, nature, and modern art. Depending on your choice of frame, this can be the perfect fit in a myriad of room styles, from a contemporary or modern room to a cabin retreat or eclectic-styled home. Contact us today for custom framing options to best suit this artwork to the style of your residential or commercial project. In the early years, Bernard Lorjou talked mainly of Tintoretto and El Greco, and his enthusiasm for Rembrandt developed somewhat later. He professed not to like Van Gogh, but it seems evident that Van Gogh’s late Provençal landscapes must have emboldened him in his early approach to both landscape and portraiture. Lorjou was represented in numerous exhibitions through his career as an artist – in the great salons of Paris and Musee d’ Art Moderne – and alongside some of the leading artists of the 20th Century, including Pablo Picasso, Fernand Leger, Georges Rouault, Marc Chagall, and Raphael Soyer. Artist: BERNARD LORJOU (1908-1986) Title: LE HIBOU (THE OWL) Medium & Surface: COLOR WOODBLOCK ON AUVERGNE PAPER WITH DECKLED EDGES (unframed) Signed/Numbered: HAND SIGNED & NUMBERED IN PENCIL BY ARTIST (WITH LORJOU CUSTOM WATERMARK EMBEDDED IN PAPER) Number: 70 OF 150 Year Created: 1965 Country of Creation: FRANCE Image Area Dimensions:* 10 x 14 INCHES *The border is not included in the image area dimensions. Frame Dimensions:** UNFRAMED **This work of art is being sold unframed. Mock frame images have been provided in the image bank to help you visualize the work after framing. Contact us for Custom Archival Framing options. Additional Info: THIS WORK HAS NEVER BEEN FRAMED, SO THERE IS NO HINGING OR OTHER REMNANTS FROM FRAMING, WHICH IS RARE TO FIND. IN 1965, LORJOU CREATED WOODBLOCKS FROM HIS ILLUSTRATIONS “LE BESTIAIRE OU CORTÈGE D'ORPHÉE” BY GUILLAUME APOLLINAIRE, WHICH WAS PUBLISHED BY EDITIONS D’AUTEUIL AND PRINTED BY ROBERT BLANCHET IN AN EDITION OF 230 COPIES. APOLLINAIRE WAS A HIGHLY ORIGINAL POET WHOSE VISUAL IMAGERY WITH SURREALIST JUXTAPOSITIONS INSPIRED MANY ARTISTS TO ILLUSTRATE HIS WORK. THE MOST POPULAR BEING ALCOOLS, FIRST PUBLISHED WITH A FRONTISPIECE BY PABLO PICASSO IN 1913. A NUMBER OF ARTISTS ILLUSTRATED HIS BESTIAIRE. IT IS A COLLECTION OF SHORT POEMS, EACH REPRESENTING THE QUALITIES OF A PARTICULAR ANIMAL. WHEN FIRST PUBLISHED, IN 1911, IT WAS ILLUSTRATED WITH WOODCUTS BY RAOUL DUFY. THE LORJOU WOODCUT FEATURED IN THIS LISTING IS ONE OF THOSE WORKS, “LE HIBOU.” IN THE PHOTO BANK, WE HAVE INCLUDED IMAGES OF HIS STUDIO WITH MANY OF THE WORKS FEATURED IN “LE BESTIAIRE,” WITH “LE HIBOU” (THE OWL) SHOWN LAYING ON THE FLOOR IN THE CENTER OF OTHER WORKS IN ONE OF THE IMAGES. A RARE PROOF OF THIS WORK IS IN THE PERMANENT COLLECTION OF THE VICTORIA AND ALBERT MUSEUM IN LONDON, BEQUEATHED BY POET AND SCHOLAR WALTER STRACHAN. IN APOLLINAIRE’S OWN WORDS, HE DESCRIBES THE OWL: “MY POOR HEART IS AN OWL WE NAIL, WE UNCLAMP, WE RECLAIM. BLOOD, ARDOR, HE IS EXHAUSTED. ALL THOSE WHO LOVE ME, I PRAISE THEM.” Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Bernard Lorjou was born on September 9, 1908 in Blois, France. He was a born painter. In 1924, he headed to Paris, where he lived in extreme poverty in a small room on the rue Raspail. Eventually, his funds ran out, so he started sleeping in the Orsay train station. Within a year, he found work with the silk house Ducharne. He used his income at Ducharne to finance his formal studies at the Evening School of the City of Paris. At Ducharne, he designed patterns for prints that became sought by fashion houses ranging from Jacques Fath, Balmain, Lanvin, and Christian Dior, and worn by many notable women of the period, including Marlene Dietrich, Dolores del Rio, Jane Aubert...

