Bodil Marie Nielsen Table Lamps

Beautiful lamp made by the famous Italian ceramist Tarcisio Tosin, figure of a woman in Art Nouveau style, signed by the artist. The company called: Cer...

Unique stoneware lamp handmade by Danish artist Bodil Marie Nielsen at her own workshop in Denmark in the 1960s. Organic shape with a beautiful light glazing with pale pink elements....

Tall table lamp by Nils Kähler from Herman August Kähler's ceramic workshop in Denmark. Made ca 1960s. The lamp base has an incised pattern and the glossy glaze is amber / curry co...

Our Bubbly Lamp Mini is digitally grown to imitate the fractal growth of botryoidal crystals in Nature. Hand crafted by artisans in Peru with unique custom...

Tall Danish midcentury ceramic lamp base from the Danish pottery studio E&J ceramics. The studio was run by the couple Eva and Johannes Andersen in Denmark in the midcentury period....

A large hand-painted green, beige brown stoneware table lamp designed by Noomi Backhausen and produced by Søholm, 1960s. Dimensions of Lamp (inches): 19” H x 9.5” Diameter Dimension...

A mahogany and brass table lamp with decorative stone rocks.

Midcentury French ceramic table lamp by Jean Rivier (circa 1960s). A conically shaped lamp of earthenware with a subtle molten green glaze over the brown matt surface. The clay was l...

Gustave Reynaud France, 1960's Ceramic table lamp with customized shade by The Apartment. H 54 x Ø 30 cm

Mid Century table lamp designed and produced in Italy during the 1960s. Beautiful and unique ceramic. Very good original vintage condition. Standard bulb. Only one unique piece.

An organic and Brutalist style Butterly table lamp. No chips or cracks. Has been professionally rewired and PAT tested. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Vintage Accolay brutalist ceramic table lamp with metal shade and amber color resin decorations. Dimensions - H(total/shade) 49/33 cm, D(base/shade) 16/26 cm.