Bob Stuth-Wade Landscape Drawings and Watercolors

Claude Muncaster (British, 1903-1974) Cowdray ruins, West Sussex Pencil and watercolour 12.1/2 x 9 in. (31.7 x 22.8 cm.) Provenance: Garton & Cooke, New Bond Street, London Exhibitio...

Dove, Arthur (American, 1880-1946). OIL BOAT. Watercolor and crayon on paper, 1932. Signed "Dove," lower right. Provenance, Alfred Stieglitz, American Place Gallery; Terry Dintenfass...

Fabulous watercolor of Venice, Italy done by the Austrian artist, Theodor Alphons. Signed and dated lower left, 1895. Framed in a beautiful custo...

Illustration for book by Agnieszka Frączek 'Who needs a mammoth' JOANNA RUSINEK Printmaker, illustrator of children's books, author of press ill...

Beautiful watercolor and gouache on archival paper by the well known Maine artist Bill Paxton. The watercolor depicts what Portland harbor in Maine looked like in 1910 with sailing vessels of the era moored in the harbor. Signed lower right by the artist. Titled verso. Circa 1975. Condition is excellent and is finely matted and framed. The artwork is matted and framed in a thin gold leaf custom gallery frame. Overall framed measurements are 17.5 by 21.75 inches. Provenance: Sarasota, Florida estate. William (Bill) Paxton 1930—2007 William Paxton, born August 5, 1930 in Lewiston, was one of Maine’s top selling artists. He had a passion for painting and from a young age he was known for his talents in sketching. Paxton captured many popular Maine scenes with watercolor, acrylic, and oils. His work also includes historical scenes he referenced in books from as early as the 1920’s, painting locomotives, aircraft, and war scenes. Paxton’s art is sold all over the world. As a student at Bridgton Academy, he was featured in his yearbook. It states, “When artist Bill picks up his pen, we all stand at attention, for his remarks and pictures are certainly worth mention.” He wanted to pursue a career selling his art, but it was during the time of the Great Depression. Also in his younger years, Paxton had an interest in skiing and won a medal for Second Highest Ski Jump. From there he went to flying and received a certification for Second-in-Command, to fly alongside the captain in a C-46F type of aircraft. He then joined the Air Force in the 40’s, although his passion and talents for art were constant throughout his life. Paxton quickly became the front line military sketch...

Albert Goodwin (British, 1845-1932) Cattle watering on the River Witham, Lincoln Cathedral beyond Watercolour Signed and dated ‘A.Goodwin, 1875’ (lower left) 5. 5/8 x 10. 3/4 in (14....

Very well executed original gouache on archival paper of a group of figures on an overlook viewing the Bay of Naples by the Italian artist, Maria Ada Gianni...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

Attributed to Felix Ziem and painted circa 1900. Bearing signature, lower right, 'F. Ziem' for Felix Francois Georges Philibert Ziem (1821-1911) Framed dimensions: 13.75 x 18 x .75 ...

This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...

This Ink and watercolour masterpiece is featured in Bloomsbury's 2011 publication, showcasing the artist's sketchbook (Note 1). Created en plein air, Shizico Yi painted this piece in...