Burton Silverman Portrait Drawings and Watercolors

A colorful self-portrait from Ben Fenske, staring at the viewer straight-on. Hues of red dominate. Unframed. Ben Fenske (b. 1978) although a native of Minnesota, and has been worki...

French school circa 1880 Portrait of a boy holding a book graphite and white gouache on paper 39.5 x 32 cm oval view in good condition, slightly yellowed with age In its original ova...

Melchior DOZE (1827-1913) Study of a saint, ca. 1875-79 Preparatory drawing for the decoration of the church of Saint-Félix de Saint-Gervasy (Gard), chapel of the Cross (south side),...

Early in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...

A charcoal portrait drawing of a young woman. "The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow,...

Drawing of Putti with Anchor Jean-Jacques le Barbier l'Ainé (1738-1826) Black pencil on paper Signed and dated lower left "...1822. 12 years l waiting" Considering that the anchor ...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...

A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836 As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

Four young English girls with flowers are shown in a line and moving from left to right. They are pushed forward on the picture plane as if they were on a stage with a simple indica...

A colorful sketch of a female bust, in the style of contemporary academic realism. Artist Bio Ben Fenske (b. 1978) although a native of Minnesota, a...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

Study for the Head of a Monk Attributed to Enrico Reffo Charcoal and white chalk on ochre-toned paper Size: 39 x 32 cm Italy, late 19th - early 20th century This drawing belongs to ...