“Le Hibou” (The Owl), a Limited Edition and Hand-Signed Woodblock by Bernard Lorjou, is a piece for the true collector. This whimsical, abstract, realist, expressionist portrait of an owl is perfect for those who have an affinity for abstracts, birds, nature, and modern art. Depending on your choice of frame, this can be the perfect fit in a myriad of room styles, from a contemporary or modern room to a cabin retreat or eclectic-styled home. Contact us today for custom framing options to best suit this artwork to the style of your residential or commercial project. In the early years, Bernard Lorjou talked mainly of Tintoretto and El Greco, and his enthusiasm for Rembrandt developed somewhat later. He professed not to like Van Gogh, but it seems evident that Van Gogh’s late Provençal landscapes must have emboldened him in his early approach to both landscape and portraiture. Lorjou was represented in numerous exhibitions through his career as an artist – in the great salons of Paris and Musee d’ Art Moderne – and alongside some of the leading artists of the 20th Century, including Pablo Picasso, Fernand Leger, Georges Rouault, Marc Chagall, and Raphael Soyer. Artist: BERNARD LORJOU (1908-1986) Title: LE HIBOU (THE OWL) Medium & Surface: COLOR WOODBLOCK ON AUVERGNE PAPER WITH DECKLED EDGES (unframed) Signed/Numbered: HAND SIGNED & NUMBERED IN PENCIL BY ARTIST (WITH LORJOU CUSTOM WATERMARK EMBEDDED IN PAPER) Number: 70 OF 150 Year Created: 1965 Country of Creation: FRANCE Image Area Dimensions:* 10 x 14 INCHES *The border is not included in the image area dimensions. Frame Dimensions:** UNFRAMED **This work of art is being sold unframed. Mock frame images have been provided in the image bank to help you visualize the work after framing. Contact us for Custom Archival Framing options. Additional Info: THIS WORK HAS NEVER BEEN FRAMED, SO THERE IS NO HINGING OR OTHER REMNANTS FROM FRAMING, WHICH IS RARE TO FIND. IN 1965, LORJOU CREATED WOODBLOCKS FROM HIS ILLUSTRATIONS “LE BESTIAIRE OU CORTÈGE D'ORPHÉE” BY GUILLAUME APOLLINAIRE, WHICH WAS PUBLISHED BY EDITIONS D’AUTEUIL AND PRINTED BY ROBERT BLANCHET IN AN EDITION OF 230 COPIES. APOLLINAIRE WAS A HIGHLY ORIGINAL POET WHOSE VISUAL IMAGERY WITH SURREALIST JUXTAPOSITIONS INSPIRED MANY ARTISTS TO ILLUSTRATE HIS WORK. THE MOST POPULAR BEING ALCOOLS, FIRST PUBLISHED WITH A FRONTISPIECE BY PABLO PICASSO IN 1913. A NUMBER OF ARTISTS ILLUSTRATED HIS BESTIAIRE. IT IS A COLLECTION OF SHORT POEMS, EACH REPRESENTING THE QUALITIES OF A PARTICULAR ANIMAL. WHEN FIRST PUBLISHED, IN 1911, IT WAS ILLUSTRATED WITH WOODCUTS BY RAOUL DUFY. THE LORJOU WOODCUT FEATURED IN THIS LISTING IS ONE OF THOSE WORKS, “LE HIBOU.” IN THE PHOTO BANK, WE HAVE INCLUDED IMAGES OF HIS STUDIO WITH MANY OF THE WORKS FEATURED IN “LE BESTIAIRE,” WITH “LE HIBOU” (THE OWL) SHOWN LAYING ON THE FLOOR IN THE CENTER OF OTHER WORKS IN ONE OF THE IMAGES. A RARE PROOF OF THIS WORK IS IN THE PERMANENT COLLECTION OF THE VICTORIA AND ALBERT MUSEUM IN LONDON, BEQUEATHED BY POET AND SCHOLAR WALTER STRACHAN. IN APOLLINAIRE’S OWN WORDS, HE DESCRIBES THE OWL: “MY POOR HEART IS AN OWL WE NAIL, WE UNCLAMP, WE RECLAIM. BLOOD, ARDOR, HE IS EXHAUSTED. ALL THOSE WHO LOVE ME, I PRAISE THEM.” Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Bernard Lorjou was born on September 9, 1908 in Blois, France. He was a born painter. In 1924, he headed to Paris, where he lived in extreme poverty in a small room on the rue Raspail. Eventually, his funds ran out, so he started sleeping in the Orsay train station. Within a year, he found work with the silk house Ducharne. He used his income at Ducharne to finance his formal studies at the Evening School of the City of Paris. At Ducharne, he designed patterns for prints that became sought by fashion houses ranging from Jacques Fath, Balmain, Lanvin, and Christian Dior, and worn by many notable women of the period, including Marlene Dietrich, Dolores del Rio, Jane Aubert...

In the tradition of Van Gogh, Picasso, Soutine and Buffet, Lorjou has a strong identity as an artist. This expressive and painterly still life of a fish would be a masterful additio...

"Harlequin" is exploding with bright primary Expressionist colors of rich red, yellow, green and blue in a Mid-20th century Cubist style. Bernard Lorjou was a French painter of Expressionism and a founding member of the anti-abstract art Group "L'homme Témoin". He was born in Blois, in the Loire et Cher department of France to an impoverished family just before World War I. Lorjou was to receive the bulk of his education, as he put it, “in the streets.” At the age of 13, with his desire to learn to paint, he left for Paris and lived through years of hardship and often slept in metro and train stations while working without pay as an errand boy for a printing house. He eventually found a position as a silk designer where he met his future wife Yvonne Mottet, also an artist and painter. Lorjou finds success as a silk designer. Over the next 30 years, his designs not only adorn the bodies of many of the world's most prominent women but also provide him an income that allow him to paint on a full-time basis. Lorjou exhibits for the first time at the Salon des Indépendents in 1928. During travels through Spain in 1931, he is stricken by the expressive strong styles of the artists El Greco, Velasquez, and most of all Goya. Inspired by Goya, Lorjou begins painting socio-political events. In 1948, he shares the Critic’s Award with Bernard Buffet. In the same year, Lorjou forms the art group “l’Homme Temoin” with art critic Jean Bouret by declaring that "man is an eater of red meat, fried potatoes, fruit and cheese". The group bands together in an effort to defend figurative painting against the abstract movement and will eventually attract other painters such as Bernard Buffet, Jean Couty, André Minaux, Charazac, and Simone Dat. Though his style changes throughout his career, his constants are the power of his images and the rich precision of his use of vibrant color. He is supported by prominent art figures like Georges Wildenstein and Domenica Walter, the widow of Paul Guillaume. Lorjou becomes known for his extravagant exhibits and combative spirit. His works are exhibited widely throughout the world, namely in France, the United States, and in Japan. Lorjou’s body of work includes thousands of paintings, a collection wood engravings, ceramic and bronze sculptures, lithographs, illustrated books, socially oriented posters...

Wonderful painting by the french painter Lorjou: an abstract still life with flowers. Bernard Lorjou (September 9, 1908 – January 26, 1986) was a French painter of Expressionism and ...